by Vaneta Rogers
We've heard about schools for superheroes, most recently with the Disney movie
Sky High, and even schools for young, bright wizards, like Harry Potter. But where do
villains go to learn how to manifest their malevolent intentions?
That's the question answered by
Necessary Evil, a new series from Desperado Publishing by writer Joshua Williamson and artist Marcus L Harris. Based in Necessary Evil Academy, the series follows the sons of one of the most evil female villains the world has ever know as they unravel the mystery of her death and learn about the secret world of supervillains.
Originally intended as a mini-series, the comic has been upgraded to "ongoing" by Desperado. Newsarama caught up with the writer to find out more about the series as it heads toward its fourth issue, and we found out the concept has even gotten a little attention from Hollywood.
Newsarama: What is the comic about, in a nutshell?
Joshua Williamson: It's about a school for Supervillains! That's the quick one-liner.
Extended, it goes like this: Jacob and Miller are the sons of the Matriarch, the world's greatest super-villainess. The Matriarch is now dead at the hands of a superhero, and the boys want answers -- and revenge. They are invited to Necessary Evil Academy, the school for supervillains. As the brothers go to class to learn the tricks of the bad-guy-trade, they begin to unravel the secrets surrounding their mother's death, finding that her legacy may have destined them to become more than just villains.



NRAMA: How did you come up with the idea?
JW: Honestly, I wish I had some awesome story, where it was an epiphany while I was climbing Mt. Everest or traveling the world searching for Shangri-La. The truth is... I was playing video games. No joke. I was just sitting there when I had a thought: "There should be a school for bad guys." After that, my brain went nuts with ideas and concepts. I stopped playing and started writing. The initial solid concept I had was: "My mother was the greatest supervillain the world had ever known," which became the opening line in issue #1. The first issue script went though a bunch of changes and was at one point 36 pages long. I eventually managed it down to 24. The more I wrote and played with the idea of a school for bad guys, the more material I had. The concept really fed into itself.
NRAMA: How would you describe the artistic style of the comic?
JW: Marcus L. Harris is the artist. Let me ask him real quick. Marcus? What would you say is the artistic style of
Necessary Evil? Marcus says: "Legible?"
It's a superhero style of art with a taste of slice of life drama. Marcus and I are both big fans of the Giffen, DeMatteis and Maguire era of
Justice League and we were aspiring to have a look close to that. We are still far off, but its the thought that counts, right? The book has a classic clean comic look. We try to focus on facial expressions and making sure the emotion of the characters shines through.
If I had to compare it to a book? The first pages I ever saw of Marcus's were sample pages he drew from an
Ultimate Spider-Man script. Recently, in a podcast review, the art was compared to Mark Bagley's pencils in
Ultimate Spider-Man, so I'm gonna go with that.
NRAMA: Is there any other movie/genre you can point toward and say, "if you like that, you'll like
Necessary Evil?"
JW: Movie- and mass appeal-wise, I'd say
Sky High,
Wanted, New Mutants, Teen Titans and
Harry Potter. I've met with a few interested Hollywood people and they say "a dark Harry Potter" every other sentence. If you like the whole "kids in school getting into crazy antics," you'll like this book. The majority of the story has the kids training to be villains, but at the end of the day, kids will be kids. If you like any movies that focuses on the bad guys or about someone's evolution from a good person to a total sociopath, this is for you.


NRAMA: Tell us about yourself, as far as writing goes. What did you do before writing
Necessary Evil?
JW: Before
Necessary Evil, I had written mostly mini-comics and books with really small print runs under an independent banner called Big Boss Comics. The first mini-comic I ever published was back in 2001. I made 20 copies and handed them to my favorite creators at the San Diego Comic-Con. It wasn't my greatest work of art, but it was a start.
Eventually I became one of those guys that has a table in the small press section of the San Diego Comic-Con every year. I did a few different comics -
Plan B, Gentleman Zombie, Kid Justice and
Lost Rites. My books never made it outside the convention scene aside from me going store to store selling copies. I did a few short stories in some anthologies, anybody remember Captain Greedy? Eh? Anybody?
I also had a comic strip on
www.komikwerks.com called
Kid Justice, about a teen superhero who is the son of the president of the U.S.
NRAMA: How did you get the gig with Desperado?
JW: This story is actually kinda long and epic, with three different epilogues but I'll try to keep it to short, just the gist.
I used to hand out my mini-books to other creators at conventions, try to get some feedback, hell, even if they laughed at me I was still happy that I got a reaction. One of those creators was Stephan Nilson (
Atomik Mike, Justice League Unlimited). He was in charge of Across the Pond Studios and was becoming the Creative Director with Desperado. Stephan would swing by my table every year and we would B.S. a bit. He was familiar with my past works and was always interested in seeing what I was working on. A few conventions ago, I gave him copies of some newer stuff I had done; in there was a rough copy of
Necessary Evil #1. He said he would read everything and get back to me after the convention. We played the email game for a few weeks and eventually he gave me the call saying Desperado had picked up
Necessary Evil. I was really excited and proceeded to call Stephan everyday with questions, slowly driving him insane. Kidding.
Working with Desperado has been really great and rewarding. They were still in the process of leaving Image, so I feel lucky knowing that in their freshman year going solo, they took a chance with me, being pretty much a rookie and not a name by any means. The same month Desperado released the first issue of
Necessary Evil, they also released books by Phil Hester, Shannon Eric Denton, Stephan and Keith Giffen.
Keith Giffen! I was honored to be among those creators.

Desperado has been awesome in dealing with the book. Originally it was only going to be four issues long, but they gave us the go-ahead to change it to an ongoing, which was a huge show of trust in us.
NRAMA: OK, then. Last question, and your chance to sell it - why do you think people will want to check out the comic?
JW:
Bad guys!!! Everybody loves the bad guys! This book is wall-to-wall supervillains, people! If you want to see how the other half lives and is trained, or you've ever wondered where all the crazy supervillains in animal costumes came from, here is your answer!
It's got interesting characters, action, romance, and a little bit of mystery. These first four issues are a self-contained story arc, but they also build on a bigger plot that will pay off big. People
think they know where the book is heading and they will be surprised when they discover what direction the book is really going. The first issue has an great cover by the awesome Dustin Nguyen ( WildC.A.T.S 3.0, Detective Comics) and issue 2 has a sexy cover by Todd Nauck (FN Spiderman, Teen Titans GO!). The art is great and the book itself has been getting good reviews.
Really, if you are a fan of bad guys doing bad things, you have to check this book out. I'm a big believer in that, in fiction, for there to be heroes there needs to be bad guys. The worse the bad guy the better the hero. They are.. dare I say it?... a
Necessary Evil! Dun, Dun, Dunnnnn!!!
Issues #1, #2 and #3 of Necessary Evil are currently on stands.
For more:
www.desperadopublishing.com
http://www.myspace.com/necessaryevilcomicbook



