
November’s
Jonah Hex #13 begins something that’s never been shown in the character’s over three decades of existence – his origin. Joining regular series writers Justin Gray and Jimmy Palmiotti for the story will be European comic book legend Jordi Bernet, making a rare appearance in American comics.
We caught up with the writing team for a look inside not only Jonah Hex’s life, but also the production of the series.
Newsarama: Okay to begin with, Jonah’s been around for 35 ish years, and there’s been no definitive telling of his origin? How much of his history is known?
Jimmy Palmiotti: Well, unlike a superhero that wakes up and has powers one day, Hex’s origin is really about a lifetime of events that have driven him to become the man that he is portrayed to be in the books now. With these issues of
Hex, we cover the main things that have formed him and we think… the events that the readers would be most interested in reading about.
Justin Gray: His origin was covered very briefly in the past and what we’ve done is expanded on the facts and given deeper insight to the creation of his personality and code of ethics.
NRAMA: Why
now for his origin? Was there any resistance to the idea that you were going to put it down as canon?
JG: It evolved over time as part of Jordi’s involvement and amazingly it was the first script we’d written for Hex and it transformed into his origin tale.
JP: We wanted to start the series with this origin tale but the editor at the time, Steve Wacker, thought it would be a story better told later in the series and we all agreed to that. Again, unlike a superhero book, we didn’t need to know the entire backstory to understand the character. He is iconic in many ways because of that fact.
NRAMA: That said then, can you shed a little light on what you mean in regards to his “origin?” It’s not like he came form another planet, or found an alien with a ring in a spaceship…how much of his early years will this story cover?
JG: We’re looking at a non-linear telling of his time in the Civil War, his childhood and time with the Apache. This harkens back to the original idea of telling “Legends of Jonah Hex” as opposed to a continuity-based format so prevalent in comics. We’re showing more of his relationship with his father and the weight of the Civil War on his personality.
NRAMA: While the full story of his younger years hasn’t been told A-Z, there have been milestones mentioned – his father selling him, his being branded as a turncoat to the Confederacy, getting the scar from the tomahawk…how much are you going to be sticking to what’s been mentioned before? I’m gathering that his isn’t a convoluted history like the X-Men, and the pieces of his past are pretty plastic in regards to responding to tweaking…
JP: We’re very loyal to what has come before and are not tying to re-invent the character. That said, we do get to build on past work and give the readers a more complete story. That’s the beauty of writing a book like
Jonah Hex…you can make the word as colorful as you want and there is so much noted history and research done, the amount of stories to be told are endless. It’s like painting on a never-ending canvas.
JG: Right - we’re sticking to the established continuity and building on it for a more intimate portrait of the man. There are details and history we left out because they were covered extensively in his first series.
JP: Totally. This is our chance at the same time, to make our mark on the character. It’s all about building a legend.
NRAMA: What’s the setup for him telling this tale? Is there a framing sequence that sets the stage?
JG: As you might expect the framing for this is one of revenge. The Civil War may be over but there are debts to be paid by members of the Union forces that slaughtered a troop that Hex spent some time with.
JP: What we tried to do in this three part tale is give you
Jonah Hex: The Movie. It has a beginning, middle and end, and it’s bookended by certain events. I personally think this is some of the best work I have seen Jordi ever do.
NRAMA: With all of the examination that you’ve done on the character, in your view, what elements are
crucial to Jonah Hex becoming “Jonah Hex?” Scar aside, he didn’t come out of his momma spittin’ and cussing…what are some of the keys that turned him into the man he is as an adult? Or was there a single moment?
JG: Nah, it was a lifetime of abuse and injustice, but not the kind we so often see in a Hollywood film or even a country song. Jonah Hex starts out as a rather weak and timid child who discovers in himself strength of virtue in direct response to his environment. Growing up in the Wild West was extremely difficult you had to make life and death decisions immediately without hesitation. Hex experiences the cruelty of life in all its gory details and yet he still manages to carve out a path that keeps him one step ahead of insanity.
NRAMA: And as you said, you’ve got Jordi Bernet illustrating this…good lord – who’s you have to kill? Seriously, how did you land him?
JG: Steve Wacker must have sacrificed goats and other livestock.
JP: Very true…we thank Steve Wacker and Mark Chiarello for that magic. I have been a fan of Jordi’s work since I first read the
Torpedo books years ago…he’s famous in Europe, especially Spain and Italy, but over here his work is winning an audience a little at a time. His solo book was a brilliant introduction of his work to America and I think these
Hex books will seal the deal. This is familiar territory for the man and we all couldn’t be more of a fan of his work. I have over 12 private commissions by him in my home. Nutty but true.
NRAMA: What does he bring to the table, and why are you looking to get him illustrating this story, rather than, a one-parter?
JP: He brings a classic storytelling feel to the book, comparable to Will Eisner and Joe Kubert, and having him available, it would be nutty of us to just give him a one part story. It’s pure greed that drove us to create this three parter [laughs]. I wish we thought of that when we got a chance to work with Paul Gulacy recently…would have been nice to see more by him than only issue #12.
NRAMA: That said, who’s responsible for landing the artists on the series?
JG: It has become a collaborative effort. Steve brought in artists at the onset and Jimmy and I had suggestions and names of people we’d love to work with if at all possible. The same idea transferred over to Mike Siglain when we moved offices. We talk and say, wouldn’t it be great if so-and-so did an issue.
JP: The greatest thing about doing this book and having people love it so much is that we get a lot of offers from big name artists to work with us…and we try to take advantage of this as much as possible. The editor Michael Siglain hits us with artists all the time and we all see if we agree or not at the choices. With Jordi Bernet…well that was an easy one.
NRAMA: So who’s on the short dream list for the book?
JP: Dream guys would be Darwyn Cook, Joe Kubert, Milo Manara, Kevin Nowlan, Moeibus and so on…the list really is never ending.
JG: Darwyn is the man! Also manly are Paul Pope, JH Williams, and Ryan Sook.
NRAMA: What do you look for in artists? Obviously, there’s something…
JG: Obviously storytelling is a huge component of a book like
Hex. Much of the story lies off panel or in subtle nuances just like a good western should. We look for artists with an understanding and love of the genre as well. Some people are more suited to a specific genre and some can do it all.
JP: Being an artist I look for everything I wish I could do. I look for storytelling and facial expressions first and foremost. You know… a real talent for bringing us to a time and place and making us feel emotion…after that, just plain skill with rendering and so on. I expect a lot from artists and being a bit of a control freak, make them work harder than most. Ask out colorist Rob Schwager, he’ll tell you
NRAMA: Back to this story…any elements that either of you added in there that you’re particularly proud of?
JG: Personally I love the defining scene between Jonah and his father or what we call the outhouse of horror scene.
JP: I like it all much better after seeing what Jordi did to it.
NRAMA: Finally, since you’re looking at the full scope of his life, c’mon – you’ve got to have an opinion on his controversial end…killed while he was playing cards before he could get a shot off, and then stuffed and mounted and carried around in a Wild West show, his corpse dressed as a singing cowboy. C’mon – there were lots of legends in the Old West…can we really believe that story is true?
JG: I think that works really well as a metaphor for how people viewed the west for a period of time; romantics would like us to believe it was the noble west, historically we know otherwise, but to see that done to Hex only illustrates the way people sugar coat the past.
JP: It is one story told by a storyteller…like all legends, there are different takes on how a famous person died and the Old West was no exception to this. We have our own ideas but really do not have to go there…with so many great tales to be told about the man’s life, the one about his death doesn’t need to be told for a very long time.