by Vaneta Rogers
Along with a new writer and a new #1,
Runaways will get a new look from artist Humberto Ramos when Marvel restarts the ongoing series in September.
With what
writer Terry Moore told us is a "fresh, new take," Ramos is already well into penciling the series, which he's taking over after his recent run on
New X-Men.
Runaways focuses on a group of teenagers with unique powers and abilities who become a ragtag group of superheroes after foiling the evil plans of their villainous parents. The series was created by writer Brian K. Vaughan and artist Adrian Alphona, but when that team left with issue #24, was taken over by writer Joss Whedon and artist Michael Ryan. The series has suffered delays recently, so Marvel is relaunching the title in August with a #1 issue that Moore promises is designed for new readers to come on board.
Not only has Moore been raving about the new look Ramos has given the title, but we also
reported from Wizard World L.A. in March that series colorist Christina Strain is calling his artwork on the series "fantastic."
Newsarama contacted Ramos to find out more about his approach to characters and what readers can expect as the series starts up again this fall.
Newsarama: How did you get involved with
Runaways? Was this a comic that you'd seen before and followed?
Humberto Ramos: I got involved in
Runaways after my short-term run in the
New X-Men. I've been working in the X-Men office for a bit already --
Wolverine first, then
X-Men -- and after the
Messiah Complex, they thought it would be a good idea to have me drawing this pack of kids.
I knew
Runaways a little bit because I was in the list to take over them when Joss took the writing of the book, but apparently he had a different pick to do the pencils. So I let it go, but at the time, I read the the whole first arc and some more issues and it was great. It is such a cool book to read. It's like
Dawson's Creek with superpowers. [laughs] Sorry, bad joke.
NRAMA: Yeah, it's our job to make bad jokes. But why do you think Marvel thought you were a good fit for this comic? And do you think this comic fits with your style?
HR: Honestly, I think it was a no-brainer for Marvel. I've been known for the way I picture teenagers. Then, how I showed my real interest in the book, they thought it was a good idea.
NRAMA: Now that you've started to draw the characters, have you altered or evolved your style at all to fit their personalities and specific quirks?
HR: Yes. I have complaints already. [laughs] People think I draw Molly too young, but you know, I talked to my editor and to Terry, and they feel OK with my take. So what can I say? I like her younger. With Chase, I built him a bit more like a football player. I always picture him that way. And with Nico, for example, I want her to look a bit more sexy. Being a Goth doesn't mean you can't look sharp, right?
NRAMA: We’ve talked to both the writer and the colorist on this book, and they echo the same sentiment about your work so far on
Runaways: You're really capturing the characters' personalities. Can you describe what you've done to highlight their personalities so well?
HR: First, I followed what I knew. From there, I got a lot of feedback from editorial. Like with Victor, he is a different guy from the one I drew in the earlier book I drew with them. Now, he looks thinner and nerdier. And Xavin is all just new ground. It's cool that he/she is a Skrull. I can do pretty much whatever, you know?
NRAMA: Which of the characters has been the biggest challenge?
HR: Karolina. She just has to look nice and cute, yet not exotic, and also quite hippie going. And Old Lace -- the reference I have for him doesn't remind me much of the real dinosaur species. He's not, just for your info, a velociraptor.
NRAMA: Which character is your favorite?
HR: Molly, 'cause I like drawing this little girl with a big attitude and strength.
NRAMA: Has anything about drawing them surprised you?
HR: I just love how these kids talk and live in a "real" world. The references and style has a lot, if not all, to do with what you can see or hear in a kid their age these days.
NRAMA: Can you tell us anything about what types of things you got to draw in the first issue? And was there anything about the first issue that was a challenge or that surprised you?
HR: In the first issue, I drew a lot of the Runaways, and drawing a different city from New York City is a bit of a challenge. If you're a regular penciller in the Marvel Universe, you know you have to draw mainly NYC, but now I have to go back to my reference books and Google! And also PicLens (thanks for that one, Joe Q!) to draw L.A. and for the first issue, Malibu Beach.
NRAMA: How has it been working with Terry Moore on this series?
HR: I admire the man. Can't say more. Is there more to say anyway?
NRAMA: Well, were you familiar with Terry's work? Is it at all intimidating that he is an artist too? Or has that been beneficial to your working relationship?
HR: It is intimidating! He knows where I'm screwing up! [laughs] But it also gives us some sort of special link, where we know what the other is talking about. I'm just thrilled to work with him.
NRAMA: Now that they've finally scheduled the first issue, what can you tell fans to expect out of your run with Terry on the series as it starts up?
HR: Lots of fun, and the best work we can deliver.