Report by Graeme McMillan
"Enunciate well and speak from the diaphragm."
Strange words to start a panel at a comic convention, but that was the advice given by Bill Willingham to those asking questions during his panel, the first at this year's
WonderCon. Questions were necessary because, as he admitted first thing, Willingham didn't really have anything to talk about
: "We could fill an hour talking about fun stuff about
Fables," he said, "but they're having a Fables panel tomorrow, and I'm not sure I have two hours of fun stuff about
Fables to talk, so we're just gonna wing it."
Promising honest answers to anything asked over the hour-long session, Willingham ended up talking about his start as a writer, previously-secret projects and tax dodges, admitting that at least one of those may get him kicked out of comics.
Perhaps to be expected, the majority of questions centered around his Vertigo series,
Fables. He explained that the characters age normally unless they fall into one of two categories - Whether there's some story reason for them not to as dictated by the original story, or whether there's some story reason for them not to as dictated by him. An illustration of the earlier category was Pinocchio, who wished that he could be a real boy, and so would always be stuck at that age (Little Boy Blue
does age, albeit slowly, he admitted, and there would something of an explanation for his boyishly good looks in the next issue of the series).
"The real answer is, we
have worked out some rules [about aging and the passing of time]... unless something really fun comes along to break them," Willingham said, before admitting that he'd kept Snow White pregnant for fourteen months just so that he could have the "March of The Wooden Soldiers" storyline start in the calendar month of March.
Asked about reference used for the series, Willingham said that he's been reading fairy tales all of his life, and that they've been sneaking into his work for years even before he started the Vertigo book. Even now, he said, he'll be reading something and find material that he'll want to use: "I'll find a story or character I like and plan to use that character in something." He admitted that the definition of what makes a
Fables character is somewhat vague, and that the best he could come up with was "What's in the public domain that I want to use," although he wants to steer clear of religious figures. "There's a fuzzy line there between folklore and mythology, and an even fuzzier one between mythology and religion, and I don't really want to go there."
That said, he said that the majority of
Fables characters were religious, because they'd met gods in their original incarnations: "It's like, 'Of course I believe in God, he lives down the lane."
When asked whether he plans to expand the
Fables universe, he said that the answer was yes and no; while there will be more characters coming in from folklores outside of Western mythology, there won't be any more monthly series to accompany
Jack of Fables: "Two a month is about right."
He then went on to admit that there would be more books similar to the
1001 Nights of Snowfall OGN, and that the plan was that there would always be a special book in the works in addition to the ongoing monthlies. A second OGN is being worked on right now, but he didn't want to say too much about it because DC wanted to keep the announcement under wraps, and that he wasn't supposed to reveal too much about it.
Following audience pleas to not be a tease, he hinted that the book will answer one of the most asked unanswered questions from the earlier "Burning Questions" issue, "Why do the Fables call themselves Fables?" and then reminded the audience that he promised to give an honest answer to any question he was asked. Of course, the next question asked was "Why do the Fables call themselves Fables?"
Joking that "If I'm kicked out of comics for this, God knows I deserve it, but I will be blaming you," Willingham then went ahead to answer the question by reading from the script of the upcoming, unnamed OGN ("I'm not going to tell you the title, because that would give away stuff," he explained). Following the applause when he finished reading, he added "I'm probably in a lot of trouble now. If there are DC people in the audience, look at these faces. How can you say no?"
And, no, we’re not going to tell you what he said. Sorry.
In response to a question about his start as a writer, Willingham said that his dream since childhood had always been to be a comic book artist, and that writing kind of happened by accident. When art samples to independent publisher Noble Comics led to a penciling gig, the publisher asked for him to write
and draw a book based upon the generic characters that starred in his samples: "The one thing I was not going to do was admit that I did not know what to do," he said, and so he lied and said that he'd had a complete story arc in mind. "I sort of became a writer of comics to provide myself with something to draw."
He said that he now prefers writing, due to his feelings about his artwork. Drawing comics, he said, was "emotionally and physically exhausting and it never ends. It's a soul-numbing experience on some level, so you shouldn't waste that on bad stories... As an artist, I've become glacially slow, to the point where I'm not sure I've got more than one big story in me before I check out." He
does know what that story is, and he is currently working on it, although he wouldn't reveal what that story was. He did say what it wasn't, however; he won't be providing any art for his upcoming
House of Mystery series.
"As an artist, I'm a good bricklayer," he continued, "I'm getting slower rather than faster as I get older and more particular about what I let out under my name." When a fan asked if that meant that he became a writer because he was too slow to illustrate all of his own ideas, he laughed and said that that sounded much more noble and would be the reason he gives from now on: "I became a writer because I had so many ideas that were crying to get out on the page... I did it all for
you," he exclaimed with mock sincerity.
The best part of being a writer, Willingham revealed, was that everything could be used for material, and the unintended benefits that that brought. His tax returns were "the most creative writing I do every year," he said, because of what he can attribute to writing research. "Every movie I attend, every comic book I buy, every book I buy, I write them all off." Looking around the audience, he added, "If there are any IRS officers in the audience, my name is Kurt Busiek."
Closing the panel by thanking everyone for reading
Fables, he took a quick straw poll of everyone in the audience who didn't read the book. To those people, he offered a particular variation on the money-back guarantee: If you bought the book and didn't like it, Willingham's friend (and
Sequential Tart writer) Adrienne Rappaport will come to your house and wash your dishes for the week. Amid applause and Rappaport's sarcastic yells of "thanks a lot, Bill," the hour finished with Willingham asking everyone to stay in the room for the next panel starring everyone's favorite tax dodger Kurt Busiek.