by Benjamin Ong Pang Kean
New York Times bestselling author Terry Brooks’ most popular fantasy series is making its graphic novel debut this week, courtesy of Del Rey, a division of the Random House Publishing Group.
Brooks became the master of epic fantasy with the publication of his legendary debut,
The Sword of Shannara in 1977. Together with
The Elfstones of Shannara and
The Wishsong of Shannara,
Sword formed what’s become known as
The Original Shannara Trilogy and chronicled the adventures of brothers Shea and Flick Ohmsford and their immediate descendants, Wil (Shea’s grandson), Jair and Brin (Wil’s children), in their quests to save the Four Lands.
Brooks went on write various other novels, with the next one,
The Gypsy Morph, the third novel in
The Genesis of Shannara series, scheduled to hit stores in August.
In the meantime, Brooks, along with writer Robert Place Napton and artist Edwin David, bring readers a brand-new adventure set in the bestselling
Shannara universe in the form of an original graphic novel.
Dark Wraith of Shannara is set a few years after the events of
The Wishsong of Shannara and the
Shannara short story
“Indomitable”, which first appeared in the Robert Silverberg-edited
Legends II together with other short stories by a number of noteworthy fantasy authors.
In the first installment of a three-part series, Brooks talks about
Shannara in original graphic novel format, the upcoming film adaptation and other works.
Newsarama: Terry, all this while, you'd never intended to bring the world of
Shannara to go beyond the novel form. So, which one came first? The success of
The Lord of the Rings film trilogy made Hollywood take notice and you subsequently optioned the rights to Warner, or the attention that adaptations of other novelists' works into comics like George R.R. Martin's
The Hedge Knight, Robert Jordan's
The Wheel of Time: New Spring, and others prompted you to bring
Shannara to the graphic novel format?
Terry Brooks: You're right about being reluctant to do anything with
Shannara other than in book format. But Del Rey formed a manga division some five years or so back, and they had hinted at the possibility of doing something with
Shannara, so I had some time to consider the idea. Because the growth in this area has been so huge in the past decade, I thought maybe it was something consider. After Del Rey told me how they wanted to handle it and how they intended to give me control over the material, I decided it was worth a try.
NRAMA: Are you nervous to be competing with, say, Stephen King's
The Dark Tower comics, Laurell K. Hamilton's
Anita Blake - Vampire Hunter: The First Death two-parter, TokyoPop/Jim Henson Co's
Return to Labyrinth and
Legends of the Dark Crystal?
TB: You know, I've never believed in the idea that authors compete. I don't like the concept. This is one reason I don't believe in awards where it is a competition. Writers do the best they can with the gifts they have; they don't deserve to be measured against other writers. So, frankly my dear, I don't give a damn about what other writers are doing. My measuring stick is personal to me.
NRAMA: You'd discovered the works of Walter Scott, Arthur Conan Doyle, Robert Louis Stevenson, Alexander Dumas and other 18th and 19th century writers in your early teens. And J.R.R. Tolkien's works, especially
The Lord of the Rings, influenced you greatly as a writer. Would you mind sharing the spark that generated the idea which drove you to write the
Shannara books?
TB: Well, who can remember now, nearly forty years later? Okay, let me give it a try. It was a combination of all of the above and a heavy influx of Faulkner stirred into the mix. I wanted to write a large saga set in an imaginary world, but without appendices and the need for extraneous histories. I wanted a straight forward adventure story, but I also wanted to do what Faulkner did, which was to set everything within a small group of families in different generations and look at the ways that secrets destroy and deception infects the members of those families.
NRAMA: What do you feel is your own strength as a master storyteller/writer?
TB: Oh, I don't think there is any question. Plotting and storytelling has always been my forte. I think I do pretty well at getting into the minds of my characters, as well. But this is one of those questions that should be answered by readers, who might be less prejudiced than I am.
NRAMA: Why do you think that fantasy fiction is still so popular even to this day?
TB: Fantasy is the child of myths and legends and fairytales, much of which forms the bedrock of our earliest exposure to books and storytelling. I think we have gene for it in our makeup, an attraction for all of its components. Plus, fantasy is really storytelling about us and our world, and access to the characters and stories comes easily.
NRAMA: How do you see your magnum opus translated into the graphic novel in the form of
Dark Wraith of Shannara by writer Robert Napton and artist Edwin David? What do they bring to the project with their respective talent and experience?
TB: I took the events of
The Wishsong of Shannara, the fourth book chronologically in the series, for the jumping off point for the story in
Dark Wraith. But I don't have the talent or interest in the adaptive process. Both Edwin and Robert knew the
Shannara series intricately coming in, and their skills were an immediate draw for me in agreeing to turn the project over to them. I kept my finger on what they were doing, but really it wasn't necessary. I did very little editing of their work.
NRAMA: While you'd stated in other interviews that you had full control of the entire project, was it difficult to let go of your characters to them?
TB: Once upon a time, it would have been difficult. But when you agree to projects outside the books, you have to trust the people to your bring in to do the work. I think all of us at Del Rey felt that Robert and Edwin could do the job. Turns out, we were right.
NRAMA: Let's wrap up all this graphic novel talk with a tease about
Dark Wraith of Shannara, shall we? Any scenes or elements that you can toss out that might perk some eyebrows?
TB: I think the artistic renderings of the Mwellrets and the Croton Witch will catch the reader's eye. I like what Edwin did with the Moor Cat, Whisper, too. Different than I had envisioned, but very good. Robert was very good at using minimal dialogue to capture scenes, too.
NRAMA: Moving on to
The Gypsy Morph, the last book of
The Genesis of Shannara. Is it true that the third novel will explain the lack of Knights of the Word in later books as well as plant the seeds for the origins of the Druids?
TB: I don't know if explain is quite the right word. I think it will suggest the reason. If the readers are astute, they will be able to figure out some of what is coming. But it isn't all made clear this early. Mostly, we see how the old world ended and the new will begin. When I go back into this series, which I may do soon, it will be some three to five hundred years later.
NRAMA: You once said that you're always telling everyone to read Phillip Pullman. What was it like to see
The Golden Compass (originally published as
Northern Lights in the UK almost two decades after the first book in
The Original Shannara Trilogy) hit the big screens first?
TB: Well, I liked seeing what they did. So did Philip. But we both live by the same motto: The book is always better.
NRAMA: Do you have an ending in mind for
Shannara?
TB: No. Is that definite enough?
NRAMA: Is it true that you've got at least eight
Shannara stories that you couldn't find the time to write? Do you see
Shannara continue on in graphic novels with you creating just the outlines while writers like Robert and artists like Edwin bring the stories to life in comics and manga?
TB: It's true that I've got a bunch of stories in
Shannara I haven't yet written. You pick and choose which direction you want to go and which stories you want to tell. As for the graphic novels, if
Dark Wraith does well, I will consider doing more, working in the same way with a writer and artist.
NRAMA: Like Susan Cooper's five-book children's fantasy series,
The Dark Is Rising, which saw a film adaptation of the second book in 2007, it looks like
The Elfstones of Shannara, the first sequel to
The Sword of Shannara and the second book in
The Original Shannara Trilogy, would head to the theatres first. How is the production coming along with Warner Bros. and director Mike Newell?
TB: Now that the writer's strike is settled, I think it is coming along pretty well. Mike is considering several writers for the project, and I think he will chose someone pretty quick now. I know that Warner wants to move along with the screenplay.
NRAMA: And speaking of movies, are things moving with the
Magic Kingdom of Landover film?
TB: The last I heard Stephen Somers was back as director and working with the screenwriters on revising the script. The option runs out later this year, so I expect we'll know something before too long.
NRAMA: What do you have in mind for the upcoming sixth book?
TB: I am writing a new
Magic Kingdom novel, a book that is long overdue. The last one in that series came out in 1995. The fans have been very patient with me, but I sense their patience growing short. So that book will be out in 2009.
NRAMA: Finally, were you into
Superman,
Batman or
Spider-Man growing up? Marvel or DC?
TB: Yeah, I grew up reading all those comics back in the fifties and sixties. I began collecting some of them after a time. Did that for maybe fifteen years or so. I've got complete collections of many of the Marvel comics, including
Spider-Man,
Daredevil and some others. I wrote an English Lit paper in my senior year of college on the philosophy of Marvel Comics. Got an A. As for writing a comic, I don't think I would do so if it wasn't my own story. I just don't have enough interest or time to spend on that kind of thing. But you never know, do you?
Look for an interview with Dark Wraith of Shannara writer Robert Napton tomorrow, and artist Edwin David on Wednesday.
For those who missed out on the “Indomitable” short story, head on over to this link to read an excerpt.
Dark Wraith of Shannara is scheduled to be in stores this week.