
While “Decimation,” the post
House of M storyline running through Marvel’s X-Men titles this fall promises action as, or more intense as what was seen throughout the eight issue miniseries and related series. The four-issue
Generation M miniseries is likely to be one of the quieter spots that you’ll find in the mutant landscape.
Written by Paul Jenkins, with art by Ramon Bachs and covers by Stuart Immonen, the miniseries has been described as a post-House of M tour of Marvel’s mutants, checking in on them in almost a vignette fashion. For those who’ve read Jenkins work, it’s a style he’s well known for. We spoke with Jenkins briefly about the upcoming miniseries.
Though he couldn’t explain too many of the details of the state of the mutant portion of the Marvel Universe following House of M, Jenkins was able to give a little insight into the mechanism by which he’ll be telling his story.
“It’s all seen through the eyes of a woman, a reporter named Sally Floyd,” Jenkins said. “She’s not like Phil Sheldon in
Marvels, though - she works for a newspaper that’s kind of like
The Village Voice called
The Alternative, something its critics like to refer to as a left-wing rag.
“She’s the hip, in-town writer who’s done a well-known column for years called ‘The Mutant Diaries,’ where she’d interview mutants one-on-one and get to know them. Something like an interview with Chamber. There’s actually a bit in there where she’s interviewing Chamber, and he asks her about the soccer results from England – that’s what he was most concerned about at that point, not stopping bad mutants or criminals, he wanted to know who won the soccer games. In a sense, the column was her bringing mutants into real perspective, and describing what was going on with them to her audience. She was working to smooth the path between mutants and humans, making it so regular humans can see what it’s really like to be a mutant.”
Part of the inspiration for the series, Jenkins said, comes from his own experiences over the years, as he’s met different people for whom racism, sexism or xenophobia is so ingrained that it’s a part of their personality. “I was talking to a guy who I play golf with now and then, casually, and he explained to me that the political fallout of Hurricane Katrina was a Democratic plot to discredit the government, and that the people who stayed behind when they were told to leave deserved to die, because they were only staying behind to loot after everyone else left. I was thunderstruck…at first, I thought he was joking, but when I asked him, he told me he was serious. And that’s not the first or only conversation I’ve had with people that I kind of know – you know, casual acquaintances that come out with a point of view about another group of people that’s just so amazingly… I mean, I play soccer on a Hispanic team called Deportiva – I’m the token white guy on it, and they love me because I’m their center forward, and I score goals for them, but we’re mates. They’re my friends – we play against other teams with all other kinds of people on them. I mean, we played against a team with an Iranian guy on it, and you know what? The Iranian guy – he wanted exactly the same thing I do – to play soccer and get a beer afterwards. There are people out there who would tell me he’s the antichrist, simply because of where on the planet he was born or who his parents were or how he prays.
“Without getting too full of myself on it, this miniseries is my chance to talk about this kind of thing – do you know what a person in New Orleans really is? They’re just a person trying to get by, trying to live their life as best they can. In
Generation M, it’s mutants – what’s life as a mutant like? That’s what she was trying to do in ‘The Mutant Diaries.’
“The point of her column was just to make people see that mutants were just people like them – they weren’t the antichrists or constant menaces or threats to their way of life. She’s trying to go behind the popular culture picture of mutants, and introduce her audience to the people that they are. Just people, trying to live their lives, put food on their table, and make the world a better place than they found it.

“It’s kind of like what I did with
Inhumans – I want to tell stories in this miniseries along those lines – what if you’re a mutant, and you don’t know it? What if you’re a mutant and you love basketball, but because you’re a mutant, you can jump so high that you can’t play the game to any standard that you’re interested in? What if all you want, in that case, was not to be a mutant, so you could play a game of regular basketball and get your ass kicked, and enjoy the competition for once? It’s that kind of esoteric stuff that really intrigues me.”
Unfortunately for the reporter though, life has intruded. “The reporter though, has had a very difficult go of it over the last year or two - a tragedy that put her away from where she was, something that put her into a really bad state in her life. She started screwing up as a result, but they keep her on the job anyway, because she’s been there for years, and is a loyal employee. They don’t know if she’s ready to come back and do the ongoing column, though, and these stories are as much about her putting her life back in order as they are about the mutants she meets.
“I’ve got to say, I write a lot of comics, and this is one of my favorites in quite a long while – she’s so alive, and such a great character.”
Jenkins was mum on the threat facing the reporter, as someone is looking to make sure the mutants’ stories never are told, and the general population
never views mutants as anything other than threats to their way of life, but was able to talk a little about the mutants who will show up.
“Chamber and Jubilee, obviously, as they’re on the covers,” Jenkins said. “Some of the older X-Men are in it from time to time – Cyclops is in it, so is Angel, the Blob, and Stacy X. We’ve also got loads of completely new ones who’ve never been seen. As I’m looking at it, about 4% of the world’s population has mutant abilities, or at least latent mutancy, so we’ve got a lot of characters to play with and explore.”
Finally, as Jenkins sees it,
Generation M is the ideal way for him to be involved in
House of M/Decimation, despite the fact that he has no great love for massive casts and widescreen action.
“They’re letting me do these little vignettes to explore what the fallout of this major, major, earth-shaking event is on a personal level, as opposed to having me add to the event,” he said. “It’s my way of being a part of it, but on the edges, the fringes, where I’m most comfortable, dealing with aspects of a story like this – how it would affect people in a personal way – which are the stories that I love to tell.”