
When you’re young, change seems like a constant – for DC’s Flash, it is – a change in men under the mask and, coming early next year, a change in writers.
Originally, it seemed like a slam-dunk of putting the former writing team of the
Flash television series, Paul DeMeo and Danny Bilson on the latest incarnation of the character at DC – and initially, the newly launched series was met with solid sales. However, as things continued, the writing team’s version of
Flash found some tough going with fans of the series who were already reeling with the changes made to the character in
Infinite Crisis.
In February,
Flash will get a new voice in the form of Marc Guggenheim, who joins the title as its new regular writer.
So – obviously, the first question that needs answering is this – after starting his comics career off at Marvel, and receiving a good response from fans for his work on
Wolverine and
Blade (among others), how did he end up with a DC title? Were any DC editors courting him?
“I've been very fortunate in recent months to have several editors at DC ‘courting’ me as you say,” Guggenheim told Newsarama. “I'd been talking to the
Flash editor, Joan Hilty, about a couple of other things when this opportunity presented itself.”
For those who may’ve let
Flash speed by them over the last few months, after playing a major role in
Infinite Crisis, the role of “Flash” was up for grabs after the disappearance of Wally West. Enter Bart Allen – formerly Impulse, formerly Kid Flash of the Teen Titans, and now – aged due to time spent away from our reality in the Speed Force, a young-adult Flash.
And that’s the way Guggenheim plans to keep it.
“Bart’s the Flash now,” the writer said. “The one and only. He's the heir to Barry and Wally's mantle. In fact, that's the thrust of my first issue and, at least, the initial few issues of my run. My mission statement is to firmly ensconce Bart as both the Flash and a major player in the DCU, befitting his heritage. My other mission statement -- which is just as important -- is to make the title new-reader accessible since, as you point out, some people may have given the first eight issues of the title a pass.”
And while Guggenheim acknowledges that there are issues with Bart aging so quickly (for the second time in his life, not to mention that all his friends in the DCU are still teens), for the time being, he’s looking to…like the Flash himself, keep moving forward.
“My instinct is not to dwell too much on Bart's getting older. Rather, I want to focus on him
being the Flash. He's the Flash now and we all have to get used to that -- including Bart.
“One of the things I think is cool about the successive mantle-passing of the various Flashes is that all four of them have distinct personalities. Jay is the older, mentoring type. Barry is the icon. Wally is the irresponsible upstart who evolved into a responsible adult. My inclination is not to dwell too much on Bart's complex backstory and recent ‘maturing,’ but those elements clearly define his personality and set him apart from the Flashes who came before him. So I'm going to use those elements to inform my writing of the character without necessarily referring to them directly or, at least, often.”
For Guggenheim, the opportunity to write Flash pairs him up with one of the very first comic book heroes he encountered and at the same time, ideally, leave his mark on one of superhero-dom’s most famous legacies.
“I was a regular reader of the original Barry Allen
Flash series for the last two-or-so years of that run,” Guggenheim said. “And I
love Mike Baron and Mark Waid's runs. But, yes, I feel a certain attraction to taking on a character like Bart who is in something of a nascent state; at least as far as being the Flash is concerned. Plus, I've been made privy to some of DC's long-term plans -- and from
Infinite Crisis, we all know how long-term these guys think -- and the chance to play a part in laying some of that foundation was just too cool to resist. To answer your question, yes, stuff will happen in the Flash that will lead into the next DC Big Event.”
And while the legacy of the Flash runs through the DCU, its presence doesn’t really affect how Guggenheim tackles the character compared to, say, Wolverine over at Marvel, the writer said.
“Bart's new status quo in the DCU is basically being the best there is at what he does -- only faster. Kidding. To answer in a less wise-ass-ish way, yes, Bart's legacy is part of what makes the Flash special and unique. Though, to be honest, I try to find whatever makes any character I write special and unique and write towards that so, in that sense, my approach with Bart is typical for me, if that makes sense.”
So – February, then…that first story? A simple premise – two teams want Bart, the Teen Titans and the JLA. Which should he choose?
“My first issue, which is plenty new-reader friendly and self-contained, is, in part, about what it means to drop the ‘Kid’ from the ‘Flash.’ History pulls him towards the Titans, but tradition suggests League membership. I don't want to spoil much of the story, but Bart's decision won't have anything to do with either history or tradition. How's that for a tease?”
And a return to the tradition of
Flash writers, like Waid and Geoff Johns before him giving vague and semi-infuriating teases is what fans have to get used to, as Guggenheim said: “Like
Blade, I'm on the book for as long as I'm welcome. As for long-term goals, they're more than goals, they're actually plans. I know exactly what will be happening for the next year and I have some stories to tell beyond that, as well.”
Throughout all of this, Guggenheim isn’t approaching the series with rose-colored glasses on. For whatever reason, Bilson and DeMeo’s take on the character wasn’t clicking with fans, and coming on to a series with a less than happy constituency isn’t exactly the best working condition. Does the writer have any trepidation in that regard?
“That's an honest question, so I'll give you an honest answer: A little. Though, in that same spirit of honesty, I'd have to say that to the degree I feel trepidation -- and I feel it
every time I take on a new project -- it's less trepidation about taking over from writers who, while fantastic, didn't make every fan happy and more about living up to the legacy of writers like Mike Baron, Geoff Johns, Mark Waid, William Messner Loeb, and all the others.”
And finally, some final thoughts from Guggenheim:
“First, to reiterate, I'm writing
Flash #9 as if it were
Flash #1, so no need to be at all familiar with the Bart Allen version -- I'll catch you right up. Second, one of the reasons I took this on -- and there were plenty of reasons not to given my workload, believe me -- was because I wanted to get in on the ground floor of the cool storylines DC has in the works. If you want to get in on the ground floor, too, this is the book to pick up. Even if you're not a fan of the Flash -- why you wouldn't be, I don't know, but even if you're not a fan -- we're going to be telling some very cool, very compelling stories that should be very fun to read.”