
Yesterday, we
brought you the first word on
DC Universe: Last Will and Testament, marking Brad Meltzer’s return to the DC Universe. The 38 page one-shot will fit between issues #3 and #4 of
Final Crisis, and will tell the story of the “night before,” that is, the day/night before the big battle that the heroes know is coming – the battle that they know many of them won’t survive.
We had a chance to speak with Meltzer more about
Last Will, as well as his next comic book project.
Newsarama: Obviously, when you were planning out the story of
Last Will and Testament, the “Trinity” of the DC Universe – Superman, Batman and Wonder Woman will play large roles, but how many characters do you end up showcasing?
Brad Meltzer: Well, it’s not a cavalcade of or an excuse to write ‘who’s every character I can pull out of my rear end,’ it’s more along the lines of ‘who do I have a good story for?’ In some cases, some of them are outgrowths of stories that I’ve always wanted to tell. When it comes to the Trinity, it’s mostly about where things are going in the future, and when it comes to the smaller characters, it’s really about where the story comes from, and in one of the cases, it’s one of the unresolved stories for me from
Justice League. I always wanted to tell it and try to figure out where and when I could fit it in, but had to leave it when I left the series. With this, I realized it was a perfect time to come back and let this be the allegory for what and where the DC Universe is headed – as overblown as that immediately sounds [laughs].
NRAMA: Of the characters, who was the hardest and who was the easiest?
BM: Hm – I really can’t say without giving things away. Sorry.
NRAMA: So far, how’s the art looking from Adam Kubert?
BM: He is just
killing with every page. I thought his run on
Action Comics was as stellar as anything that’s been published in a long time. He happened to be finishing the Annual as I was coming on with this, so we matched up perfectly, timing-wise. I got very lucky on that. As people who read “Last Son” know, Adam can do the big stuff, but man, did he make me love those characters. I thought that his Clark and Lois and Chris scenes were as exciting and interesting as any of the big action pieces.
NRAMA: Given your DC fanboy status it probably should be pointed out that this sounds a touch like the scene from Alan Moore’s “Whatever Happened to the Man of Tomorrow?” story.
BM: It has echoes, yeah, but you’re talking about one of my favorite stories ever in comics there, so I can’t possibly compare it to that. But there’s no question that there are similarities. It’s one of those moments where you have to back off and let the character examine themselves. Not that it turns into something where everyone’s on the therapy couch, but I really believe, like I said, that in most stories, you don’t have the time to do that – it’s only at the biggest, most horrible moment of your life do you get that chance to do the self-searching that takes you to a different place.
This just happens, again, to be that moment. The heroes are about to go off and fight that battle. And to go back and answer your question of who was the most difficult to write – Rocky Davis – Challengers of the Unknown.
NRAMA: That opens the doors wide to how far-reaching
Final Crisis is…
One final question about
Last Will, Brad – as readers of
your blog know, you recently lost your mother to breast cancer. Obviously, we extend our deepest sympathies, but given the close association of what you were working on and what you were going through in real life, did your mother dying affect your writing on this story?
BM: I wish I could have separated the two, but it was just impossible. If anything, it brought a deeper sense of consequence. It didn’t make it a better story, or a better written story because my mom passed away, in my own way, it made the experience more of an ironic and tragic one. But the writing’s still the writing, and that’s what it should be judged on, not anything else.
NRAMA: Moving on to your other comics work during this novel hiatus – we
recently spoke with Joss Whedon, and mentioned that you’re still coming up on
Buffy the Vampire Slayer Season 8.
BM: Right. As of the last time I heard, Joss is writing the last arc, and I’m writing the one before that. So I’m toward the end in a long line of just amazing people writing the series.
NRAMA: How did Joss approach you on this?
BM: Gosh, I think now, two years ago? I got the secretive e-mail with the blood oath attachment from him that asked if I was in or I was out. Of course, I said I was in, and then came the second e-mail with another blood oath, and a blood rite, and that one had the grand plan of what was happening in the series. Honestly, it’s one of the few dream come true experiences in my career to date – getting to work on a character and a universe that we all know and love. The same reason that I want to go work on Superman is the same reason that I want to go work on Buffy. When we first started talking about this, we all had to make a promise of how great Season 8 was going to be, and now, I don’t think we need to promise that anymore – everyone can see what’s been done so far, and I just consider myself lucky to be riding their coattails.
NRAMA: Joss told us that his approach for the different writers in the series was to see what it was about the universe that gelled with them, that hooked them, and then ask them to go in that direction with a little input on from the larger storyline. Given that you’re writing near the end, is that how your story will run, or are you under a few more constraints given that you are, near the end?
BM: I can say “A little bit of both” and that’s really all I can say about it. I don’t want to ruin anything that’s coming up.
Or activate that blood rite attachment that’s still in my inbox. [laughs]
Check back on Monday for a discussion with Meltzer about his new novel, The Book of Lies.