
He’s been around the DC horn, from Superman to Catwoman,
Amazons Attack to
Sinestro Corps: Superman Prime and
Countdown, and in April, artist Pete Woods will move to
Infinity Inc., working with writer Peter Milligan.
We cornered Woods for a few quick questions.
Newsarama: Pete, on
your blog, you pretty well documented your run of work over the past year. What led to
Infinity Inc? Were you pitching around to the editors at DC to do another monthly, or did they call out of the blue?
Pete Woods: There's a
long story that lead me to
Infinity Inc. Unfortunately most of it I can't go into here. Suffice it to say due to an editorial snafu I had a big gap in my schedule. Fortunately for all, my buddy Matt Idelson needed someone to come on to
Infinity Inc. I was ambivalent at first, but once I read the pitch and saw what Milly was doing I was hooked. It's exactly the sort of thing I was hoping for after a year of drawing epic crossovers. A chance to settle in and concentrate my efforts on a clever title with a strong group of characters.
NRAMA: So had you been following
Infinity Inc? What's your take on it? From here, is seems to have a small but devoted following...along with the requisite Milligan madness...
PW: I am woefully behind in my comic reading at the moment (I still haven't finished
52) so I hadn't caught up to
Infinity until Matt called me. Along with the pitch he sent me the books they had completed so far. I think the concept is brilliant and it really has a lot of potential. A very "Milligan-esque" take on the superhero genre.
NRAMA: That said, how would you describe Infinity Inc to those who aren't following the book - something that you'll probably be doing a lot of in the con season to come... ?
PW: The premise is this: In
52, Lex Luthor gave people super powers and then he took them away. At least that's what we thought. It turns out the powers these people had are not gone, but suppressed and in the process of that suppression they got "twisted"- just like an emotion or desire becomes twisted when you bury it. These new powers are a doubled edged sword. On one hand these kids are back in the superhero game, on the other hand the only way they can use their new abilities is to dig down deep into all the dark, sticky, unpleasant stuff they have tried to keep hidden their whole lives. Every one of these characters has a power that is a hint into the darker side of themselves.
NRAMA: You mentioned that you've followed Peter Milligan for a long time - what is it about his work that you like?
PW: Milly has a very skewed take on the world- one I really enjoy. Darkly comic. I mean who else would have the cajones to resurrect Princess Diana and make her a superhero? In the end it – wisely - didn't happen, but who else would even
think of it?
I have a special place in my heart for those UK guys. While other kids were reading
X-Men and
Teen Titans I was hunting down sci-fi comics of all varieties, and Milly had his hands in a few of them -
2000 AD, Tank Girl, and
A1.
NRAMA: You also mentioned that you've been able to settle in and design much of the look of the book. Howso? The series was pretty well set and running when you came on...
PW: It's true that the characters have pretty much been established, but there are some changes coming. The most important of those is that the team members are getting costumes.
While most of the locations have been established for the book, we haven't seen much of them, so there's plenty of wiggle room as far as design goes. Steelworks is the most exciting of those. Here we have John Henry Irons- the Tony Stark/Reed Richards of the DCU- who knows what sort of weird bleeding edge tech he's got sitting around. The possibilities are endless...
NRAMA: With writers coming on to new projects, we often hear that certain characters are easier to get a handle on, or "reveal" more of themselves than others do. Is it the same for you artistically? Which characters were you able to get used to immediately?
PW: Yeah, that's as true for an artist as a writer. I have found that on a monthly book it takes about three issues before you can really get the feel for the cast. There's always somebody that is tricky to get your head around. In this case it's Natalie. It's just a case of finding a way to "see" her and I'm still struggling with that. I'm confident I'll get it though. I had some troubles with Lucia as well, but once my wife Rebecca suggested a certain hairstyle for her it all just clicked. Male characters usually don't present a problem for me. I usually get them pretty quick. Except Hal Jordan- my Hal Jordan sucks rocks. I must remember to tell Milly no GL guest appearances.
NRAMA: Artistically speaking, how is your work on
Infinity Inc going to be different from say,
Amazons Attack or other work that people may know you from?
PW: I'm still fiddling with that at the moment. I do know it will not involve long-shots with thousands of little tiny figures battling it out in a major metropolitan area. Between
Amazons Attack, Superman Prime, and
Countdown I think I've paid my dues as far as casts of thousands go.
Seriously though, I'm going to try injecting more energy into my work. For a book like this one you've got a lot of energy behind the characters - a bit of bounce and a little bit of sexiness. The trick for me will be getting that to the page those are areas that I feel have been lacking in my work in the past so it's a great challenge and I'm sure to learn a new thing or two in the process.
NRAMA: Okay – so your first issue ships in April - what can you say about that story?
PW: Some rather unusual new costumes, a new cast member or two- or three- depending on your point of view, and the Boogeyman!







