by Steve Ekstrom
On Saturday, at Wizard World Los Angeles, Marvel Comics announced during their
X-Men panel that Matt Fraction would be joining Ed Brubaker as co-writer on
Uncanny X-Men with issue #500. Joined by artists Greg Land and Terry Dodson, the writers will spell each other off on the series, with Fraction picking up the ball on issues #501-#503, and then Brubaker taking things from there.
Even with all the success the X-Men have garnered, times are very bleak for the very few mutants remaining on earth. With the current “Divided We Stand” storylines spanning the entire X-book line-up and the remaining vestiges of Charles Xavier’s students finding themselves scattered across the globe—can the X-Men save all of mutantkind from extinction with a Secret Invasion looming over the Marvel Universe and scores of villains new and old knocking on their door?
Newsarama contacted Matt Fraction and Ed Brubaker to discuss their collaborative efforts on
Uncanny.
Newsarama: Matt, when you think about the X-Men before actually writing with Ed on the book, what do you think are some of the core elements that make this book and these individuals unique?
Matt Fraction: These people were once the future, and now they're standing on the verge of extinction. And they still defend a world that hates and despises them. The ones that believe in tomorrow are running on faith and fighting off doubt. What's to keep them holding on? That crux at the core of all the characters, in all of its different forms, is what we're going to be looking at. There's a wildly new status quo that speaks to the very heart of who the X-Men are, and who they've always been. Facing the end of the mutant genetic line only serves to magnify that.
Oh! And stuff blows up; everybody has lots of sex, and then dies.
Ed Brubaker: And yet it's still light-hearted. Thus with all the sex.
NRAMA: How do the two of you see the mutant universe in the days to come following
Secret Invasion? Is it going to keep being hard to be a mutant?
MF: It's never been more difficult to be a mutant. It's one thing to be sworn to defend a world that hates and despises you; it's entirely another to be dwindling away to nothing while the world can't bring itself to care. Mutants are just another species on its way to extinction—
Secret Invasion or no, that's an impossible place to be.
EB: And part of what's happening with the X-Men, starting in
Uncanny #499 is that they're changing how they approach that. How they deal with being nearly extinct.
NRAMA: Are there any old-school villains the two of you would like to bring back into the limelight in Uncanny? Has there been any collaboration between the two of you to create new villains for the X-Men so far?
MF: We're bringing back some awesome old-school guys, creating new twists and remixing some old favorites, and then making up all new ones to keep the knives twisting.
EB: Please—we have the Immortal Weapons of the Seven Lost Cities of Mutants.
NRAMA: Matt, do you have any favorite X-characters that you'd like to have in
Uncanny while you're on the title?
MF: I have a particular fondness for the Claremont/Sienkiewicz
New Mutants run; any time one of them pops up you can probably be certain that was me dorking out in a story meeting.
EB: I have already shot down Longshot and Magus a number of times. But there's only so much one man can do.
NRAMA: Ed, with
Uncanny X-Men #500 closing in on us in four months, can you honestly say--with the reappearance of Magneto—that a showdown with the X-Men is not far from occurring?
MF: He's got no powers! What the hell kind of a showdown is
that?
All new! All different! A group of super-powered thirty-somethings beats the holy hell out of some poor old man—because you demanded it! This senses-shattering expose of violence against senior citizens was so sensational, so scintillating, that only the 500th issue of
The Uncanny X-Men could contain it all! Face front, true believers—time to put the boot in to grandpa! Suck it, pops!
EB: Yeah, it's really about taking the whole "Mutie hatred" vibe and twisting it to ageism, to show everyone how wrong that is. I think that's what Matt was getting at.
NRAMA: [laughs] Okay, okay. After reading the last few years of stories, with the Civil War and the current climate of hatred towards mutants escalating in the entire line of books--could an actual "Days of Futures Past" type of storyline be that far off? Could readers of these books currently actually see something as catastrophic as mutant concentration camps and Sentinels on every corner? Or is it safer to say that the paranoia of an event like that happening is more provocative of story device?
MF: Camps? Plural? There's less than 200 mutants left. You don't need camps. You'd need a Camp. One. And a small one at that. Next time you're at a full movie theater on a Friday night, look around and think-- these are all the mutants left in the world. This is
worse than "Days of Future Past." This is
extinction. This is the end of an entire species. "Days of Future Past" is a Sunday afternoon picnic compared to where the X-Men are right now. There is no more future left to fear or hope for. The end isn't near, it's
here.
How do you have faith that a tomorrow will come? How can you believe in the future, in spite of all that? That's our playing field.
EB: Yeah, and I think the places we're going to take the book will really surprise our readers. Because to live at all, as people, they have to believe there's going to be a future. And hell, that's a metaphor that goes for all of us, these days, I guess. Look at the news; look at the weather and global warming. Fear of the future and how to save it for ourselves is something that's becoming almost primal, I think.
NRAMA: If you the two of you could each pick two characters to tell readers to keep an eye on in the months to come--who would they be?
MF: Cyclops and Emma. And Pixie.
EB: Dazzler—wait, did I just say Dazzler? Oh my god.
NRAMA: Do the two of you think that the X-Men titles would function better if they were set up like
Amazing Spider-Man is now (three times a month with rotating teams) or do you think that each book separately defines certain characters and tones? Is there a possibility of seeing
Uncanny X-Men two of three times a month as well?
MF: No... I think that post
Messiah Complex each of the X books has a very discreet mission statement and style. I think maybe for the first time in a long while, maybe ever; the books have unique identities that distinguish them from one another and fulfill a unique role in revealing an aspect of the X tapestry.
EB: That said, the hope is with both me and Matt writing, and the fantastic team of artists we've got onboard, that we may get the book out more often than monthly. Nothing is finalized yet, but it's certainly a possibility, and something we're shooting for.
NRAMA: In one sentence, both of you give readers something to mull over about
Uncanny X-Men until convention season really starts rolling.
MF: "Stuff blows up, everybody has lots of sex, and then dies."
EB: I don't think there's anything to add to that. Oh wait, some of them don't die.