ANIMATED SHORTS SPECIAL EDITION - WITCHBLADE GOES ANIME & CN RESPONDS TO LICENSING ALLEGATION.
by Steve Fritz
As many comic book fans know, one of Top Cow’s major titles is
Witchblade. It’s just reached its 100th issue in its decade-or-so of existence. At one time, it had a live action TV series for, at least as far as this guy’s concerned, way too short of a time.
Now the series is about to enter a very bold, new arena. An anime based on the comic just debuted in Japan, and should be coming to the U.S. next year. To top it, the animation doing the series is one of the Far East’s best, Gonzo (
Samurai 7, Blue Submarine No. 6, Last Exile, Gantz and
Full Metal Panic among many, many others).
“I’ve been a big fan of Gonzo and their anime for years now,” says Matt Hawkins, Top Cow’s Chief Operating Officer and President. “So when the opportunity came up to work with them on
Witchblade it was a no-brainer. They are one of the best anime companies in the world.”
“Gonzo was introduced to Top Cow to see if there was some possibility of adapting one of their characters into anime,” recalls Eric Calderon, VP of Creative Affairs at GDH International, Gonzo’s holding company. Witchblade was an instant and easy fit.”

From the looks of things, the series is taking off. Major otaku sites are already singing the praises for the show. They love the mature content and, naturally, the way the visual elements have been adapted to anime conventions.
Still, when the series finally comes to the U.S., don’t be surprised if American comic book fans scream their heads off. The star of the anime isn’t the hard living, hard drinking, permanently single Sara Pezzini, detective in modern day NYPD. Instead, we get 22nd Century single mom Masane Amou, who has a teenaged devil for a daughter. From the sounds of it, about the only things the two women have in common is the Witchblade…and the demons and other creatures they have to go up against, of course.
“[The changes are] No more radical than what we’ve done with other
Tales of the Witchblade story arcs,” says Hawkins. “The beauty of the Witchblade is that the weapon itself is a character and is passed throughout time. We’ve introduced many different Witchblades, although we have focused the majority of our efforts to the modern day wielder Sara Pezzini. But even that is changing in the comics with issue 100. We get a new wielder. The story here takes place slightly in the future so works in with our overall Witchblade continuity just fine.”
“The anime Witchblade is a completely original storyline,” says Calderon. But we worked with Top Cow to insure that the core mythology was followed and that the rules so carefully set in the US comics would not be broken.
“The reason we decided to create a new story line is that it's very important for Japanese creators to feel a deep sense of creative commitment and ownership. They tend to work better if they're allowed to build something from the ground-up and have a vast amount of creative freedom.
“Masane is unsure of herself and struggles with the mixed feelings of having the Witchblade. Also, she isn't a trained police officer like Sarah. Masane is just a single mother with no job. She constantly worries about her young daughter Rihoko, who is ironically very independent and confident. This contrast of her weakness with the Witchblade's mysterious nearly unlimited power is what makes this combination interesting!
“One of the very interesting things we learned from the Japan side was the level of sexuality that is acceptable to the Japanese versus what is acceptable to the US,” says Calderon. “Lots of images in the US comic would not be acceptable by Japan and at the same time, some of the ideas that Japan had would not be acceptable for broadcast in the US! Witchblade is obviously a sexy character, so trying to make this work and still be OK for broadcast around the world was a constant challenge.”

Overall, the graphic images that came across this desk show Gonzo’s high standards for character design are in top form. Considering their past work, one also shouldn’t be surprised if the action sequences are also top notch.
Both Hawkins and Calderon are both satisfied with what they’ve seen.
“Obviously we love it!,” says Calderon. “This is a real breakthrough in that it's the first time a famous American comic has been adapted into a truly cool Japanese animation! I think fans will really be happy with our pace, story line, and character design. Japanese fans are already reacting positively to the show even though the awareness of the character is not so strong in Japan.? We really think this will open new opportunities for Japan to adapt more US comic characters into cool anime shows!”
And to finish it off, both Top Cow and Gonzo have recently also added FUNimation, one of the top distributors of anime in the U.S., to handle the DVDs.
“FUNimation's acquisition philosophy involves hand picking the top titles and series from Japan,” says FUNimation president and CEO Gen Fukinaga. “These titles and series are all driven by very strong content that has universal appeal. Witchblade is a perfect example of how strong content drives great anime. Here we have a successful comic book series from the United States that has also had a successful run as a live-action series, and it is now transformed into a gorgeous anime series.
“Witchblade already has a very strong following in the United States. GONZO has done a beautiful job with the animation and the look and feel of the show, and we are looking forward to bringing this series to the U.S. market.”
As it stands, FUNimation has announced the DVDs should start coming out in 2007. There are rumors on other web sites the series might air on Adult Swim. The network neither confirms or denies this as of press time. After all, FUNimation is also in the process of launching its own all-anime TV network this month.
More on this series as the story develops.
CN COMMENTS ON LICENSING CRITICISM
For the record, Cartoon Network promised a response regarding the allegation, reported last Wednesday, June 21’s
Animated Shorts, that they are dropping DC-based series for licensing reasons. The response came in Friday, June 23rd. It’s short and simple, so here it goes:
"We will continue to develop original projects through Cartoon Network Studios and other producers,” said a network spokesperson. “In addition, we will seek acquired programming from our long-term partners Warner Bros. Animation and other producers and distributors."
To be honest, this makes perfect sense. After all, they already announced they are airing the Marvel/ Lion’s Gate
Fantastic Four TV series due some indefinite time in the next year. Last I looked, Marvel still isn’t part of Time Warner. They are also bringing in Japan’s #2 anime series,
Bleach, this Fall to Adult Swim (they already have the #1 series,
Naruto), and Viz controls the licensing on both of those.
NEXT COLUMN(S): The Lou Scheimer Interview is well on its way. Also, Google gets toons? Gotta go. I’m off to see Monster House. Heh heh…