BEST & ADVANCE SHOTS: ETECTIVE, JONAH HEX, WARSONG, CROSS BRONX & MORE

[MattBrady]

From the Cast and Crew of ShotgunReviews.com
Your Host: Troy Brownfield

Welcome to Best Shots! Here’s how it works: each individual review is credited to the person that wrote that review. If you wish to address a question or comment to the writer for a particular item, please note that line. Matt Brady, while possessed of a lovely singing voice and listed as the poster of this column every week, doesn’t actually write any of the reviews. I write the intro, some of the sign-offs, and the reviews credited to me; everything else comes from the other individual reviewers. If you happen to catch an actual error, drop me a message and I’ll fix it. And remember: be kind to one another and my hard-working team.

Quick Note: The Lone Ranger #1 shipped from Dynamite this week; you can find our advance review of this book from a couple months back right here (http://forum.newsarama.com/showthrea...er+Brownfield).

Thanks for reading! Let’s be on with it . . .

Two-For-"One-Off" Special
Jonah Hex #11
Written by Justin Gray & Jimmy Palmiotti, art by David Michael Beck
Detective Comics #823
Written by Paul Dini, art by Joe Benitez & Victor Llamas
Both from DC Comics
Review by The Rev. OJ Flow

It was too good to pass up this week. Chalk it up to a slow week for my pull-box this week if you must, but it was a nice little coinky-dink that the only two books to arrive for me were ones that are favorites to many for being "one and done" monthly titles, Detective Comics and Jonah Hex. In this two books, the self-contained story has truly enjoyed a renaissance. I haven't been a regular buyer of 'Tec since the days of Knightfall, all credit in the world going to writer Paul Dini, and Jonah Hex has made me a fan of the Western like never before. Credit there HAS to go to writers Gray and Palmiotti, what with the fact that the book is barely a year old and it's gone through more artists than Al Swearengen goes through bourbon glasses on a busy night at the Gem Saloon.

With this latest issue of Jonah Hex things come full circle for the lead character as the Special of the Day is vengeance, and certain folks who were involved in Jonah's debut adventure in this series have returned to find themselves on flip sides on the comeuppance coin. The sideshow gang whose leader was taken down by Hex in ruthless fashion for organizing child slavery has returned (see issue #1), and they have him dead to rights, literally, were it not for the intervention of a long dormant character. Artist David Michael Beck deserves special attention for doing a superb job capturing the look that brought many readers onboard in the beginning, the work of the sorely missed Luke Ross. One thing that struck me about events from this issue, the excellently titled "A Weird Western Tale," was how much Hex genuinely deserves to be the DC Universe-proper title that it is. I was in the camp who would've recommended this title for the Vertigo lineup until this issue. A classic Western hero is brought back, El Diablo, in a stellar guest star turn, and this mysterious hero is displaying a spirit that's seen in the Modern Age by the likes of the Spectre and the Crimson Avenger. Diablo and Hex have a haunting conversation over whiskey to conclude this story that shows how woefully similar their lots in life are despite significant differences in their day-to-day activities. Despite Hex's insistence that he go without friends until his dying day, he's got one in me so long as this series holds true.

And I'm not going to lie to you. As enticing as Poison Ivy was in this story, the first five pages of Detective Comics #823 had me a bit concerned. I can't say I know a whole lot on Joe Benitez's résumé, but the initial pages of this issue, coupled with inks by Victor Llamas, had an "Image-y" feeling that I feared would betray a tone that writer Paul Dini has set in his run on 'Tec so far. Not to say the work was lacking skill. The art team does a sensational job setting up the story with Poison Ivy uncharacteristically taking a pounding from the plant life she's normally been a master of (and it wouldn't be a Dini book without a little cameo by Harley Quinn -- cute but succinct). Overall it's nicely detailed line work. I also bring up the term "Image-y" when we get a couple more pages into this Ivy tale and she's safe in police custody, but I couldn't help thinking that Commissioner Gordon and Det. Bullock bore uncanny resemblances to Sam & Twitch of Spawn fame. Tell me I wasn't the only one who thought this. But once we finally get to the stars of this book, Batman and Robin, things pick up artistically right along with the story.

I really dig Benitez's take on the Dynamic Duo. His Batman has the feel of Todd McFarlane (does he still draw?) when he reins it in coupled with the restraint and polish of Barry Kitson. Every page with Batman was a keeper, and he practically bursts off the page. I like his Robin too, although I'd raise an eyebrow or two if you told me he could legally drive. I'd have pegged him at 13 or 14, 15 tops (he also has some quality face time with the captive P.I.). The stylish layouts are served well by a script by Dini that takes a far-out concept, basically a plant/human hybrid on a revenge mission, into a more grounded setting with the Dark Knight investigating the motives for this mysterious, malleable vegetation to act out against its presumed mistress. It's not all that much of a mystery, but Dini is good at keeping the book's title relevant in terms of general sleuthing and deduction. Dini is also adept at peeking into the head of Poison Ivy, and as ravishing as she is on the outside, she's more rotten on the inside. Detective Comics #823 has another thing in common with Jonah Hex #11, both lean and mean titles for all the right reasons, and it's that there are just some souls that are irredeemable no matter what noble efforts are made to make things right. If there's any good that comes out of this conclusion it's that it makes for really good reading.

Any week that we can work in Al Swearengen is a good one.

Outsiders #40
From: DC
Writer: Judd Winick
Art: Matthew Clark & Ron Randall and Art Thibert
Review by Kevin Huxford

Ah...the Outsiders...what a difficult book to really get a read on.

Let me first begin by lauding the artwork. Matthew Clark is still doing great work, especially in light of the fact that he is working his way back into the art grind while getting through his medical recovery. The artists they've had tag-teaming with Clark to fill out the issues are, likewise, doing an admirable job in their attempts to ape his style. Obviously, the artwork isn't the part that is hard to get a handle on.

I like Winick. Really...I do. For the last 2-3 issues, I've been content to see that the writer has been teasing items and possibilities...hopeful that there will be a major payoff. There really hasn't been much payoff to speak of, though. Winick certainly scores some points with bits that please the 13 year old fanboy living inside me (the random superclones, a certain mad scientist's appearance, etc), but he keeps stringing me along without anything substantial happening. The last significant development was the revelation of what, at the moment, appeared to be Jay Garrick as their adversary...and that feels like it was a lifetime ago.

Over the last few issues, Winick has drawn out the resolution to this arc and given little in the way of meaningful developments. It seemed that Judd was playing the last page revelation for a shock or surprise, but that surprise was so poorly constructed that I believe the common reader could see coming since the last issue.

Winick isn't doing a particularly bad job writing this title, but he's honestly not doing anything very good here, either. I think that this book is currently one of the most drastic examples of "writing for the trade"/decompression that DC has going right now. Several subplots are being juggled and some kind of reverse-teasers for 52 (for lack of a better term) are being used as crutches, instead of advancing an honest-to-goodness plot in the book. Unlike some reviewers out there, I don't have a problem with how Winick is interpreting the characters and the ideas he's running through here...he just really needs to start following through on the ideas...taking them from start to finish in a reasonable amount of time. The more these nice concepts are drawn out, the more likely the readers are to forget why they found them interesting in the first place. He needs to deliver a little more or consider passing the book along to someone who will.

Kevin Huxford is doing pioneering work in naming Best Shots subreview categories; take his UFF pellet later in the column, for example.

Johnny Repeat
From: Citizen Press
By Jason James and various others
Review by Koben Kelly

Underneath a gorgeous Tim Sale cover lies the most manic graphic novel I have ever had the pleasure of reading. My mind is still reeling from trying to contain the basic elements of the story. For centuries, an assassin's guild made up of three competing houses has been guiding events from the shadows of history. This rivalry has been long and
bloody. Soon, the world will end, and a prophecy will come to fruition. It seems that the guilds will unify under one leader, leading to events that will throw the world into a
dark age from which it will never recover.

Johnny Repeat is an eight-year-old boy unlike any you've ever met. He has existed for many, many years, and it seems that not only is he omnipotent (or so he thinks), but he has also pulled the strings of others in his employ over the ages in an attempt to prevent a
foretold meeting from ever happening. This meeting will lead to the unification of the guilds.

Depending on which reality you pay attention to, those he uses to meet his goals are either immortal or temporally displaced throughout the eons. The woman with no name who has white on white eyes. Jeronimus Stormcrow, a dragonslayer who may not be as mighty and brave as his history has lead many to believe. Nathaniel, a sexaholic and a terrible shot. Under his employ at some times, victims of a stabbing death by Johnny's hands at others, these minions simply cannot comprehend the truth.

And why is Celeste, a young girl who may be the most powerful being on the planet, so important to Johnny? Why is Nathaniel, on the run from Johnny at one point, helping him to locate Celeste at another, so obsessed with twins? The jury's out, and the clock is ticking.

Matching the reality-hopping nature of the story, several artists have contributed to the book. Most impressive to me is the inclusion of Geof Isherwood, whose work I don't think I've seen since the likes of DC's Suicide Squad in its first incarnation.
Wow, that takes me back. I've come to the conclusion that Jason James is a
strange, strange man on a level akin to.. say... David Lynch. So many ideas and concepts swirl around this book that repeated readings may bear completely different perceptions of the same story. On Grant Morrison's most hallucinatory day he'd have trouble wrapping his brain around this book. If you're looking for something experimental, non-linear, and absolutely engaging, you might want to take a crack at this first effort from Citizen Press.

I give Johnny Repeat seven out of ten Kingsleys.

Koben gives an advance review of Se7en: Gluttony following this week’s Pellets.

Cross Bronx #1
Writer: Michael Avon Oeming & Ivan Brandon
Artist: Michael Avon Oeming
Image Comics
Review by Jeff Marsick

Detective Rafael Aponte is lead officer on a gang shooting, one that yields an interesting murder weapon: the service piece of an officer fifteen years dead. With no record of the weapon being absconded and residue on the handle of a strange herb called dysentery bark, the good detective creates a trail, starting with the widow of the fallen officer. It is a meeting that unveils a deeper mystery to the gang shooting and possible answers whose roots lie in ritual religion. Faith will become a major player in the issues to come.

The simplicity of Oeming’s pencils are a force multiplier to his visual storytelling and keen sense of pacing in this first issue. It’s a comfortable ride, not surprisingly reminiscent of Powers. which is required reading in my home. The writing here was a pleasant surprise, as noir characters like Detective Aponte are often one-dimensional husks that skulk about in Ross Gellar fashion, telling their tale in a Duchovny-esque monotone voice over. But just when you think this is another ‘confused-cop-with-Jesus-issues’ series, you catch a burst of dialogue that belies a personality behind the angst and you realize that this series isn’t exactly like all the others.

That’s not to say it’s perfect. At the end, astute readers will draw a quick parallel to Planetary #3 (the John Woo tribute issue, one of the best issues in that series, were I to opine), which, in the final judging, takes points away from originality.

Something else to comment on: After the show ends, instead of the obligatory ‘here’s how this series came about’ column, Oeming provides five pages of rejection letters culled from his personal collection. It’s a humorous glimpse into Oeming’s beginnings, and almost hard to believe as well, given his successes. More importantly, for an aspiring novelist and comic-writer like myself, it’s inspiration, and more proof pudding in the bromide: if at first you don’t succeed, try, try again. All novice writers and artists with big dreams would do well to keep these pages handy to refer back to.

All in all, Cross Bronx #1 was an enjoyable read and I’m already disappointed that it will end after four issues. I give it an A-.

[i]After a brief absence, Jeff Marsick returns in thunder and lightning! So who dies, Hercules or Goliath?[/b]

Phoenix: Warsong #1
From: Marvel
Writer: Greg Pak
Art: Top Cow's Tyler Kirkham, Sal Regla, John Starr
Review by: Lucas Siegel

Like a killer case of dandruff, going away only to have you scratching your head a few weeks later, The Phoenix keeps on coming back for more. This is the sequel to what was arguably Greg Pak's breakout hit limited series, Phoenix: Endsong. We pick up the story an unspecified amount of time later. If you didn't read the first mini, here's the main thing you need to know: After Quentin (of Morrison's New X-Men run fame) tried to harness the Phoenix force and failed, it broke itself into smaller pieces and entered the Stepford Cuckoos, hoping to incubate itself and re-grow into the all-powerful entity. The Cuckoos, at the beginning here, are just starting to feel the Phoenix' presence, but it doesn't seem to feel ready.

This is, if I recall correctly, the first Marvel/Top Cow joint effort of many, thanks to a recent contract. Top Cow's art teams bring us the "classic Image" art style that many love and many love to hate. Count me overall as being in the love category. I know that girls with these proportions are few and far between in the world, and most guys out there can't really bench an ice cream truck, but in an over the top superhero book, I like the art to be over the top as well. The polished look that Kirkham, Regla, and Starr achieve flows perfectly from Greg Land's digital painting, and for that I'm grateful. As this first issue shows, this limited series seems to keep the same story style and mood as the previous one, and the art does it wonderful justice.

Greg Pak is definitely out to take us on an even wilder ride than the last time here. Some of the nuances and characterizations are almost too subtle, and someone who hasn't read a lot of his writing may miss some of what he's trying to get across. As a fan, I feel I'm picking up everything (and the second time through cemented a lot of my maybes and ifs), but if someone's picking up their first writing by this newer talent, they may feel a tad lost. Personally, the splash page's smaller panels just before the end of the issuehad me more intrigued than the "cliffhanger" at the end, but none-the-less, I'm excited to read more.

If you read Phoenix: Endsong and enjoyed it, then based on this first issue, you'll be along for a good jaunt back in the insanity that is the Phoenix' world. If you haven't read that first series, you'll probably feel a little lost in this at the beginning at least, but those last 3 pages make things painfully clear. As a 6th issue of a series, I give this 4 Cuckoos out of 5. As a 1st issue, I give it 3 Cuckoos out of 5. Entertaining either way, but definitely geared towards the established fans.

Friendly Neighborhood Spider-Man #12
From: Marvel
Writer: Peter David
Art: Todd Nauck, Robert Campanella, Lee Loughridge
Review by: Lucas Siegel

I was supposed to do just a pellet on this issue, but then I read it. F'N Spidey, as I henceforth affectionately call it, was largely regarded as hindered by starting off as part of the Spider-man crossover from last year, The Other. After just a couple story arcs inbetween, it now finds itself as part of the Marvel line-wide crossover Civil War, if only peripherally.

If you've been under a rock for a few months, then Spoiler Alert to events from Civil War: The whole world now knows that Peter Parker is Spider-man after he unmasked on TV in support of the Super-hero Registration Act. His greatest fear, that villains would start coming out of the woodwork and attacking him at home and at his day job as a High School teacher are being realized immediately.

Peter David should write a Spider-man comic forever. The fast paced action mixed with intelligent dialogue and humor that I first enjoyed in Young Justice is definitely present here. You'll even find a couple of references to a certain Knight from the other guys' playground, which is a nice nod to the fun of comics.

Now, I'm not what you'd call a Mysterio fan. I know very little about him beyond what I've seen in video games and cartoons, in fact. After doing some research, I see that there have in fact been 3 Mysterios, one of whom recently took a bullet to the head. Three Mysterios show up here, as well, with a couple of shocking questions being presented.
Todd Nauck and co.'s art fits both the new Iron Spidey costume and the constant illusional/delusional feel brought to us by Mysterio(s). Oddly, proportions and bodies seem to be much easier for his in costume characters than his regular civilians, but he's also drawing a lot of new people. Certainly, this is the most fit Spidey I've seen in a long while.

The shorter story arcs we're seeing some Marvel writers move (back) to are refreshing. The pacing on this issue seemed dead on. The story advanced, but still brought up new questions to be answered in the next issue. As a middle-of-the-story issue, I still felt like I could have jumped right in and enjoyed it, even without reading the previous ones or the next one. The last page makes me want to stick around for more, and F'N Spidey will be at the top of my stack next month.

As a final note, I'd like to give a big fat Thank You to Marvel Editorial for the re-cap page. This is something we're seeing almost line wide now, and I don't think any ongoing comic should be without one. As well as this reads self-contained, part of that is due to the fact that a new reader can pick this up, issue 12 of a series, and from a couple short paragraphs know everything they need to going into the story. It certainly enriches the reading experience, even for me, as I read a LOT of comics every month. It also encourages me to pick up a random issue of a book I'm not currently reading, so kudos. I give F'N Spidey #12 7 Spidey limbs out of 7. Even though a Spider has 8 limbs. humph....

Who else votes for Punisher/Spider-Man team up mini called Guns’N’F’N’Spidey?

Rotting in Dirtville
By James Callahan
From: Gigantic Graphic Novels
Review by Troy Brownfield

Tom had Renee at “Hello.” James had me at “This was the day the giant robot zombies came.” Deranged in the best possible sense, Rotting in Dirtville is the type of adventurous fun that we want all original graphic novels to be. Part Martian invasion, part classic zombie tale, and part rumination on the volatile nature of teen relationships of all sorts, Dirtville manages to entertain on multiple levels with surprising plot turns and unconventional art.

Callahan has a strong reputation based on his skateboard deck designs and album cover illustrations (not to mention his Strange Detective Tales mini). That subcultural context manifests itself in a lot of the design choices; we see retro-inspired cars and one character’s hat even recalls vintage ‘50s headgear (of course, the ‘50s rockabilly movement is only one quarter-turn of the clock away from what became punk, but hey, that’s another column). That aesthetic lends the whole thing a distinctive look; it’s somewhat cartoony, but never departs from an undercurrent of seriousness.

In terms of story, the proceedings are quick and dirty. Into the bleak rubble of one young man’s life, invading monsters fall. He tries to establish connections with others, to varying degrees of success, but his problems are ultimately overpowered by the necessity for action in the face of the larger concern. Really, there’s an argument to be made about the monstrous behavior of some of the characters as a metaphor; the Martians may be “bad”, but at least they’re honest about who they are and what they want.

Dirtville, like previous Gigantic entry Dead West, puts down roots in a particular genre . . . then takes them out back and kicks the crap out of them. The “anti-formula formula” is a good way to divorce yourself from convention, and Callahan does a good job of it. If you’re into horror or ‘50s drive-in flicks, this will totally be up your alley. If not, give it a try anyway. Callahan is definitely a talent to be watched.

Fallen Angel Vol. 1: To Serve in Heaven
From: IDW
Writer: Peter David
Art: J.K. Woodward
Review by Troy Brownfield

When beloved cult series Fallen Angel jumped to IDW, it added artist J.K. Woodward. And although I liked the series before, I have to say that Woodward’s fine art certainly enhances it. But of course, as with any book written by Peter David, the writing is the star. Able to freely establish an origin for the main character that didn’t have any buried ties to any other David series, the writer tears it up, giving us a hard-edged tale of difficult motives, vengeful angels, and the price you pay for trying to run a dodge on the cosmic plan.

Much of the first five issues of the series (collected herein) are concerned with establishing the origin of Lee/Liandra, the Fallen Angel, a story that wasn’t covered in depth during the DC run largely because of the deliberately vague implication that Lee might be the “Earth Angel Supergirl” of David’s run on that title. Obviously, that’s now not the case, and that is so much better for the book. Liandra’s tale of what happens when being a guardian angel goes wrong is heart-rending and amazingly involving. Reading “backward” from that point, prior actions make more sense, and another layer is added.

Doctor Juris, as complex an antagonist as you’ll find in comics, wants to shed himself of the role of magistrate to the city of Bete Noire, where Fallen Angel makes her home. This desire leads him to a discovery that has huge important for the cast, facilitating the introduction of a new, important character and further entangling the various relationships of the players.

Woodward’s combination of painted and digital visuals adds a level of sophistication to the story, and the tone, though often dark and dour, isn’t entirely without hope. It’s a thought-provoking read, punctuated by moments of black humor. If you’ve never given the series a look before, this package is a perfect introduction.

Pellet Reviews!

Missed Shot: Ultimate Fantastic Four #33 (Marvel; by Kevin): Ever since the new team was announced for UFF, I wondered two things: would Ferry be bringing colorer extraordinaire Dave McCaig along and would Mr. Carey's work be something I could tolerate well enough with Ferry/McCaig on art? Thankfully, the answer to both questions was a resounding yes. McCaig's work with Ferry makes it look a little different here. The coloring looks off-the-beaten path, but they make it work. The only minor complaint I have here is that Pascal renders Sue a little too doe-eyed for my tastes. Mike Carey's writing through the first half seemed to be channelling Grant Morrison...but badly. By the end of it, he had me turned around: still channelling Grant, in my opinion, but it had been redeemed. As a fan with about a $30/week habit, I was kind of hoping this would turn out to be a less interesting team to give me a bit of budget relief. It will take me a few weeks to figure out whether I'm happy or sad about that, but what I know now is that I'll be buying the next issue.

Mystery in Space #1 (DC; by Kevin): Jim Starlin is off to a good start with the first issue of this eight issue mini-series. True to the title of the book, at least one half of the issue seems to be firmly entrenched in the mystery genre. Much of the writing on the first half of the book has a bit of that hard-boiled detective feel to it (much in the same vein as the Adam Strange mini, which would be fitting since Mr. Starlin originally wanted that character). Of course, a mini that involves two somewhat obscure characters as its leads needs spend a good amount of time introducing the characters; this book does it well. Jim manages to tie Comet and The Weird together in an intriguing way that I imagine we'll see play out further.

Justice League Unlimited #25 (DC; by Kevin): I cursed Adam Beechen while talking with Sam, the owner of LCS (MacGuffin - A Graphic Novel Shop). It is the second time he's managed to get me to buy the JLU book in the last two issues. Of course, his employers almost spared me from having to buy this issue by approving the cover they went with; it is, apparently, meant to evoke Blue Devil, but evokes Brimstone instead. I bothered to flip through it because one of the many little JLUers displayed on the cover happened to be J'Onn J'Onzz. Instead, I found that Daniel Cassidy was on display. It has been a lucky few weeks to be a Blue Devil fan, in my estimation. First, Bill Willingham wrote the best characterization that I've seen in years, followed by Beechen keeping him pretty close to his roots (with Burchett even being so kind as to put him in his original costume). All in all, the book is written pretty well...though this issue comes across very strongly as being All Ages, considering the whole "moral of the story" aspect is "as subtle as a hammer". But at least it is a good moral with somebody's favorite character.

Marvel Team-up #24 (Marvel (duh); by Lucas): Sigh. Well, Kirkman, in an effort to still tell the story he wanted to tell, took a sort of Anthology approach to this issue. We see the wrap up of the Freedom Ring story, which may show us where Kirkman thinks Marvel is taking Iron Man, and then we see Titannus suddenly brought back into the picture. I loved this book, this entire run, up until this issue. Everything about this just felt rushed and forced to me. I'm still going to pick up the last issue, and hopefully by having one more, Kirkman will be able to do some justice to the saga he created here, but this did not live up to the rest of the series' high quality. A casual reader picking up Marvel Team-Up #24 would be completely, horrendously lost. Of course, knowing you only have 2 issues left, I suppose you're no longer looking for new readers, but it still left me feeling like the issue was missing, well, a LOT of story. I feel like if Marvel could have just given Kirkman 2 or 3 more instead of only 1 more, he would have been able to finish as strongly as he started. Well, there's always issue #25. I'm glad that Kirkman's other work has no chance of being cancelled any time soon, because when he has the time and space to tell a story, I'm never disappointed.

Y: The Last Man (Vertigo; by Janelle): Y #49 proves that we really are on the last leg of the journey. This issue, while not super action packed, does have many tiny tidbits that are important to the story. Unfortunately, anything worth revealing is too super spoiler-y for me to divulge, so you'll just have to read it yourself. As always, the writing and art is fantastic. Why am I even bothering to review this comic? You should have already read it! If nothing else, read it so you can say my husband's favorite phrase: "Monkey sex!"


New Mangaverse: Rings of Fate (Marvel; by Janelle): Marvel gave the ol' Mangaverse another try, and it was fun. The art is wonderful in a delightfully manga way without being uber-exaggerated like previous Mangaverse installments, and the writing is entertaining. C.B. Cebulski is a man who loves his manga, and because of this it's obvious his imitation is not an attempt at a money-making gimmick, but rather the sincerest form of flattery that it should be. The digest is out now, so you can pick it up in collected form for cheap! Nothing better.

Uncanny X-Men #478 (Marvel; by Troy): Ah. More like it. I wasn’t that taken with the previous, Kid Vulcan-centered/fill-in-artist issue, so I’m pleased to see both Tan, and the momentum, return. We get our first official glimpses of Darwin in action, and I have to say that he has a lot of potential. Nightcrawler (the 616, non-crazy-ass version) has some good moments as well. Overall, all three main X-books are cookin’, and that’s a good thing. I’d hope to see some of these writers make long-term commitments to the books; as much fun as “one-year-and-out” teams can be, I think that the thing that the core-Xes need most is consistency. Right now? Good stuff.

American Splendor #1 (Vertigo; by Troy): Harvey Pekar brings The Harvey to Vertigo with a issue suited to his typical approach: several short stories by a variety of artists. There’s solid work from the likes of Dean Haspiel, Ty Templeton, Hilary Barta, Greg Budgett and Gary Dumm. And while the stories themselves vary, there are good laughs to be found amid Pekar’s deliberately misanthropic approach to life. If you’re a fan, it’s a must. If you’ve only seen the movie, give it a look.

Artesia Besieged #2 (Archaia Studios; by Troy): We never give Artesia enough love. Mark S. Smylie’s epic fantasy series is worthy of tremendous respect. It’s a spectacularly realized vision populated by engaging characters, particularly the titular priestess/war captain. Powered by an undercurrent of treachery and sexuality, the battles and political maneuvering represent some of the smartest work in comics. Check out the first three minis (collected in trade) to catch up.

Red Sonja #14 (Dynamited; by Troy): It’s a return of some vintage giant monster action as the Kulan Gath story continues. I’m enjoying the forward thrust of this story as Sonja’s mission has become clear and her multi-tiered antagonists are set. Rubi and Sadowski keep up the terrific artwork, and Oeming writes the heck out of the action scenes. Always a worthy read, with consistent creators and sharp production.

Angel: The Curse (IDW; by Troy): I reviewed the first issue of this when it came out, and I generally liked what I saw. Now that I’ve had a chance to take in the full series, I have to say that this is a strong examination of Angel’s character by Jeff Mariotte and David Messina. Certainly, one of the strength’s of the Buffyverse is the use of the ensemble, and that is lacking here; the various Rom just don’t make up for Gunn, Spike, etc. Still, it’s a good character piece that’s filled with a number of strong action sequences. A definite read for the previously converted.

Flare #35 (Heroic Publishing; by Troy): Flare finally teams up with her sister Sparkplug to take on the villainy of Max Krueger. Much of the book is old-school hero fare, but the interesting wrinkles of media, merchandising, and the fact that the heroine is ultimately the result of a Nazi breeding program add a lot of odd layers. If you have a feel for classic ‘70s and ‘80s super-hero work, you might want to give the books of Heroic Publishing a chance.

A Dummy’s Guide to Danger #1 (Viper Comics; by Troy): A rough-and-tumble P.I. with a paraplegic ventriloquist’s dummy as a partner. If that doesn’t pique your curiosity, you don’t have a pulse. Jason M. Burns and Ron Chan give you noir thrills and attitude wrapped in an unbelievable premise that somehow manages to work. Deserving points for craziness alone, this is a cult fave waiting to happen.

Warning Shot (Advance Review)
Se7en: Gluttony #1
From: Zenescope
Writer: Raven Gregory
Art: Tommy Castillo
Review by Koben Kelly

For those who haven't seen the film, [b]Se7en[b/] is the story of two homicide detectives on the trail of the serial killer, John Doe. The aforementioned murderer has a specific obsession with the seven deadly sins. He feels he is doing his God-given duty by killing them in an ironic manner directly reflecting each victim's particular offending
sin. Zenescope has obtained the rights to do a series based on this movie. The decision has been made to have the series act as a prequel, detailing John Doe's killings, one sin at a time.

First up is Gluttony.

The story is told in a jump cut style, starting with the present life of the first victim being slowly brought to his cruel fate, and then jumping back to before his abduction. This provides the tale with a dark, dread filled beginning to set the mood, then brings us to come to understand the life of the unfortunately obese man and his everyday pain. As if
being slowly tortured to death wasn't horrible enough, the reader comes to pity the victim and his miserable existence.

John Doe has bound his subject at a dinner table, and is forcing him to eat. From the looks of things, the man is an easy four-hundred pounds, and has spent much time gorging himself on copious amounts of food. Simply feeding the man is hardly the goal. No, the point is to feed the man well beyond his limits... feeding him to death. Only then will the death have its symbolic relevance. Only then will he receive
justice for his gluttonous crimes against God. When the man refuses to continue, a gun is used to frighten him into eating more for fear of his life.

When the story veers into the recent past, it becomes tragically evident that the victim wants to change his ways. A loss of everyone that he ever loved has lead him to a life wherein he attempts to fill the empty void in his soul by consuming more and more. Sadly, no matter how much he eats... he still feels empty. By use of narration, his thoughts of cutting back on his dining habits are laid out word for word. The
words of concerned friends have actually made a dent in his gelatinous coat of armor, and if not actually committing to slimming down, he is taking his health into account. If only he can stop trying to substitute food for companionship. Raven Gregory places the reader firmly into the shoes of someone whose life is a constant parade of mockery, taunts,
and derision. The self hatred and the endless cycle of depression and gorging radiates from the pages in waves.

There is an active attempt to place the audience into the head of John Doe, but this is almost a moot effort due to the deluded sense of duty and the perception of
the world as sinful as a whole. His mind is an open book, but it's a warped, twisted book with flawed logic.

The story has brief but enjoyable interruptions of what seem to be pages from John Doe's journals. The pages are done scrapbook style, featuring news clippings, photos, and of course words upon words of psuedo-biblical rantings. What exactly Doe's goal was
with the journal entries is not obvious. Is he simply obsessed with his mission? Does he view himself as a modern-day apostle who must commit his vision to the written word? Regardless, it comes off as quite creepy, and is effective as a device to make the story
more immediate.

The artwork provided mainly by Tommy Castillo is perfect for this story. Nightmarish at times, desperate at others, it conveys the exact vibe Gregory is striving to bring to the reader. Even the panel borders are jagged and rough (intentionally so) giving life to the fractured mind of a serial killer. Most successful are the moments of conversation between John Doe and his victim. The disturbing glee of the killer, and the panic-induced desperation of his gluttonous subject come off the page in a haze of emotion.

If you are a horror fan, a serial killer genre buff, or if you just dug the film Se7en, do not miss this book. Se7en: Gluttony will be on the shelves of an LCS near you September 20th.

I give it eight out of ten Piccards.

Fables #53
From: DC Comics
Writer: Bill Willingham
Artist: Mark Buckingham (Main Tale); Josh Middleton (Backup Tale)
Reviewed by: Richard Renteria

The Adversary plans his next step in his war and the whole Mundy world is his focus.

When it comes to Fables I’m one of those “wait for the trade” kind of people. I find that the story always reads better in its entirety then as a piecemeal story. In Part Two of the “Sons of Empire” storyline, the Snow Queen lays out a plan of attack that will not only deal with the Fables living in the Mundy world, but will also take care of the world itself. As certain members discuss the Snow Queen’s shocking plans, the Adversary (Gapetto) and the Snow Queen enlist an emissary to make “peace” with the Fables. Meanwhile, back in the Mundy world, Bigby wolf saves a Mr. Cottontail and offers him a job, as prey.

Willingham manages to tell a terrifying story that should have repercussions in the title for a long time to come. I especially enjoyed the fact that the majority of the other leaders of the Adversary’s armies have no idea that the humble wood carver and the Adversary are one in the same.

The art by Mark Buckingham is picture perfect and the back-up tale drawn by Josh Middleton actually fits in with the storyline of the main title, if only tangentially. Middleton is a great artist and I would love to see him do an entire issue or arc on this series, as he seems a perfect match for the title.

Characters to watch: a porcupine, a chicken and the Gingerbread Man, if you steal a pie, who gets the last piece? The answer might surprise you.

Sam Noir: Samurai Detective #1
From: Image Comics
Writers: Manny Trembley
Artist: Eric A. Anderson
Reviewed by: Richard Renteria

What do you get when you cross Sam Spade and a Samurai?

Sam Noir is hired to spy on a beautiful woman, Jasmine, and unexpectedly false in love with her over the course of his assignment. When she comes to his office for help the unexpected happens and she is murdered in front of his eyes. Not one to take things lightly he goes on a mission to discover exactly who is behind the death of his “beloved”.

Matt Trembley does a good job of setting up the initial story as it really reads like a pulp detective novel, including some of the groan inducing lines you could only find in a Sam Spade Novel. The problem is, that after a while, the reader realizes that a crime noir novel and a Samurai epic have nothing in common and don’t compliment each other very well. Trembley would best be served by removing some of the interior monologue and let the art do the “talking” and be the noir aspect of the story. Even though the story seems to be taking place in Japan, no one sounds right through the course of the story.

The art by Eric Anderson is the strongest aspect of the title, but relies to heavily on blacks and grays, which hampers the story at times, especially when you are reading about the most beautiful girl in the world and all you see are bits and pieces so lost in the shading that the reader never experiences the beauty A decent first issue, but nothing that challenges the reader as everything unfolds by the numbers.

Character to watch: Jasmine, how does one die from three shurikens to the back?

Captain America #21
From: Marvel Comics
Writer: Ed Brubaker
Artist: Steve Epting
Reviewed by: Richard Renteria

There is nothing better than a good comic book and this issue proves that point perfectly.

While Union Jack and Spitfire take on the Master Man, Captain America and Bucky do something they haven’t done together in decades, fight side by side; and just like they had never been separated by time they make the perfect fighting team. Meanwhile, after driving her car off the roof of a building Sharon Carter lands in the hands of Crossbones and the Red Skull’s daughter, Sin. Oh, yeah, the Red Skull is back and this time he is on his ‘A’ game.

Brubaker is doing a great job keeping this title moving. Not only does he manage to build the suspense of the situation, especially where it concerns Sharon Carter, he also manages to fit “Marvel’s Civil War” in this issue without it being seemingly shoe-horned into the story and sets up the title nicely by giving the reader enough information to feel like something is happening while setting other events into motion that makes one wonder what will happen next.

Steve Epting’s art is the perfect fit for this title as he works wonders with every panel and succeeds in drawing the reader in the unfolding story. I especially commend him on his action scenes, as you can almost see the characters moving during the various battles.

Character to watch: Sharon Carter, something wicked this way comes.

Annihilation #2 of 6
From: Marvel Comics
Writer: Keith Giffen
Artist: Andrea DiVito
Reviewed by: Richard Renteria

Annhilus continues his quest to conqueror the universe, but what do the Silver Surfer and Galactus have to do with his plans?

As Nova and the rest of his ragtag group regroup and assess their strategy, Kree infighting threatens to destroy their alliance; but it may be Galactus’ former heralds who deal the final blow. While Nova and Ronan strategize, in a moment fit for the Godfather, Drax learns of the fate of his daughter. Not to be outdone, the Silver Surfer and Galactus are being held prisoner to the whims of Thanos and his “master” Annhilus. Just when you think things can’t get any worse, enter the Centurions.

Keith Giffen is doing a commendable job of writing this series. His takes on the different characters is perfectly done and considering the situation our heroes are in, makes a lot of sense.

Andrea DiVito is the real draw to this story though. His art is beautifully rendered and no shortcuts are taken. When the Kree and Nova are arguing about Ronan, you can feel the tension in the room. The actions scenes are easy to follow and there is a lot on each page for the eye to digest.

Character to watch: Drax the Destroyer, bug killer.

The Incredible Hulk #98
From: Marvel Comics
Writer: Greg Pak
Artist: Aaron Lopresti
Reviewed by: Richard Renteria

Like the rest of the Marvel Universe, the Hulk is engaged in Civil War of his own. The difference being the Hulk just wants to be left alone.

As Planet Hulk continues our group of warriors begins to show signs of coming apart. Miek has become stronger and demands the Hulk help him and his ilk, but like on earth no one tells the Hulk what to do. It’s up to Korg, the stone man from Saturn, to get Miek and the Hulk to stop their pointless fighting. As the Hulk and his band of followers make their way across Sakaar, they come face to face with the Emperor’s Shadow, Caiera. After Caiera shares her tragic story with the Hulk a battle ensues which is interrupted by the Emperor’s machinations. What could possibly make the Hulk team-up with the Emperor’s Shadow? One word: spores.

Greg Pak has the gift for solid storytelling. This is the Hulk everyone wants to read about, one that can cut loose without fear of collateral damage. Not only is Pak writing a great Hulk, but he also does an excellent job of keeping the story moving forward without using a lot of unnecessary flashbacks. The one’s he does use are important to the story and help to develop the character they pertain to. It’s also nice to see so many challenges for the Hulk that can actually match his strength.

Aaron Lopresti does a great job on art, keeping the story moving and drawing the reader into the story in a perfectly believable manner, considering the story is taking place on another planet. He also manages to bring the consistency needed from the first chapter of Planet Hulk, to make both styles flow smoothly.

Character to watch: the Emperor, evil is as evil does.

A special thanks to the friendliest comic shop in Orange County; Comic Universe located in Fountain Valley, California.


Best Shots team leader Troy Brownfield writes for Newsarama, Fangoria Comics, and runs ShotgunReviews.com. He’s also a professor of English, journalism and communication. Anyone wishing to submit their titles for review can contact Troy at psikotyk@aol.com. If you’re interested in taking a class with Troy via the miracle of Distance Learning, check out the program here http://www.smwc.edu/cgi-bin/site.pl?futureDistance , and specifically mention him or his areas (Journalism, Professional Writing, Creative Writing, Film Studies) when you call. The other plugs: www.shotgunreviews.com and www.myspace.com/shotgunreviews

[JVT]

Captain America #21 was an awesome conclusion to "Twenty First Century Blitz!" Too bad, I found the majority of the arc weak.

[Beefy McHuge]

Originally Posted by Richard Renteria

There is nothing better than a good comic book and this issue proves that point perfectly.

Uh, what?

[Impulse2k1]

Must buy Se7en.....Must buy Se7en

[s*p rules]

was the hulk review also a warning shot? I didn't see it last week at my LCS.

[Rawkingbird]

I was surprised to see a review of Angel: The Curse since it's been out for awhile, hasn't it? Either way, it's definitely a good read, even if it lacks 'the gang', with the exception of an unexpected and very sad appearance by Cordelia.

[khuxford]

Originally Posted by s*p rules

was the hulk review also a warning shot? I didn't see it last week at my LCS.

Anything that appears after "Warning Shot" in the article should basically be assumed to be a Warning Shot. Troy wisely chooses to save all Warning Shots for the end, regardless of which reviewer covered them or in what detail they were covered, in order to help make sure that only those who want to read them do read them.

That's why he was Troy F'n Brownfield long before Peter David returned to Spider-Man.

[Drcharles]

Originally Posted by JVT

Captain America #21 was an awesome conclusion to "Twenty First Century Blitz!" Too bad, I found the majority of the arc weak.

Oh dear !
I love this Arc, it one of the best bks I've read in ages.
I haven't read # 21yet as it never came in this mths parcel
So the Red Skull ( My all time favourite Villain ) is back, and whats this with Sharon ?
Damn, I can't wait to get this bk.

[Troy Brownfield]

Originally Posted by Rawkingbird

I was surprised to see a review of Angel: The Curse since it's been out for awhile, hasn't it? Either way, it's definitely a good read, even if it lacks 'the gang', with the exception of an unexpected and very sad appearance by Cordelia.

That's a fair question. As I somewhat noted, I just really got around to reading this, and just felt that it was worthy of a mention. Thanks for reading!

[Vyper]

[SuperDavid]

What about the "Wanted" issue of Savage Dragon that just came out? It was excellent.

[khuxford]

Originally Posted by SuperDavid

What about the "Wanted" issue of Savage Dragon that just came out? It was excellent.

Sorry, David...I flipped through it at the LCS and it just didn't look like my cup of tea. I've tried Savage Dragon before and felt like I was missing something due to a lack of knowledge of the character and his supporting cast. This issue seemed to be heavy on his supporting cast and the WANTED supporting cast beating the piss out of each other (which means WANTED appears (seemingly) without the angle that Millar brought to his mini).

If I was a regular reader of SD, I'm sure I would have greatly enjoyed it as well.

[caleb]

Originally Posted by SuperDavid

What about the "Wanted" issue of Savage Dragon that just came out? It was excellent.

Reviewed elsewhere by a Best Shots shooter (see my sig).

[Koben Kelly]

Hey, OJ.

Just wanted to say that Jonah Hex was amazing. I'd like to nominate David Michael Beck as new regular artist on the series. Beautiful would be the best word to describe his work.

Thanks
---Koben

[ChillWill]

Thanks for getting in Ult.FF#33.
It was a good start and I'm looking forward where they are going to take this ride.

[khuxford]

Originally Posted by ChillWill

Thanks for getting in Ult.FF#33.
It was a good start and I'm looking forward where they are going to take this ride.

You're very welcome. We do our best to please around here.

[O.J. Flow]

Originally Posted by Koben Kelly

Hey, OJ.

Just wanted to say that Jonah Hex was amazing. I'd like to nominate David Michael Beck as new regular artist on the series. Beautiful would be the best word to describe his work.

Thanks
---Koben

Absolutely.
I would be thrilled to see him on Jonah Hex full-time.

[kcekada]

If you read Phoenix: Endsong and enjoyed it, then based on this first issue, you'll be along for a good jaunt back in the insanity that is the Phoenix' world

Nah. I bought Phoenix: Endsong because it featured THE Phoenix (Jean Grey). Don't give a ____ about the Cuckoos.

And count me as a guy who thought the Image style was fine for it's time -- but is laughable in today's market.

[Spider Symbiote]

Originally Posted by Drcharles

Oh dear !
I love this Arc, it one of the best bks I've read in ages.
I haven't read # 21yet as it never came in this mths parcel
So the Red Skull ( My all time favourite Villain ) is back, and whats this with Sharon ?
Damn, I can't wait to get this bk.

I think this may have been a Warning Shot as, according to Diamond anyway, Captain America 21 didn't ship until... well... today.

Tomorrow for me.