
Monday evening at their Diamond Retail Summit presentation, DC announced a handful of new collections coming out in 2007, including an Absolute version of
Wildcats, as well as a two volume
Showcase collection of
Who’s Who from the late ‘80s and a four-volume, color hardcover project entitled
New Gods Omnibus, which will collect Jack Kirby’s entire Fourth World saga between two…er, eight covers.
We spoke with DC’s Collected Editions editor Georg Brewer for more on the latter two projects.
“It’s a two volume Showcase collection, featuring all the original 26 issues of
Who’s Who: The Definitive Directory of the DC Universe issues,” Brewer said. “I’ve been trying to find a way to do this for a long time, because I love that stuff – I actually have a bound set of the originals in my office from the library because it’s just a great reference tool, and was a nice moment in time for a lot of this stuff, and having this format is a perfect one for it.”
That moment in time was just prior to the original
Crisis on Infinite Earths, thus the character profiles were full of references to Earth-2, the
original original Justice Society, and all that existed in the multi-verse prior to the Anti-Monitor having his way.
Of course, for fans of the original series, while it included years worth of content and continuity, as well as killer art, it also, unfortunately, showed off the bumps in the road as DC moved to Flexography printing, moving from metal plates to rubber plates. As original readers will remember, this meant that, in the early issues (problems were quickly corrected), the art and color didn’t quite match up.
Given the
Showcase format, that is to say, black and white, those early problems won’t show up again, Brewer said.
“Since these are coming out in black and white, those won’t be seen. What we’re going to do is take all of the background elements that were color holds in the background, and just do them as graytones.”
While that challenge was easily solved, Brewer said he’s still facing another – the covers. Again, and original readers remember them well – the covers were collections of all the characters in the issue, as rendered by George Perez. By the time the series had concluded, Perez (who drew virtually all the covers) had drawn nearly every DC Comics character. So how do you represent that on the cover?
No – seriously – how would you do that on the cover? Brewer is open to ideas.
“We were having meetings about the covers recently, and we’re still trying to figure it out. The original covers were those George Perez collection of heroes. Do you pick one? Do you do some kind of quadrant or grid where you show more than one, since we only have two volumes? We’re kicking around a lot of different ideas. One of them is taking figures out of a bunch of different original covers, and recombine, and re-ink them to create the gestalt of what those covers were.
“For me, the things that made Who’s Who what it is was the basic design on the inside – the long, narrow figure with the profile bar down the side, and the covers – just these jams of all the characters together. So we’re trying to replicate that, but it’s an ongoing conversation we’re having.”

Moving over to the monster project on Brewer’s schedule,
New Gods Omnibus should be, the editor feels, the
definitive collection of Jack Kirby’s Fourth World saga, from start to finish.
“We’re still trying to determine the final contents, but essentially, it’s going to be a hardcover collection of the full New Gods saga,” Brewer said. “Right now, and this is subject to change, my bias would be to collect the stories across titles, as they were released chronologically, so it gives you a sense of how the concepts evolved, so that way you’re not stuck with a full
Mr. Miracle collection or a full
Forever People, but rather, build the larger story as the issues and pieces were released chronologically.”
The Omnibus will include the full run of
New Gods and
The Hunger Dogs, but will also include, as Brewer said, assorted other issues which contain pieces of the larger whole, such as the debut of the characters in Kirby’s issues of
Jimmy Olsen and others. “Those are some of the details we’re still working out, but it’s looking like it will be four collections of 200-plus pages each,” Brewer said. “They’ll be color hard covers – a nice, definitive collection. I think that’s something that the core Kirby fans have wanted to see for a long time.”
As for the coloring, Brewer isn’t certain if the pages will be fully recolored or touched up fro the originals.
“We rescanned a lot of the black and white line art for the toned books we did a few years ago, and the question now is whether or not we have that art reproduced well enough so we can go back and color it, or we have to get the art again…or what we have to do. The intent is to make this the definitive, good-looking version of this classic story.”
Additionally, Brewer said that DC is in talks with a handful of people in regards to introductions and text pieces that add context to the larger picture Kirby was drawing, as well as other materials from the era, such as the mock up to a cover of an issue of
Showcase where the New Gods were originally slated to debut.
“We’re digging through all of that material to see what will fit in,” Brewer said. “A lot of it has been out in the world through
The Kirby Collector and other places, but we’re going to see what we can do to make it special.”

In another news revealed at DC’s retailer presentation, Alan Moore and Kevin O’Neill’s
The League of Extraordinary Gentlemen: The Black Dossier graphic novel, which was solicited for an October release, has been delayed indefinitely.
According to DC, a new in-store date will be announced as soon as possible. As a result of the delay, the book will be made returnable for retailers at a later date.
The will be the last
League of Extraordinary Gentlemen project publish through DC/Wildstorm/ABC before Moore moves the property to Top Shelf, publisher of his current
Lost Girls graphic novel.
“With
Black Dossier Kevin O'Neill is producing the work of his career,” Wildstorm’s Scott Dunbier told Newsarama in response to the news. “ Unfortunately, due to his intense eye for detail and the complex nature of the book, it is also turning out to be the slowest project he has ever done. Wildstorm, through its ABC imprint, will be publishing the book in 2007. Alan and Kevin hope readers who have waited so patiently will feel it's worth the wait, I know I do.”