by Steve Fritz
WARNING: SOME SPOILERS WILL APPEAR LIKE MAGIC.
True confession time. I admit I never read the entire
Narnia series. I did read
The Lion, The Witch and The Wardrobe. I also read
The Last Battle. The books inbetween? I never got to them. Not that CS Lewis books don’t have merit. I’d recommend
Cosmic Trilogy and
Screwtape Letters anytime. Just call it a case of too many good books out there, too little time.
I also admit the following: I enjoyed Disney’s adaptation of
Lion, Witch. It felt fresh, the acting was superlative and communicated the author’s iconoclastic interpretation of Christianity with flair and not the slightest bit of heavy handedness.
So why did I feel non-plussed after seeing the sequel,
Prince Caspian? The reasons are several, and well worth discussing.
Before I dwell on what’s wrong, let me assure you there are some sequences of pure magic.
The opening sequence where the Pevensie siblings first enter Narnia is truly spellbinding. The same can be said for the White Witch’s way too short cameo appearance thanks to the incredible Tilda Swinton. The various battle sequences have some incredibly original moments.
Probably the key thing really is
Lion, Witch was a true ensemble performance. I don’t mean just the four Pevensie children, but with everyone else around them. It didn’t matter if it was a short one by Father Christmas (James Cosmo) or critical characters such as Mr. Tumnus the Fawn (James MacAvoy). They all had weight. Each appearance meant something.
Quite frankly,
Caspian is a star vehicle, and it’s custom built for Ben Barnes. While I truly enjoyed his work in
Stardust, I think that was because his role as Young Dustin was short and to the point. It wasn’t long before he’s replaced by Nathaniel Parker.
With
Caspian, he’s actually introduced to us before the Pevensies come back to Narnia. It also isn’t long before you realize something, his performance as Prince Caspian, the rightful heir to the Telmarine kingdom, is just to heavy for his slim shoulders. He isn’t the only one coming up short either.
Of the Pevensies, the only one who seems to be growing comfortably into his role is Skandar Keynes. His Edmund is remarkably mature and slyly complete. I especially love it when in one scene young Lucy (Georgie Henley) asks why Edmund is the only member of her kin who believes what she told him. Edmund responds that the last time he didn’t listen he wound up making quite the fool of himself. The way Keynes handles the line is so wonderfully ironic it brought a solid laugh from just about everyone in the audience. Another quick scene where he tries to explain his proper title—explaining that he’s just a King while Peter is a High King—is equally entertaining, as is his confrontation with the White Witch.
Also coming up particularly short is William Moseley (Peter Pevensie). In the same sequence with Swinton, Moseley and Barnes never truly make us feel their souls are threatened. When the two have their inevitable swordfight, they remain remarkably passive as they thrust their sabers at each other.
Still, probably the weakest performance of all is that of Sergio Castellitto. As King Miraz, the man who usurps Caspian’s throne, one should feel the man is a true threat. Quite frankly, his performance felt flat throughout the entire film. When he meets his end, I didn’t feel anything, triumphant or otherwise.
Yes, the VFX are incredible, but any cineaste will tell you if the acting isn’t of the same level, the film feels flat. Further, even though I never read
Caspian, I could see the ending 30 minutes into the film, and not totally enjoying the ride. Consider, I did read
Lion, Witch, and enjoyed every darn second of that film even though I knew the book inside and out.
As it stands, production on the third movie is apparently well on its way. If you didn’t know it, the character of Caspian does talk about a ship called The Dawn Treader. Hopefully, what I just saw was sophomore jinx and things are smooth sailing from this point on.
Related:
A Narnia Video Wrapup.