by Zack Smith
We’ve spoken with upcoming
Wonder Woman writer Jodi Picoult over the course of the past
two days, and now, it’s time for a word with the artist. As the solicitations for March’s
Wonder Woman #6 revealed, current WW Artists Terry and Rachel Dodson will be getting some fill-in help on Picoult’s arc by the former
Wonder Woman penciler and inker art team of Drew Johnson and Ray Snyder.
We spoke with Johnson about his return to DC’s Amazon.
Newsarama: How did you come to be involved with
Wonder Woman again?
Drew Johnson: It was pretty simple – [
Wonder Woman editor] Matt Idelson called and asked me if I might like to come back and draw some
Wonder Woman for a bit, and that was that.
NRAMA: Why did working on Jodi’s run appeal to you?
DJ: I thought it'd be fun. I've wanted to get to work with Matt for a while, since Ray and I met him at Mega-Con a few years ago, plus I feel as though I've learned a few things artistically since Diana and I last crossed paths.
NRAMA: Were you familiar with Jodi Picoult's novels before this assignment?
DJ: I hadn't discovered Jodi's work until recently, so no. But I can say that I've enjoyed the scripts that I'm working with
quite a bit.
Jodi's given me some great scenes to draw, and I'm intrigued as a fan of the book with the moral (And physical) traps she's setting for Diana. I'm also
getting a kick out of seeing how Jodi has set Diana, the former goddess/warrior princess into the real world tribulations any normal person might go though
day to day.
She's been really nice to work with, too.
NRAMA: That said, how is this run different from your previous run with Greg Rucka? Are you using the same art style, or are you going in a different direction?
DJ: I'm in a different place artistically than I was on my previous run with Greg. I feel like I have a better understanding of how to tell a story visually than I did back then---I learned a lot about that working from Keith Giffen's layouts on
52 recently.
In terms of drawing, I relied heavily on photo reference for just about every figure I drew during my last work on
Wonder Woman - in fact Greg choreographed and posed for all of our fight scenes during our run. Since then, I've gotten away from photo reffing figures.
My wife Karen is an animator, and when we were first going out, she introduced me to a whole new set of artistic influences and more fluid, gestural ways of drawing the figure. I've been lucky enough to get to work on my pages at a desk in her studio sometimes over the last year and a half, and getting to watch her and other animators draw really inspired me to loosen up my figures--to make 'em look less posed. My art style, I hope, looks a bit more evolved since I last worked on
Wonder Woman.
NRAMA: Speaking of your style, what are the difficulties and challenges of stepping in for the Dodsons?
DJ: It's tough subbing for Terry. I'm a big fan of his and Rachel's work---I feel like Ray [Snyder] and I are really kinda just housesitting and we're trying to make sure the place looks nice for 'em when they get back.
NRAMA: Like Greg, Jodi's a novelist. What are the similarities and differences in their respective styles of scripting?
DJ: Jodi and Greg both seem to have a pretty firm idea of the scene they're setting---They envision what they want to see on the page with a good bit of detail--but Greg was more specific in his descriptions--Especially of props--He would sometimes tell me car types, brand names or weapon types and brands.
Jodi leaves more of the individual details to me, but she does do more description of things going on in the background--like sight or sign gags.
NRAMA: How far along are you with the book at this point?
DJ: Halfway finished with issue six.
NRAMA: Do you have anything planned after this run is complete?
DJ: Yep - cool stuff I'm not allowed to speak of yet...
NRAMA: Finally – of all the characters and all the assignments, what's the appeal of working on a character like Wonder Woman?
DJ: Wonder Woman's in an interesting place right now - after the Max Lord incident and post-
Infinite Crisis. I think the character is going through a morally complex arc, and I'm interested to see where she'll end up.
Also, I like the Diana Prince identity and the Department of Meta-Human affairs story. Returning Diana to a more grounded place, a more human place in her world will lead to some compelling and emotional acting for me to draw---and that's always a fun challenge.
Jodi's bringing a level of introspection to Diana that's making the character feel different to me than the last I drew her. It's been intriguing to return to a character that I worked with for a good bit of time to find that she's in a completely different place on so many levels.