by Benjamin Ong Pang Kean
Creator, writer and artist Jason Armstrong has worked on numerous titles for DC, Marvel, Milestone, Malibu and Dark Horse such as
2099: World of Tomorrow,
The Ray,
Legion of Super-Heroes,
Spider-Man,
Avengers,
Superboy and
Robin.
Like any other creators, he’s into the creator-owned world with
Doc Thunder for Dark Horse. “My first creator-owned project was an Jack Kirby-inspired atomic adventurer called Doc Thunder,” Armstrong told Newsarama. “He would generally arrive, discover giant aliens or something and proceed to blow them up with his portable nuclear devices he wore on his belt or his wrists. Dark Horse was great to work with. Hopefully, I'll have a chance to finish the 16-page story I've had in the drawer for a while, and find a publisher to repackage the whole thing.”
In August, he’s venturing into the world of creator-owned comics again with the release of
Ferro City from Image Comics.

“
Ferro City is a bunch of angry doodles that started to develop on the edge of my drawing table as I was working on other projects,” he said. “It's been really exciting to see some of these ideas come to life!
“I see
Ferro City as the
Maltese Falcon meets the future. I’m a big fan of Ridley Scott’s
Blade Runner and film noir as a genre.
“It's a detective story, with robots! They chase a dingus around town and there's lots of violence, lots of punching, some gun shooting. I'm having a lot of fun with the Raymond Chandler-style dialogue, but I've had to pull back on the 'lingo, because so many people didn't understand a word the characters were saying.
“I pitched
Ferro City as a four-issue story arc, but I was as surprised as anyone when [Executive Director] Eric Stephenson at Image suggested an ongoing series. Thanks, Eric!”
Ferro City centers on Cy Smithe, a Humphrey Bogart-type detective who’s been framed for the murder of his cop partner. And the only solid proof he has to clear himself is a tiny gadget that could grant ten million sentient robots their freedom: the Medusa Key. Too bad the Ferro City mob wants it too.

“He's a little slow about the technology, but he gets the gist,” Armstrong added. “He generally checks in with Kate Weston to ask tech related questions. There's a story I have in the works right now called "Robo-sexual"; Smithe checks in with Kate -- of course it hadn't occurred to him people might have sex with machines! Yow!
“Weston's daughter Kate shows up in issue #2; she starts off as a tag along character to be saved, but I hope to develop her into a full partner for Smithe in the coming months. She's really clever with computers, robotics, and not much else.
“The two Robopol police officers (Hardie and 42G) round out the list of main characters -- Hardie is a bigoted police detective resentful of the Robotic detectives he is forced to work with. I'm trying to establish a really difficult working relationship with Hardie and his Robotic partner, 42G. Consequently, everyone I show this stuff to loves the robot designs, and is disappointed he isn't "on camera" all the time.”
Armstrong is
the creative team on
Ferro City. “It's all me - yikes! A couple of the people I work with look over my shoulder every now and then with Photoshop suggestions, or dialogue questions. It's great working on your own stuff; to do whatever you like, but I enjoy the feedback from my co-workers as well. (My secret identity day job is working for a large animation studio in Toronto)”
Ferro City #1, 32 pages, black and white with a $2.50 price tag, is scheduled to be in stores on August 10.



