
As we
reported on Friday, April will see four one shots tied to World War III, which will be happening in
52 #50. Two of the four will be written by
Keith Champagne, while the other two will be handled by John Ostrander.
On top of those two special issues, DC Universe Executive Editor Dan Didio revealed that Ostrander would be working with a familiar property in the coming year as well – a new
Suicide Squad miniseries.
If you go back and check out the initial news (in that first link, above) readers are
still talking about Ostrander’s return to the Squad. To say that there’s a healthy fan anticipation…well, that’s an understatement.
For those not familiar with the connection, Ostrander created the current version of the Suicide Squad that’s been appearing around the DC Universe since their debut in
Legends #3 (1986). His team then was a reimagining/reintroduction of the concept to the DC Universe, as it had first been introduced in 1959. The idea – kind of like
The Dirty Dozen meets
Mission: Impossible, but replace Bronson, Brown, Savalas, Sutherland and the others with the likes of Deadshot, Enchantress, Javelin, and Captain Boomerang (and replace Lee Marvin with Bronze Tiger and Rick Flag Jr.) – and then put Amanda Waller on top of them all. In short, the government used the criminals to do the dirty work around the world – missions where superhuman muscle was needed, but was too messy for the heroes to be involved.
Ostrander, who was the series’ writer for its 66 issue run used the characters, their missions, and the dynamics between the disparate – and desperate – villains to get inside heads and turn over motivations and explore them from the inside out. As a result, Deadshot, Captain Boomerang – to name two – became fan favorite characters during the run.
The Ostrander version of the Squad had a handful of appearances after the series ended in
resurfaced recently in
Checkmate, something which apparently only whetted appetites.

We spoke with Ostrander about the return.
Newsarama: While your fans and Suicide Squad fans are jazzed about you back with the Squad, the miniseries is the latest of a return for you to the DCU which has seen you on
Batman as well as other projects - what got this larger collection of work going in the first place?
John Ostrander: This has been buzzing for awhile. Dan DiDio kept coming up to me at cons, saying how DC and I should work together again. Pete Tomasi, an old friend and one of my regular editors, kept sending me fill-ins on things like
Aquaman - which I really enjoyed doing, by the way. Some of the writers who have come up since I left – like Geoff Johns and Gail Simone – kept bringing up my name. I’ve always maintained good relations with the editors I knew up there so I don’t think there ever was any ill will. I figure it’s just a cycle.
NRAMA: Had you been following along with the DCU so that you were able to come in without a tutorial from editorial on your
52 one shots and
Suicide Squad, or did you need the crash course?
JO: A mix. Some things I was aware of, some not. DC has done a
lot of change in the past few years which I think is healthy.
Any comic book company needs to reinvent itself every so often.
NRAMA: That said, what's your take on where the DCU is now, and why you think it's a time for the Squad to return?
JO: I go back to the days just after
Crisis on Infinite Earths. What that series did, IMO, is that it served notice to everyone – fans and industry -- that DC was opening everything up. Re-tooling itself, looking anew at what it did and how it approached it’s characters, that it was re-inventing itself.
Infinite Crisis was not just a celebration of that anniversary; in my opinion, I think its doing the same thing.
As for the Squad --
my Squad as a re-invention of a
former Suicide Squad and it came after
Crisis and
Legends. Also, I think fan interest is high again. Out of all the books I’ve ever worked on, the two most requested ones for return have been
Suicide Squad and
GrimJack…interesting since I’m also going to be doing more GrimJack at
about the same time.
NRAMA: Speaking of seeing the Squad “return,” you know Amanda Waller...in your mind, has the Squad ever
not been around, despite what Waller might've said to say, a Congressional Committee?
JO: Oh, now
that’s a fun idea! [laughs]
NRAMA: Larger picture – as you’ve said, you're aware of the fan excitement over just the
idea of you coming back to the Squad, let alone, and hones to goodness return, and certainly, when you wrote the series, you seemed to click with the characters and stories. Why do you think that was? Was there something special about the whole set up that just hit you the right way?
JO: I’m very attracted to flawed characters and the Squad certainly had that! Even the good guys were badly flawed. It was also fun to take what were sometimes second tier characters or throw-aways and making something out of them. Deadshot was probably one of the best examples – we took a very minor villain and really played with him, juiced his backstory, until he became a very complex, dangerous character. With the stories, I - joined later my wife Kimberly Yale - used current events and then projected forward a little, made it an espionage based story and found we had things resonating with the real world. I had one person I know call me up at one point to ask where I was setting the Squad that summer because she was booking her vacation and she did
not want to go anywhere we were sending the Squad since, at that point, it tended to get “hot” in the real world around the same time the issues came out. Spooky!
NRAMA: With taking the characters and set up this time around - what was the appeal to you about going back to this particular well? After all, you had a great run on it, fans loved it...isn't there a danger of sorts of going back home again?
JO: Oh, always and that
did make me hesitant. As I’ve said, I’m also doing
GrimJack again, so I don’t want people thinking I can only do the characters I’ve already done. Fortunately, I also have some new things in development that I can’t yet talk about and I am doing
Star Wars: Legacy [with Jan Duursema] over at Dark Horse and that’s all new characters. The biggest concern I have is – can I do anything but screw the Squad up now? Fan expectations may be high; can I possibly meet them? That’s the risk but that’s also what makes it interesting, isn’t it?
NRAMA: Obviously, we're a ways away from the start of the mini as well as the events that precede it, but in broad strokes - Dan said that after WWIII, there's a need for the Squad...anything you can say to that? Is the DCU after WWIII a world where dirty deeds are needed to be done for dirt cheap?
JO: That’s always been the premise of the Squad since I brought it in during
Legends. Funny thing is, when I proposed the concept – that the government would sponsor a covert action team using criminals and possibly illegal methods – it raised concerns at DC. Would people buy into that? And then Irangate broke between the time the proposal was accepted and our first issue came out and made us look like pikers. So, in our own twisted fashion, the Squad reflects the real world – and that’s part of its strength. That’s what makes it “feel” real. And it may not be so much the events
after WWIII that make a Squad necessary as the events
during it.
Of course, Dan knows a lot more about the state of the DCU afterwards than
I do. [laughs]
NRAMA: Are there any familiar faces you're looking to bring back in to the mix?
JO: The story has ties to the past and some of it is set there so you’ll see “classic” Squad members in it. Yeah, that means
you, Boomerbutt. So get out of your grave and look sharp. Yer fans are calling.
NRAMA: Finally – again, it’s a little ways off, but big picture - what will this miniseries encompass?
JO: So – how
did Rick Flag survive being at ground zero when that nuke went off in Jotunheim? I’ll tell you a little secret – I knew when I wrote it. How’s that for a tease? [laughs]
We also want to redefine certain characters and aspects of the Squad. The stories were originally written in the ‘80s so the history can use a little re-tooling. I want the Squad to be as vital a part of the DCU today as it was in its heyday. If the Squad is ever going to get its own series again, this needs to be its launching pad. If I do my part, I know the fans will do theirs.