
Last week saw the return to the stands of an artist whose stops in mainstream comics have become somewhat less frequent than they used to be, but nonetheless, a welcome change in style. Yeah – we’re talking about Amanda Conner and
Supergirl #12, henceforth known as the “fun” issue.
For Conner, the issue marked her return after last year’s opening arc of
JSA Classified starring Power Girl, which served to lay part of the foundation upon which
Infinite Crisis was built. While
Supergirl didn’t have as serious overtones as the Power Girl one did, the issue also served a larger purpose, that being an introduction of the
new Terra, who will star in her own six issue miniseries in early 2007, written by Jimmy Palmiotti and Justin Gray, with Conner on pencils.
We caught up with Amanda to talk some more about what she’s been up to.
Newsarama: Last week’s
Supergirl #12 was your most recent comics work, and before that, it was
JSA Classified…
Amanda Conner: Yeah – aside form some smaller stuff here and there, the Power Girl story in
JSA Classified was my last full-blown comic series work. Since then, I’ve been doing little things here and there – some little illustrations for tv…
NRAMA: Like what?
AC: I think it’s supposed to come out this Friday for the show
Cover Shot on TLC. It was where they take a regular girl and make her a supermodel for a day. They wanted to do a superhero-themed photograph of her, because her husband is a big comic book fan. I haven’t seen it yet, so I haven’t seen how big of a fool I may look like.
NRAMA: So they came in to your studio and filmed you drawing the image?
AC: Actually, I went into their studio, and I drew it there. Well, I drew a lot of it there, and then I brought it home, but they were filming me while I was working there.
NRAMA: How in the world did you get hooked up with them?
AC: They called me. I don’t know how they got my number. So I did that, and I’ve also been doing the “Ask Vinnie” column in
Revolver Magazine. Hm – I’m trying to figure out what the hell else I’ve been doing to keep busy. I know there was other stuff, but I can’t put my finger on it right now. I got a little bunred out after the Power Girl story, so I went and did some other stuff – worked on my house, and things like that. So there was Power Girl, a break, and then small things here and there, and here we are.
Oh – I did some
MAD Magazine work a while ago, too…and a letter column for
Legion of Super-Heroes. And of course, a lot of sketches at cons.
NRAMA: In the midst of this, when did
Supergirl come in?
AC: I had already started
Terra, and I didn’t want to step on any editorial toes, but I think Eddie Berganza, Tom Palmer and Dan Didio had discussed it among themselves and asked if they could add an issue of
Supergirl to my schedule while I was working on
Terra, in essence, stop
Terra, do the
Supergirl issue, and then start
Terra again. As long it was all harmonious between the editors, I was game, so it worked out.
And it’s Supergirl. Who doesn’t want to draw Supergirl?
And I got to draw Supergirl partying at a rave.
NRAMA: If anything, that scene has caught the most attention of your work of the entire issue. There were some readers here that were saying they were upset that the rave scene only lasted three pages…
AC: I was too! I wanted to do the whole book like that.
NRAMA:
Supergirl’s Night Out Special is always beckoning… But back to what you did in the rave scene – obviously, you, Jimmy and Justin work closely, but how does that work? Do you get a plot? A script? Or does Jimmy just tell you over breakfast that there will be a three-page rave scene? And how much detail did it have?
AC: Oh, a lot of the detail was me – I love drawing all the crazy stuff like that. I didn’t think of Big Barda in there until jimmy said I needed to add a drag Power Girl into it. I already had the Power Girl in there, with more enormous boobs than what Power Girl has, so I had to figure out what other super heroine would work really well as a guy in drag. Barda came up pretty quick – a hairy, Big Barda with balloons for boobs. Yeah – that was a lot of fun. I enjoyed the rest of the book, but I
really enjoyed the start of the issue with the party. I
so wanted to do that for the entire book.
NRAMA: Well, that said even though there was a dinosaur monster to fight, this issue really played to your strengths in that there was enough room for the characters, especially Supergirl and Terra to emote and show expression.
AC: Yeah – and that’s the stuff I like doing the best. Fight scenes are always fun, but my favorite thing is making actual superheroes seem like they’re people who could actually live next door. That’s one of my favorite things to do – to make them seem very, very real.
There are times when they’re not hitting other people and monsters, and they have to be doing something. Trying to make those situations as interesting as the times when they come out fighting – that’s some of my favorite stuff to do in comics.
NRAMA: Speaking of the emotional portions of the story – the final four or so pages of the issue where it was just Supergirl and Boomerang talking. While not outlandish like the rave scene was, it was still…well, it wasn’t the punching and the hitting, and you had a lot to get across that wasn’t al going to come through with the words…
AC: Having her lying on the couch was the only way I could figure out to make it super-interesting. There was a lot of dialogue – a lot of “lying on the couch” dialogue. In the past, the idea was to just do camera shots from a lot of different angles, which I think works really well, but I wanted to do a similar thing to what I did in the Power Girl story when she was talking to Jimmy Olsen – keep the imaginary camera in one spot, and let the characters make it interesting with their faces and body language. Let the characters act, and see how interesting you can make a long conversation just by showing a lot of emotion in the characters. I really enjoy doing that – you get to stretch a little bit, and sometimes work harder, to approach the character from the point of, “How would I be feeling if I were going through that?”
NRAMA: With this issue of
Supergirl done, are you back to
Terra?
AC: Yeah – I’m working on it as we speak. I’m also wrapping up my last
Revolver Magazine illustration, because
Terra is going to be taking up so much of my time that I had to start ending side projects. I really did enjoy doing the “Ask Vinnie” stuff, and hope that I can help them find somebody to fill the spot. So I’m trying to think of anyone.
But yeah,
Terra is the one big thing I’m working on now.
NRAMA: We talked about this back with your
JSA Classified arc, but let’s hit it again – is a “monthly” – even say, eight to ten issues a year, something that you think you’ll be doing again on a regular series?
AC: Well, this is going to be six issues, and I’m looking forward to it. But I find that I have a hard time doing a book that’s not a miniseries. I tend to kind of lose focus after really long stretches, and get distracted, and that would result in the book slipping, and I don’t want that. So, in the end, it works out better if I do a job in a certain block of time, and then go on to another. I tried to do that with
Vampirella, and a lot of times it came out late – that was pretty hard for me, that is, a constant, never-ending monthly book. I’s gots to know my limits [laughs]. But yeah, this is working out pretty well.