
Getting back into the mainstream game just before the “Whatever Happened to…?” questions were going to start popping up, Amanda Conner is once again turning heads with her art, currently seen in
JSA: Classified issue #2 of which is due in stores this week.
After seeing a sell-out with its first issue, the
Classified storyline starring Power Girl, “Power Trip” is a perfect fit for Conner who’s career is filled with strong, female protagonists from Vampirella to The Pro. We caught up with the artist to find out where she’s been, her view on Power Girl, and what’s to come.
Like many other comic artists whose work used to show up with greater frequency, just because Conner’s pencilers haven’t been gracing pages lately doesn’t mean she’s out on the street – or even has that much free time.
“I’ve been doing other stuff here and there,” Conner said. “Not always comic work, sometimes advertising stuff, other times, magazine stuff. I get occasional gigs in
Revolver magazine,
MAD magazine and
Spin.

“I tend to work in story arcs. It’s very difficult for me to maintain a monthly schedule. For some bizarro reason I tend to burn out, and then need to regroup. I wish I could do a monthly… if I could work faster, I could make more money. I could also do more characters that I want to do!”
That said, and her personal concerns aside, Conner said it was a combination of the character, the writer (Geoff Johns) and the editor (Steve Wacker) that saw her land on the inaugural arc of
Classified.
“Jimmy [Palmiotti] had been working with Steve Wacker a lot, and really liked working with him,” Conner said. “I’d been running around the city one day, and an overworked Jimmy asked if I’d drop off some stuff at DC. So while I was up there, Steve coaxed me into his office and said Geoff was doing a Power Girl story arc. And I said, ‘hmmmm…’ and here we are.”
A few years back, and even the idea of drawing Power Girl would’ve been something new to Conner. But not anymore.
“I have to admit, several years back, I didn’t know very much about the character at all, but since then, a few diehard Power Girl fans - y’all know who you are! - have approached me at various conventions for Power Girl sketches. They’d tell me about the character and what her story is - or isn’t, and they’d say it would be fun to see me draw a Power Girl book. Plus, she was a lot of fun to do sketches of. So when Steve approached me about doing this series, it sort of felt like it was meant to be.”

In convention appearances, Conner said that, in drawing the arc, she’d be channeling her inner Wally Wood, referencing the comics master who’d handled Power Girl in many memorable stories, and helped give the character her look back in the days of the
All-Star Comics, when she debuted in issue #58.
Clarifying her comment a little, Conner said that finding her inner Wally is adapting her style in a certain manner.
“It’s all in the boobs,” Conner said, laughing. “I’m not too great at mimicking the styles of other artists, but I know that Wally Wood was a boob man. Adam Hughes told me a story he’d heard about Wally Wood doing Power Girl. The legend goes this way: Wally said that in each issue, he was gonna make Power Girl’s boobies slightly larger than in the last issue, until the editors catch him. I think he made it all the way up to his 11th issue before the editors said, HEY!!! NOW CUT THAT OUT AND BEHAVE! I’d love to take a close look at those eleven issues and see what went on with that.”
Power Girl’s….boobs aside for a minute, the storyline is also giving Conner a chance to showcase her talents in capturing the emotional state of the characters under her pencil. As she sees it, in this regard, Conner couldn’t ask for a better collaborator than Johns.
“Geoff is very thorough with the scripts that he sends me,” Conner said. “He knows exactly how he wants the characters to be feeling, and then I try to nail exactly what he’s trying to go for. Sometimes when there is no emotion suggested in the script I’ll try to imagine what the character would be feeling in that particular situation. I’ve locked myself out of my apartment enough times that I’ve slid down the wall and sat on the floor in exasperation… and I’ve come home after a long absence to find a really pissed off cat that studiously ignores me. My favorite thing to draw is different and various emotions, facial expressions and body language and stuff. I like the idea of seeing bigger than life characters feeling and acting the same way as you or I would in certain situations. It makes the characters seem more real to me.
For instance, there are some instances when I don’t want Power Girl to come across as too vulnerable, but that is what’s going on inside her, so she’ll be doing something like fiddling with her fingers. You know, the kind of nervous things we all do without even realizing it.”

Conner got her chance to put a clear expression on Power Girl’s face in issue #1 when a man she’s just rescued finds himself staring at her…ample cleavage.
“The face she made there – that was exasperation mixed with “oh here we go again” and also mixed with a little bit of humor in the way that you know you can get your pets excited when you use a can opener.”
Well, taking that as an opening, Conner does have a pretty strong opinion about Power Girl’s costume, and it doesn’t even venture close to “it’s exploitative” territory.
“In her first appearances, her outfit seemed relatively tame, although Wally did have the circle cut out at first,” Conner said. “I’ve never had a chance to read all the things she appeared in, so I’m not sure at what exact point it became the hot bombshell costume, but some women are just extremely comfortable with their bodies, and don’t mind showing off the parts that they’re proud of. And as it’s been mentioned before, it does provide a great distraction for those that would cause her trouble. Power Girl isn’t too sure of what’s going on inside of her right now, but the one thing she can be sure of is that killer bod of hers. She might as well run with it. I’ve only had one person express concern about her body and her costume, and I explained that’s just the way the character is. I also mentioned that I draw each character differently, ‘cause just like real people, they’re all not going to look the same. If you look at Saturn Girl, she is much more slender and wiry than Power Girl. Power Girl is Power Girl.”
As for more on the look: “Actually, there is a scene in #2 where she explains her costume, so I won’t tell you. I’ll let you read it. Although in my circus of a brain, I don’t know if it has any other meaning than ‘WOW! Nice ones! … and thanks for lettin’ them breathe!’”

Getting away from that topic and back to the larger picture of the storyarc, Conner said that in this week’s issue, she’s proudest of a moment shared between, of all people, Power Girl and Jimmy Olsen where she was able to rise to a challenge of making a spoken conversation interesting.
“I thought that the standard thing to do with a long conversation to make it visually interesting would be to draw it from a lot of different angles. Instead, I decided to make it all the same shot and let those two do all the acting with their expressions and body language, and some lunch. I wasn’t sure if it would work well, but it seemed to, and I kinda really like the way it came out.”
Given Conner’s more recent work (
The Pro, Two-Step - both with strong female protagonists), it might lead one to wonder if Conner goes looking for this particular kind of work, or if this kind of work comes looking for her.

If you do find yourself wondering, Conner has the answer. “I like doing any character with a quirky bent. When a character is too perfect, I kind of lose interest. It’s hard to identify with a character that is flawless. I like to read a storyline and see something that makes me say, ‘Oh yeah, I know what that feels like…’
“I’d done lots of characters that were too perfect and it started to drive me a little nuts after a while, and then I’d gotten the opportunity to do characters that were a little off the beaten path, such as Painkiller Jane and Gatecrasher, and I discovered that is what I absolutely love to do… weirdo characters that are a little bit of a mess, but are still loveable, with a big helping of offbeat - and occasionally sick and twisted - humor. I started to hunt for jobs that have those elements, and now I’m hoping that that kind of work finds me.”
Immediately after
JSA Classified though, finding that kind of work will have to wait just a little, Conner said. “I’ll be doing some character designs for the L.A. Avengers, which is an arena football team, and I have a monthly gig with revolver magazine where I do illos to go with a crazy advice column where Vinnie Paul Abbot, the drummer, acts as a dear Abby type guy for frustrated metal-heads.
“After that, I also have another gig coming up with DC but it might be one of those things where if I tell you, they’ll have to shoot me. All I can say is that I’ll be working with somebody I like a lot!”