
Last
Wizardworld convention -
Wizardworld LA that is – DC Comic announced a new
Jonah Hex series by the writing team of Jimmy Palmiotti and Justin Gray. We
talked to the duo then about the series, which at the time didn’t have an interior artist attached. Now, just a couple of days before the
next Wizardworld convention -
Wizardworld: Philadelphia - it does. DC Comics has confirmed it’s Luke Ross, and Newsarama got an early look at some of his pages and spent a few minutes chatting up the Brazilian artist.
Newsarama: Luke, first of all and to start at the beginning, can you tell us how did you landed this gig? Were you actively looking for something different like this?
Luke Ross: Stephen Wacker, who was one of my editors for the six-issue arc I did for
Green Lantern offered the book to me. Initially I said I couldn’t do it because of my commitment to
Samurai: Heaven & Earth and Dark Horse. But Steve was persistent, calling me with more information about the project and telling me they really would like to have me involved, so I gave it some more thought and realized it was a great opportunity for having some fun.
NRAMA: What about the opportunity appealed to you? Was it something about doing a Western, Jimmy and Justin, something about Jonah Hex?
LR: The main reason I took the book is because it’s a Western, I love the genre and specially the old classic movies with John Wayne and Clint Eastwood, especially Sergio Leone's
The Good, the Bad, and the Ugly,
Once Upon a Time in West, etc…So, I saw it as a great opportunity to draw my first Western.
NRAMA: How familiar with the character were you before this? And what appeals to you, specifically, about Jonah Hex?
LR: Actually I wasn’t too familiar with Jonah Hex, but Stephen sent me some books with some great Michael Fleisher stories and I did my own initial research on the Internet to get to know more about the character and his history.
Visually the combination of his hideous and normal visage is something that greatly appeals to me. If explored well that can contribute a lot to the stories, reinforcing the duality of his character, contrasting moments of cruelty when dealing with his enemies with gestures of kindness for those he knows are innocent. That’s an aspect I would like to explore better graphically.
NRAMA: With
Jonah Hex on the heels of
Samurai, it seems that perhaps you're looking to stay out of the superhero genre … would that be accurate?
And if so, why? What appeals to you about working on projects without capes and tights right now?
LR: I think that’s just the natural way things are happening in my career, it’s not really intentional. After many years of working in the superhero genre, of course you get used to that and naturally develop a kind of grammar that works exclusively for that genre. Most times that’s so ingrained in the way you draw and tell a story that it’s almost impossible to tell a story in a different genre without making your habits evident.
A few years ago I worked on a Vertigo book,
American Century, which was my first attempt at a non-superhero book. I worked hard to avoid the habits I learned in my years drawing the super-fellas, and of course following Howard Chaykin’s layouts was the best of the class for developing new storytelling techniques possible.

After that I was invited to join CrossGen where I had a chance to draw many non-superhero books and work with great storytellers like Ron Marz, Butch Guice, Bart Sears and many others that I respect and admire. I learned a lot just being around them. After seeing the cool and diverse stories being told there, I was naturally filled with great enthusiasm to work in other genres.
When I went back to superhero books working with Ron Marz on
Green Lantern, we decided to work together on a creator-owned project, then Ron presented me a concept for
Samurai. Dark Horse saw it and loved the project, so once again we were working on something without superpowers.
And again...here I am, now on a western book. I don’t want to stay out of the genre necessarily, I love doing superhero books, but I’ll try to keep taking opportunities that sound challenging to me when they appear.
NRAMA: Speaking of challenges, is tackling something like
Hex more challenging in a sense, than working on a series with a more fantastic setting?
LR: I think a book like
Jonah Hex is more challenging because it needs to be more accurate to a time period than a setting I’m free to create from my imagination.
NRAMA: I've often heard that a horse is one of the hardest things to draw accurately - is that true?
LR: Yeah, I always had problems drawing horses and animals in general, but the Internet makes drawing things more accurately much easier as search engines provide all the photo referencing you need with a press of the “Enter” key.
NRAMA: Tell us about the style you're developing for this project – from the pages we’ve seen it looks very fluid with plenty of graytones added already...
When did you develop this style? This is similar to what you’re doing on
Samurai, right?
LR: When we were working on the presentation pieces of
Samurai: Heaven & Earth for Dark Horse, my colorist Jason Keith suggested that we color the pieces straight over the pencils. I loved the idea and when he showed me what he did over my pencils, my reaction was “WOW!” I loved it and immediately showed it to Ron and our editor Dave Land (my editor) who both has the same reaction I did, so we decided to go with that style for the book.
What happened after that was a natural improvement of the style as I gained more experience working with it. The graytones are an "experiment" I did to help highlight the volume of the figures. Once I didn’t have the black shapes of the ink to work around, playing with the graytones of the pencil was possible. I was curious how that would work with Jason’s colors, and we’ve become very happy with the results because of “painted” aspect it wound up taking on.
<
NRAMA: The right side of Jonah's face - what is going on there? How do you tackle that without making it too gross?
LR: Shadows are my "ally" … to avoid showing his "not so handsome" side all the time.
NRAMA: What so far, has been in the script that's been very challenging for you? And what's been an unexpected pleasure in the process?
LR: Being accurate to the 19th century with all the things you have to draw seems to be the most challenging for me so far. Researching is one of the most enjoyable parts of my work, but it demands a lot of my time making it a challenge to keep everything within the deadline.
What’s been a real pleasure for me is creating the supporting characters. That’s been very challenging as well but Jimmy and Justin have given me a lot of freedom to create the secondary cast the way I think they have to be.
NRAMA: Do you have any larger goals for the series, such as really giving the character your mark, your style...?
LR: What I intend to do is have a lot of fun and helping Jimmy and Justin tell new
Jonah Hex stories the best way we can, so readers wind up with a cool book in their hands.