by Chris Arrant
Freakangels is an upcoming series depicting a world in which a group of teenagers are some of the last remaining people after a catastrophic flood left most of England (and perhaps the world) uninhabitable. And these teenagers aren't your normal folk – think
Village of the Damned, all grown up. Written by Warren Ellis and illustrated by industry newcomer Paul Duffield,
FreakAngels promises a unique and expansive take on living life after what could have been the end of the world.
But you won't find this in your local comic store or bookstore,
Freakangels is going to be online … for free. Although published through Avatar Press, it's not being "published" in the way you'd normally think. It's online, serialized weekly and available for free. It's a project that Ellis and Duffield have been working on for months now, building up pages to ensure weekly release that promises new turns in each installment.
With its debut scheduled for this Friday, we talked with the creators to find out more. First, Warren Ellis.
Newsarama: OK, Warren… we've seen the artwork and heard a glimpse about it from your postings online. But what is
FreakAngels about?
Warren Ellis: It's set in the near future, in a partially flooded England; specifically, in the Whitechapel area of London, which, according to some flood maps I saw, would actually survive a serious rise in sea level. Which is funny, really, because if you had to name a part of London that could really use a wash, it'd be Whitechapel. I can hear the Cockney half of my family cursing me from the grave for drowning Hackney and Stepney but leaving Whitechapel standing.

The FreakAngels themselves are eleven telepaths living as a clan in Whitechapel who may have had something to do with the drowning of England. There were twelve -- one left, and the things that bastard has been up to is the axis on which the first arc turns.
FreakAngels started as one of those idle thoughts: what if the kids from the Midwich Cuckoos had grown up to become disaffected twentysomethings? I started making notes on the notion in spare time (which for me, these days, is the 15 minutes before I go to bed at four in the morning), and the thing started multiplying. After a couple of months, I had this massive sprawling thing with thirteen major characters that was clearly telling itself like a huge novel.
Which seemed to me to be ideal for a webcomic format, because artificial breaks every 22, 32 or even 48 pages just weren't going to work. I realised that if I did it as a web project, I could let it find its own shape, like a novel, and that if anyone complained that they weren't getting six plot points in a single chapter -- well, I'm not charging them for it, am I? I'm figuring that, in a free model, enough people will just come along for the ride...
NRAMA: The artwork is by relative comics-newcomer Paul Duffield. Was this partnership something where the artist came first and you had a story blossom out of that, or something where you had a story in mind and just waiting for the right artist?
WE: The latter. I came up with the thing, and then William started casting around for artists who'd fit. I think Paul was actually the first sample I was shown, and, as you'll see, he's simply the perfect choice. I was really looking for a fusion of European and Japanese sensibilities, as
FreakAngels is paced like a manga but really demands the attention to detail of a European album. Paul was just ideal -- he even had the cel-shaded approach to colour that I was looking for. I'm just hoping no-one poaches him for a couple of years.
NRAMA: FreakAngels is loaded with interesting facets, from the story to the art and even the format - webcomics. Let's start with the latter … this is your first long-form webcomic, although not your first webcomic altogether with
Super Idol and some other work to your credit. But this effort,
FreakAngels, has the weight of a legitimate publishing company behind it in Avatar. What convinced you this could work, and how did you convince William at Avatar?
WE: I told William that girls would like him if he did it. And since he lives in a very small town where all the women have beards and half the kids look like him already, he appreciated the idea of his horizons being broadened.
As far as how it works: it's the TV model.
FreakAngels is free-to-air, but the eventual collected editions will cost money. I can watch pretty much any tv show I want, on the box or on the net, but for something I like, I'd rather have the complete DVD handy.
Also, let's face it, digital comics are going to be the point of tension in comics 2008. William agreed that it was time to pursue new avenues, and to fund a major webcomics initiative with no guarantee of revenues down the line, if for no other reason than to make the point -- serious publishers need to be exploring different ways to put comics in front of people. So we're trying this.
FreakAngels debuts on February 15th at www.freakangels.com. Check back tomorrow with Newsarama.com for an interview with series artist Paul Duffield.