by Chris Arrant
First seen in the pages of
Runaways, the group dubbed 'The Loners' are all recovering superheroes. Young adults, trying to stay out of the spandex and the strife of superhero life and try to live as normal a life as possible. But the allure and rewards of being a superhero are hard to let go, and thus formed a self-help group. In the April-debuting miniseries
Loners, writer C.B. Cebulski and artist Karl Moline are the storytellers into the lives of Darkhark, Turbo, Ricochet, Green Golbin and Lightspeed as they try to kick the superhero habit.
We spoke with
Cebulski late last year about the series, and now we turn to series editor Bill Rosemann to find out more.
Newsarama: Can you give us a rundown of the initial line-up for the Loners?
Bill Rosemann: As our story begins, Phil Urich -- nephew of Daily Bugle reporter Ben Urich, and formerly known as the crime-fighting Green Goblin (yes, there actually was a heroic version who starred in his own short-lived series) -- runs an L.A.-based self-help group for young adults who are trying to kick the super hero habit. Experiencing first-hand how being a vigilante can mess up lives -- and knowing how the current Civil War is complicating matters -- Phil has formed this support network to help keep former teen superheroes out of the addictive costumed lifestyle. Attending the weekly meetings is an eclectic group who once went by the codenames Turbo, Ricochet, Lightspeed and Darkhawk. Joining the group in issue #1 is Mattie Franklin, niece of J. Jonah Jameson and one-time Spider-Woman III. Expect more confused heroes to expand our cast as our story progresses -- but don't expect all of them to successfully resist the temptation to pull on the spandex and bust heads!
NRAMA: As you mentioned, this book takes post in a post-
Civil War universe, with all that it might entail. Although we don't know exactly what the final resolution of
Civil War is yet, we can surmise that being a superhero will have strings attached. With the Loners being a support group for recovering superheroes -- Capes Anonymous -- how will that impact their demeanor and conversations?
BR: No matter the time or setting, choosing to be a hero should always be a dangerous decision. There are many evil people in the world, and taking a stand against them automatically slaps a bullseye on your chest. Every time you go out there and try to save lives, you're putting your own life -- and the lives of those you love -- in danger. Being a superhero makes your life more complicated, not less. In addition,
Civil War -- and everything that will come out of it -- has upped the threat and paranoia factor. As it should be, the Marvel Universe is a dangerous place if you decide to pull on a mask and fight evil. It's not a shiny, happy candyland with one big beloved hero fraternity. All of the destructive
Civil War fighting has not done wonders for public tolerance and support of superhumans. So, absolutely, the environment created by the
Civil War colors all of the group's discussions about the positives and negatives about choosing to be a hero.
NRAMA: Why would they want to stop being heroes? Even in a post-
Civil War world, there's still a lot of wish fulfillment and pride in being a superhero, right?
BR: Well, that's the irony of Marvel heroes, isn't it? You'd think that being able to leap tall buildings would make everything in your life great, right? But as Stan Lee, Jack Kirby, Steve Ditko and the rest of the founding fathers showed us, gaining abilities only complicates your life. Yes, pulling on a mask and battling villains is an enticing fantasy, but what comes with that decision? What if your powers makes everyone think you're a freak? Or what if a misunderstanding with the law makes you a wanted criminal for crimes you didn’t commit (but actually tried to prevent)? Or what if the media attacks your reputation and everyone believes them? Or what if your costumed actions accidentally lead to someone's death? Not to mention all the problems that arise when you have to lie to your friends, families and co-workers about where you’re always disappearing to – and why you’re always late to everything. So, yes, on one hand, being a hero could be great -- you can help people and experience cool thrills at the same time -- but just as quickly people can get hurt and lives can be shattered. Whether it's Harry Potter or Peter Parker (or, more importantly, the world’s real heroes), choosing to stand against evil comes with deadly consequences -- and that's why we love those who still have the courage to do so.
NRAMA: It seems the group is out there not only to help the people in the group, but to bring other teen heroes into the fold to get them to stop 'heroing', as it were. Marvel's got a wealthy cast of characters reaching far back, but what I see is a lot of other teen hero book already on the stands:
Young Avengers, The Runaways and
New X-Men. Could you foresee a crossover/intervention at some point down the line?
BR: Definitely, but only if those groups were to make their way out to L.A. It's not like the Loners have a Blackbird jet that they can hop into and zoom around the world -- they meet in a church basement on folding chairs! From what I hear, the Runaways are going to be living up to their names and will be setting out for New York City, home to many Marvel heroes, including the Young Avengers. And the New X-Men are based out of the X-Mansion up in Westchester. So all three of those groups are on the other side of the country. On the flip side, characters like Julie Powers (a.k.a. Lightspeed) and Mattie

Franklin left their homes and came out to L.A., so what's to say other young heroes won't also follow that siren call? And what about the new non-NYC based teams that will eventually be coming out of the Civil War Initiative program? The support group is for those choosing to get out and stay out of costume, so if someone reaches out, the Loners will be there.
NRAMA: …and could you give us a taste of what we can expect in issue #1?
BR: Underneath the great
Breakfast Club homage cover by Jason Pearson, you'll find a fantastic three-page opening scene that'll have you smiling, great dialogue by C.B. Cebulski, fantastic art by Karl Moline, attractive and intelligent coloring by Christina Strain, and the surprise return of a villain who hasn't seen the light of day in… well, quite some time. The creative team is doing a fantastic job in breathing new life into characters that many people may have written off or scoffed at. Who knew that Darkhawk and Ricochet could be so cool? So if you're a believer in the idea that there are no bad characters (only bad stories), this is the book for you.