Saturday, it was announced that DC will launch a new imprint in May of 2007 named Minx, which will publish a line of original graphic novels aimed at teenage girls.
The line will launch with
The PLAIN Janes by Cecil Castellucci and Jim Rugg, with other OGNs coming from creators including Andi Watson and Josh Howard -
Clubbing; Derek Kirk Kim and Jesse Hamm -
Good as Lily; and Mike Carey, Louise Carey, Sonny Liew and Marc Hempel -
Re-Gifters.
As reported Saturday, the imprint isn’t being viewed by DC as a fly-by-night matter, or something that the market will discover and help thrive all on its own, as “build it and they will come” mostly serves as an epitaph rather than guidance in comics. As such, DC has budgeted $250,000 to promote the line to its intended readership and will team with Alloy Marketing + Media to promote Minx in the coming months.
The line will be overseen by Shelly Bond and Sr. VP Karen Berger, both from DC’s Vertigo imprint.
We spoke with Berger about the genesis of the line, and her expectations, both in finding an audience, and the forthcoming books.
“About three years ago, Shelly Bond, who’s been a Group Editor at Vertigo for many years, pitched me the idea to do Minx,” Berger said. “She was really looking at the influence of manga, for the most part, and really wanted to do a line for teenage girls that was an alternative to manga.”
While more recent fans known Berger as being synonymous with Vertigo and the…creepier side of the comics published by DC, but before that…well, it’s safe to say that for her entire career in comics, Berger has always had a little Minx in her.
“Comics for girls has always been a passion of mine since I started here – I worked on
Amethyst, Princess of Gemworld in the early ‘80s, and I worked with George Perez on
Wonder Woman in the late ‘80s, but even with those, it’s hard to really create a large audience for readers who don’t normally read comics when you only have one book out. You really need a line in order to do that, but the time then wasn’t the time to do it. Girls really weren’t reading comics in any large quantity. Again, the influence of manga is something that was so wonderful for our medium, because it really got older girls reading comics.”
Since the idea was suggested by Bond (and approved by DC), Berger said that the editor has been busy both planning out what kind of stories would make up Minx, as well as finding creators.
“We really cast a wide net for this – we weren’t going after one specific group,” Berger said. “We wanted to get new voices into comics, and wanted to try and find women as well who could write and or draw as well. Shelly really canvassed a lot of different areas, from alternative publishing to webcomics and other sources to see who was out there and see what they were doing. On top of that, there were people we knew, such as Mike Carey, who we knew writes really great stories that click with teenage girls, like
My Faith in Frankie, which was, I think, one of the best things he’s ever done. So we knew he had the sensibility to do this stuff for us.”
Of course, Carey is bringing in an expert in the field along with him. “Mike’s 15 year old daughter, Louise, who’s quite a writer all on her own, it co-writing the book,
Confessions of a Blabbermouth with him,” Berger said. “It’s a family affair.”
From the outside, one might make the assumption that the books that will make up the Minx line came about – and perhaps the line itself did as well – as a collection of projects submitted to DC that were on the fringes of other imprints.
Nope, Berger said.

“These books really
couldn’t fit anywhere else, to be honest. They really are geared for teenage girls, so it’s really not something that you would put out as a DCU book, because the majority of people who read DCU titles are not teenage girls. Likewise, it wouldn’t work in Wildstorm either. And while we do have a lot of women reading Vertigo, it skews older. Girls do tend to read up, but as an imprint, Vertigo is geared for readers that are older than teenage girls. And rounding out the list, CMX is import manga. So we really didn’t have a place for these books, and wanted to create a place that was directly for the American reader.
“Again, these are stories about real girls in the real world. There are no genre or fantasy aspects to it. We’re looking at this as an alternative to manga and as an alternative to young adult fiction.”
And while Berger has credited manga with playing a role in the formation of Minx, she also pointed to another influence -
Persepolis by Marjane Satrapi. Despite not being aimed at them, the book has become a hit with teenage girls, according to Berger.
“Girls tend to read older, and even though it wasn’t designed for teenage girls,
Persepolis was a book that I know many teenage girls found and read,” Berger said. “So we’re really looking to fill this spot where teenage girls have either read manga or
Persepolis, or have heard about graphic novels as being a medium that has many, many different types and styles of material – a place where you can find something you’ll like, even if you’re not ‘into’ comics.
“Again, obviously, we can’t overlook the importance of manga in getting teenage girls to read, but we really want to create graphic novels for American teenage girls who might not have even looked at manga, or may have looked at it, or may have read
Persepolis, and know that there is this category out there. We’re not bringing in manga storytelling devices, we’re telling clear straightforward stories in a way that we feel they should be told, but we’re not adapting any manga. We’re looking at this as an alternative to manga – as an alternative to young adult fiction – we’re trying to find a new area of contemporary fiction. There’s no one out there, when you think about it, doing a line of graphic novels for teenage girls. You have manga, but it’s import and, while there’s a lot of really great stuff, it’s not fully for teenage girls. Scholastic has a few titles, but those are skewing younger or older. No one is really attacking this area in a full-fledged way with a major imprint, and we’re doing it.”
The books themselves, Berger said, will be a little bigger than digest-sized, more in line with Young Adult paperbacks. “They’re 176 pages,” Berger said, so we’re not thinking about doing them as comics, but first and foremost, as books.”
As announced in the
Times article, the launch title for Minx will be
The PLAIN Janes by Cecil Castellucci and Jim Rugg. “It’s really a phenomenal book that touches on real life in many ways in a post 9/11 world,” Berger enthused. “We see how this girl named Jane is affected after her family’s flight to the suburbs after a smaller scale terrorist attack at the beginning of the story. The story then is about this city girl starting a new life, and going through all the challenges that teenagers have when they’re in a new school and a totally different environment, and having to deal with all the relationship, friendship and rivalry aspects that presents them with. What sets this book apart from a typical
Mean Girls story – there’s an extra layer in it that touches on the idea of what it means to be living in the world today, and how you can make it a better place for all of us.
“The girls form a secret art gang, and create these ‘art demonstrations to bring about change for good, but to really show that things don’t have to be done the conventional way. There’s romance, unrequited romance, friendship, rivalry, family stuff – a real sense of living in the here and now, which I think, really sets it apart. It’s very uniquely written and drawn.”
Janes will be the opening salvo in a move by DC to carve out, define, and capture a market share, as Minx will see one OGN released a month for the remainder of 2007.
“All told, we’re really excited about the material, and we’ve got a lot of great writers and artist who are really passionate about the stories that they want to tell.”