by Vaneta Rogers
The last time we talked to George Perez at Pittsburgh Comic-Con in April, he indicated a strong desire to do a Legion of Superheroes comic -- so strong that fans have been clamoring for news about the project.
Perez, who is in the midst of an exclusive contract with DC Comics that will keep him working with the company through 2010, was recently seen as penciler on an issue of
JSA and a portion of the seven-issue
Infinite Crisis miniseries. Next for the artist is the beginning of his 12-issue commitment to the new (yet long delayed)
Brave and the Bold ongoing written by Mark Waid.
Newsarama caught up with Perez at this past weekend's Motor City Con to find out the latest news on his Legion hopes, the Games graphic novel, and what he's doing for
Justice League of America #0.
Newsarama: George, when we last talked in Pittsburgh, you mentioned how much you would love to work on a Legion of Superheroes story. There was quite a positive response to that notion among fans on the internet, but there were also a lot of people jumping to the conclusion that you are already booked for the comic. Is it a sure thing or just speculation at this point?
George Perez: Well, I know that the Legion editor has already started testing the waters about when I complete the first year of
Brave and the Bold, that there may be a Legion project in there that he'd be really interested in me doing. But of course, there's a long line right now.
NRAMA: So right now it's not a given, but a definite possibility?
GP: Well, me publicly having stated that I am interested in The Legion, and fan reaction seeming to be fairly positive about the idea of my ever doing The Legion, I think DC may decide -- especially with this interview to now add to it -- they may think, you know, we'd be kind of foolish not to take advantage of a book that looks like it will be guaranteed to sell. At least to the people who write under so many different names on the internet.
NRAMA: Yeah, have you ever suspected there're only four or five people writing all the posts?
GP: Yeah. That's right. There's 25 responses but only two guys, for all I know.
But like I told you last time, it's a book I loved when I was a child. It was one of my favorite comics when I was a child. And it's a pure irony that after 32 years in the industry I've never actually drawn the book. I've drawn the covers, I've drawn their appearances in
Crisis, but I've never actually drawn a Legion story.
NRAMA: You said in Pittsburgh that was a wrong that had to be righted.
GP: It seems that before I die, unless I'm cryogenically brought back in the 30th century where I can do a first-hand account or something, it seems like something I should do. And the fact that I want to do it, and DC is adamant about trying to keep me happy -- god bless 'em -- I could see it happening. As to what the actual format might be, whether it's a story arc or a stand-alone story, I don't know yet. And whether it might be working with Mark Waid, I don't know, because since Mark is working with me on
Brave and the Bold, he may be tired of working with me! I don't know!
NRAMA: What do you think of the fan response to your work on
Infinite Crisis?
GP: It was great for the most part, but I was actually kind of surprised at how they attacked that last issue. Whoa! I mean, if the internet is any judge. But then again, the internet didn't exist when I did
Crisis on Infinite Earths. I can only imagine what it would have been like the issue that Supergirl died. How many people would have said it was a gallant death or "how dare you, you son of a gun! Killing off Supergirl!?" Or, "What do you mean the JSA don't exist as a separate entity?" We probably would have gotten the same thing then.
NRAMA: So - now that your work on
Infinite Crisis is finished you can start working on
Brave and the Bold...
GP: Finally!
NRAMA: You said last time we talked that the first issue was Batman and Green Lantern. How far along are you with the project?
GP: I'm only on Page 5 of the first issue. I had to wait for Mark Waid to become available because he's working on
52, and they kept throwing other things in front of me.
NRAMA: What other things?
GP: Well, I just did a page of
Justice League of America #0. I got to recreate the wedding of Donna Troy again!
NRAMA: Your name was listed on the solicitation for that issue along with many other artists -- everyone from Jim Lee to Kevin Maguire. So you were given something that you had originally drawn? Is that the intent for the involvement of other artists as well?
GP: Yeah. I'm assuming that's how it's being done. For me it was. That was the only page I drew. It was specifically for me because of the Donna Troy aspect. So it was kind of nice drawing the wedding gown again, which my wife designed. I can draw it a little better now. And there was just a slight tweak as to the occurrences at the wedding that doesn't at all contradict what went on in the original.
After that, I had a commitment for Dynamite [Entertainment] where I'm doing covers for
Army of Darkness/Darkman. So I did the first cover there.
NRAMA: Has anyone set a date for when
Brave and the Bold will come out?
GP:
Brave and the Bold won't be scheduled until I'm done with the third issue. Considering I was supposed to start that book back in November. I'm assuming we're not going to see this book come out until early 2007. But I know that DC will probably be asking me to do things here or there as well. They never learn their lesson. Neither do I, obviously!
NRAMA: It might have something to do with how good and reliable you are.
GP: Eh! It's because I'm on contract. They're taking advantage of me and I love it!
I'm grateful that every time they come up with a prestige project, my name is always one of the A-listers there. I get to turn down more work than I can accept, which is a nice position to be in at my age.
NRAMA: How old are you now?
GP: This year, I turned 52, and I think it's very nice of DC to create an entire series to celebrate that.
NRAMA: So that's where they got the name!
GP: Although Bob Wayne also turned 52. He may say, "Hey! Wait a minute!"
NRAMA: You had said something recently about working on a "DC Bible." What is that project all about?
GP: Well, I'm supposed to do some kind of character drawings for the "DC Bible" that Mark Waid is going to be working on. Particularly after doing books like
Infinite Crisis, even
JSA, I see that there is a desperate need to have standardized costume design sheets where we do the turnarounds to see the front, back and side. Not to tell them how to draw the characters in their own style, but certain things like what the belt looks like in all directions and what a person's costume looks like under the cape, like doing a back shot.
NRAMA: Do artists get references to work with now?
GP: Well, sometimes when they send references, they send references of another person's interpretation where they've jumped a little far off the diving board, or they send you two references from two artists where there are contradictory elements. So there has to be someplace to start.
When I mentioned it to a fan, he suggested, and it was very smart, that characters who wear hoods -- what's their hair color? Those are things you should know.
There were things like when I drew Superman and the Golden Age Superman. The Golden Age Superman looks like he's wearing socks -- there's no heel, there's no seam to show that there's a flat to his boots, yet the current Superman does have a seam so he does actually have, like, a flatness to his boot. There's little things like that I've picked up. There's a slight variation in the insignia, of course, in the two Supermans, but even when I drew Superboy Prime, I noticed that Phil Jimenez drew his insignia and I made sure it was drawn that way. Little things just to give you cues.
NRAMA: But not defining style…
GP: No. It doesn't mean they're going back to the days when all the faces have to look like the model. We're not all going to draw like Curt Swan. They're not all going to draw like me. But at least Superman should have a spit curl. That's Superman. How the jaw is drawn and everything else -- that's a stylistic choice.
NRAMA: With all this work you're doing, is there any hope for the Teen Titans graphic novel
Games that you were working on with Marv Wolfman to see the light of day? Last time you talked about it, you weren't optimistic.
GP: There are still 50-something pages to be drawn. It's an enormous story. And as much as it's something I want to do, it's on indefinite hold. And I know they hate me saying it -- and Marv hates it even worse -- but I can't see it ever getting finished. With all the work that I'm being given by DC, there's no way I can fit the Titans graphic novel into my schedule. So it's on indefinite hold, and I can't see a day when that's ever going to be removed.
NRAMA: You need a time machine to add more days to your schedule.
GP: Yeah! Where are they going to schedule it on my schedule if I'm going to be doing monthly titles and filling up whatever free time I have on other projects? I think it's flattering -- the book was a go when I wasn't exclusive. Once I was exclusive, they want me to do so many things. When I wasn't exclusive, they thought the Titans graphic novel was the only thing they could get from me for awhile. Signing the exclusivity seems have to killed the Titans graphic novel.
NRAMA: Well, we just found out that Marv Wolfman's doing a
Raven mini-series. So there seems to be work for both of you despite the graphic novel being on hold.
GP: Yeah! I heard about that. You know, it's wonderful to be able to turn down so many projects. The fact that, I know, in this day and age, there are artists of my generation who are struggling to keep working. And here I am turning down projects left and right because I don't have the time. Believe me, I am very, very grateful for that. I understand how lucky I've been. Talent? Yes, that counts for a lot. But a lot of it is also plain simple luck. I've been very, very fortunate.