
If you last picked up DC’s
Birds of Prey say, just prior to
Infinite Crisis or at the start of the series’ “One Year Later” issues, or heck – if you’ve never picked it up, issues #100-up feel like a brand new series.
Sure – Oracle (Barbara Gordon) is still there, calling the shots, and the Huntress is around, but Black Canary is gone, and the team is made up of Big Barda, Judomaster, Manhunter, and Gypsy, with more promised in the wings. Currently, the team is on a mission which involved rescuing a mob boss’ daughter (Tabby) from a Mexican prison. While the old Birds may have done it with stealth and guile, not alerting anyone until they were miles away, this version – not so much. The prison’s a wreck, and Manhunter is still there, fighting alongside Gypsy.
On top of that, Spy Smasher is hunting Oracle with a unique weapon – Lois Lane. Oh – and there’s this teleporting kid called Misfit around, who dresses in a Batgirl outfit.
Intrigued? Scratching your head at least?
Over the coming days, we’re going to be talking to
Birds of Prey writer Gail Simone about
all of her projects, so to kick the miniseries of interviews off, we sat down with her to talk some
BoP.
Newsarama: Let's start with looking at the team as it changed around with issue #100. First off, why? You had a good thing going with Canary, Huntress and Oracle as the core - why go and change it? Were fans getting restless, had you just written all you could with them...what?
Gail Simone: It’s interesting...I’m with those who feel that the greatest strength of
Bird of Prey has been that it’s something unusual in Hollywood and darn near unheard of in comics -- a female buddy book. More than that, it’s a book with female leads that has managed to appeal to both guys
and girls, so it’s always a bit of a risk to screw with that, even temporarily.
But ongoing comics are like music, in a way...you have to have movement, you have to have those unexpected crescendos and key changes, or eventually, it’s just death for the reader.
It was strongly felt at DC that, mostly due to
Birds of Prey I’m told, the Canary had become an interesting and powerful enough character to stand a bit more on her own, to take more of a center stage role. So while she’s my favorite character of all, I adore her enough to know that that’s a positive thing, for her to go from Ollie’s wet blanket to more of a key player in the DCU.
As I’ve said elsewhere, the first forty-five issues or so of my
BoP run are actually one big long story--Black Canary Rising. We started with her at her lowest point, and took her to where I think she can, say, kick ass hugely in Brad’s
JLA and it’s natural, it’s organic and believable. That was always the goal.
Am I glad she’s gone? I wouldn’t say that at all--I miss her a lot, and so does Babs. But I have to admit it’s certainly thrown the book into overdrive, and I’m loving seeing Babs try to fill Dinah’s role with a variety of characters with their own agendas and problems.

So, while it’s sad to see Dinah go, and I hope it’s not permanent, it’s a joy to write Barda and Manhunter, and I think we’re going to see a deep focus on Huntress, as well. That’s good times!
NRAMA: That said, as your characters have pretty much said in the series, with the team as it is now, it's a completely different dynamic than it was when Canary was there. Comparatively speaking, how much of a change is it for you to write? Like a completely new book? Ground level the same, and all the new floors have to be re-built?
GS: That’s the worst analogy ever. I feel like I’m on
This Old House.
NRAMA: Talk Bob, talk…
GS: [laughs] The thing is, the dynamic is now fiery. The team is a group of individuals, quite unlike the friendship between Dinah, Helena and Babs. And any team with Barda on it automatically has a certain bull in a China shop tremble, and I love that.
Plus, remember, this is something the readers have asked for for years, a rotating team of agents. At the moment, Babs is mostly focusing on female agents, but soon, we will have the first full-blown member - man, I should rethink that phrase - who has boy parts. It’s a nice switch-up, and we couldn’t really make it happen with the old roster being so complete in itself.

NRAMA: What were you, as the writer looking for in constructing a team?
GS: Characters who test Babs’ patience, really. What’s more fun than a control freak like Babs working with an agent like Barda, who thinks throwing cars is perfectly subtle?
And the fun thing is, the line-up is going to be very fluid for a while...some characters get a brighter spotlight, while some are a bit more of a cipher. But if you have a favorite DC female, it’s now possible for her to show up in the book in a significant way, and I think that’s really entertaining.
NRAMA: Speaking of that - you work in a shared universe - were there any difficulties in assembling the team you wanted? Some of your candidates had already been spoken for, but, for example, was anyone laying claims on Barda, with the New Gods material coming up? Speaking just for you, as the creator again, did anyone just miss out from making the cut?
GS: Actually, Barda was Dan’s choice. Bop has had a bit of a reputation for restoring some luster to characters that might have been out of the spotlight for a little bit. I’d love to see Wonder Woman, Power Girl and Supergirl at least appear...we’re talking about all of that. And I’m hoping to see Mary Marvel in the book, if events in
Shazam make that possible.
Really, it’s been pretty easy...Marc Andreyko’s been hugely supportive of Manhunter’s appearances in
BoP, and that’s made her inclusion all the more delightful.
NRAMA: Speaking of other female characters, with the introduction of Spy Smasher into the storyline, you changed the tone of the book significantly - that is, putting a constant cat and mouse element in there - on top of what you had done with the Calculator and Babs.
Why'd you wait until #100 to make all these changes? It seems like the start of One Year Later would've been a more natural place, rather than have the changes from OYL, and then the changes again...
GS: Again, the first OYL story was important to show how close to the cliff Dinah was willing to go. Nothing mattered to me as much as finishing that story before Dinah became unavailable to us for whatever reason. I felt, and still feel, that it shows Dinah as a different beast entirely from any other comics heroine.
As for Spy Smasher, I felt the DCU needed a Jack Bauer. In these early issues, she looks like a pointed allegory to the abuse of powers by the government, but she doesn’t see it that way, and she’s a lot more complex than that. It’d be a cheat to simply make her evil and completely hate-able, I think. She’s got some levels. And she knows Babs’ weaknesses.
I like her. She’s very very dark.
NRAMA: Continuing with the change/shared universe theme - is it a correct assumption to say that Dinah is moving to Star City? Are you handing her and Sin over to the
Green Arrow team, or are you going to be in charge of them while they're there, regardless of their likely supporting cast roles in the
Green Arrow book?
GS: To be honest, I’m a little bit out of the loop on that. I was offered the opportunity to write or co-write those stories, but I felt it would have meant leaving Bop to free up the schedule, and that’s not something I seem to be able to do at this point. I just enjoy the book too much.
So while they’ve kept me informed quite graciously on some major beats, I don’t really know all the details.
NRAMA: Moving into the current storyline with the team - why is Spy Smasher so eager to shut the Birds down?
GS: We talk about her rivalry with Babs a little bit in issue #103, but even above their competitive natures, there is a perfectly valid and honest ideological difference of opinion there. Babs believes what she’s doing is necessary, Katarina believes what Babs is doing is treason. They actually like each other, but like brothers fighting on opposite sides of the civil war, the distance between them is so vast and clearly drawn that they can’t even hope to reconcile. They were friends; their ideals make them bitter enemies.
NRAMA: Okay – and just to touch on details from the rest of the story - Manhunter was supposed to leave the prison, but opted to stay behind?
GS: Exactly right, Manhunter used Babs’ mission as a distraction for her own mission, authorized by the D.E.O.
And, can I just say that Nicola Scott draws a damn amazing Manhunter?
Yikes.
NRAMA: Misfit - have there been - as she seems to suggest, more meetings between her and Barbara, albeit off camera? At first, Barbara seemed pretty unreceptive to the idea of having her around, and by issue #102…what changed?
GS: I think that assuming she has Babs’ approval would be a mistake. But here we have possibly the most powerful teleporter in comics, and where she wants to go, she
can go. But Babs is awfully smart and awfully sneaky, so pulling her pigtails is never the wisest plan.
NRAMA: What else can be said about Misfit? As, again, your characters pointed out for you, she's similar in ways to Black Alice, who just showed up...what purpose does she serve for the stories you're looking to tell?
GS: She’s similar in age only, really. If you put the two together, they’d probably kill each other. They couldn’t be more different in attitude. How else are they even slightly similar?

But there should always be a place in the DCU for an annoyingly enthusiastic teleporter, and Ambush Bug seems to mostly be hiding, despite
52, so...
A more fair answer is that I find it really rewarding to have such a range of female personalities in the book. I get tired of reading comics and seeing the same damaged, mopey females over and over. I understand it, and it might be done brilliantly, but I like to see more of a gamut, from mopey to endlessly goofy.
NRAMA: Okay - we got that Spy Smasher tipped Lois to Barbara and Oracle...but why was Lois being such a...let's not get sexist here, but a mean, annoying, relentless media person? Was she actually looking to "out" Barbara as Oracle? If not, what was the purpose of the lunch? After all, going home would be kinda rough if she helped put the Birds behind bars....Mr. Lois Lane might not be thrilled with that idea...
GS: This issue was probably the most controversial issue of Bop since the legendary “Why the hell did Helena sleep with Josh?” issue, but I stand by it. I think the problem is, the reader
knows that Babs’ heart is pure, so we don’t think anything bad can come of her having Lois on her tail. But I think that’s a serious misjudgment of how completely badass and terrifying Lois can be to anyone who has a secret. You have to remember, Lois doesn’t use Clark as a crutch, and she doesn’t particularly consort with most of his JLA friends. An incredibly high-ranking governmental official sent Lois a tip that a master hacker actually used her skills to bring down a senator, not to mention the world-building and personal spying that Oracle does every morning after doing the dishes. Lois is, I think, the best, most dogged, most determined and fearless reporter in the DCU, and Babs’ behavior, from the outside, looks like a very big story indeed.

However, Lois is, as the story says, no one’s pawn, and while fishing, sometimes with bait and sometimes with dynamite, Lois confirmed what she’d suspected all along, that Spy Smasher was trying to play her against Oracle.
A lot of folks said, well, Clark knows Oracle’s identity. But there’s really almost no evidence to support that at all, and I maintain that Lois would still do the follow-up, because she’s a professional. No one gets a complete free pass just because they might know Superman casually. I maintain that that simply isn’t Lois. She really is almost the living spirit of the free press, or at least that’s how I see her, which is why I am fricking
crazy about that character. She’s not a pundit, she’s not a talk show host. She’s a
reporter.
NRAMA: But still – this is all getting very personal. What's at the root of the Spy Smasher/Oracle animosity?
GS: There is no enemy like a former friend, it’s just that simple.
NRAMA: How in the holy heck did Oracle get a shot of Lois and Clark kissing? Um - that kinda takes her step beyond observant into just plain creepy...
GS: Well, this is intricate, but remember, Babs now has control of the twelve super-satellites that Luthor had built in secret when he was President. They’re quite beyond what our current technology and political climate would allow. And yes, Babs is a darling person, but ORACLE is one scary bitch sometimes.

NRAMA: Fair enough. Moving ahead - for #103...where are things headed? Manhunter is in a Mexican prison, the field operatives are on the hunt for some vicious agents of Spy Smasher who've taken Tabby, and what - Oracle has to put all the pieces together again?
GS: There is some question over whether or not the agents who have Tabby are straight or bent, but yeah, Oracle’s in a tight spot. Over this arc and the next one, we’re going to see something no one ever thought they’d see in
Birds of Prey, I think, and it affects Oracle directly and massively.
After that, I just want to say to anyone who has dropped the book for any reason, or if they haven’t yet tried it, I’m telling you, climb aboard with issue #104. There’s enough crazy stuff in this arc for a year of most books. Trust me on this...#104. First, the Secret Six guest star, almost like a JLA/JSA team-up where the two teams hate each other. This leads to possibly the most insane battle the book has ever had. It’s worth it for Barda vs. Knockout alone. Zinda and Spy Smasher have it out over who is the better pilot. A member of the Six has some lust for a Bird of Prey. Two much-loved female characters who have never had a real role in
BoP appear, one joining the Birds, one joining the Six. Fights in the snow in Russia, a fight between a motorcyclist and a flyer, and someone who truly deserves it gets the *&^^% kicked out of them. Vodka is consumed, Scandal wears a tux, Ragdoll’s jacket is ruined, and all manner of bad behavior is exhibited by both teams, thank god.
And those aren’t even the big event of the first issue of the arc.
I’m just saying. #104 is a great time to get on board. This arc has the velocity of a bullet train with jet engines attached. Issue #104, burn that into your brain. I kid you not. This story has so much stuff in it there may not even be room for eggs.
NRAMA: Obviously,
BoP is the DC property you've been on the longest, and are arguably most associated with, out of all your work. First off - what keeps you on the book? We see creators all the time who run out of stories, or want to move on after relatively short stints...you've been on
Birds of Prey for what...four years in June. What has its hooks in you about the characters?
GS: Truthfully, it’s just sheer love of the characters, and a stingy, mean little desire on my part to keep my grubby mitts on them at all times forever. Dinah leaving opened up a thousand doors for the book, and while I do hope she returns at some point, in the meantime, the book is re-inventing itself into more of a
Mission: Impossible thing, only with better hair and less Scientology.

I think the Boppers tend not to apologize, and I feel the same way about the book. The characters don’t apologize for being asskickers, nor for being smart, nor for being sexy, nor for being sexual, for that matter. There are always going to be some people who find that not to their taste, but at the same time,
BoP regularly brings in people who don’t otherwise read mainstream comics, a whole audience that may not pick up any other superhero titles, and I love that niche, that little area between good taste and utter shamelessness.
On top of that, we have great editors in Mike Carlin and Tom Palmer, Jr., lots of support from DC, and more than anything else, a hot new art team featuring Doug Hazelwood on inks, the always great Hi-Fi on colors, and Nicola Scott on pencils. Nicola became something of an internet sensation with her unbelievable sketches of great DC heroines, and it was just a matter of time before someone got lucky and snatched her up, and we were those lucky people, this time out.
She brings a vitality and love of superheroines that’s just undeniable, and she’s completely reinvigorated the book’s visuals. She just kicks ass, and I’m delighted to work with her.
Maybe you should interview her…
NRAMA: Maybe
you should interview her…
GS: Maybe I will.
NRAMA: But that said - is this the book they'll have to pull out of your cold, dead fingers?
GS: I’m sure some day they’ll drag me away, kicking and screaming. But Dan DiDio strongly believes in the book and what it brings to the DCU. There are a hundred books with a grim dark {yawn} avenging hero with a score to settle and {snooze} a past he’s trying to {snore} overcome....
zzzzzzzzzzzzz.
BoP isn’t that book and never will be, and that makes it really a pleasure to have been a part of. I get tremendous freedom to tell the stories I want to tell with little interference...it’s a bit of a dream gig.
NRAMA: Alright – wrapping things up…broad strokes - where are things going in the coming year? How stable is the team as it stands? How long will Spy Smasher keep this up, and how far will she go? What will become of Misfit? Take it, Gail...
GS: This is a long interview. I can’t believe we’re doing five of these. Whose idea was this? What the hell is going on? These aren’t my pants! SWEET CHRISTMAS!
First, DC says I can announce something pretty cool. They’ve asked and I’ve accepted an extension on my exclusive agreement, which makes me really happy. I have a fierce love for each of the projects I’m working on, and I can’t imagine having the freedom I have here at any other company.
Thanks to all the Bop readers who have made it such a consistent seller for so long, and thanks even more to those who have shared the book with their comic-skeptic friends.
NRAMA: And that broad strokes teasing?
GS: #104.
I’m just saying.