
A little after the fact (
Jonah Hex #27 shipped last week), we’re continuing our series of conversations with the artists of DC’s
Jonah Hex, and today, we present Jordi Bernet.
When he began his stint as an occasional artist on the Western series, more than a few American fans raised an eyebrow at his name, but European readers more likely gave a knowing smile. The Spanish Bernet is a comics legend in Europe, popular for his work on
Torpedo, Sarvan Tex Willer and literally dozens more. Hey, Will Eisner was one of his fans, so that’s good enough for us.
Newsarama: While your reputation is well known in Europe, for many readers, now finding you on DC’s
Jonah Hex, you’re a new face. Can you give us a little background about who you are, where you’re from and a brief outline of your career?
Jordi Bernet: I was born on 1944 in Barcelona, in a family where art was not exactly an stranger: my father was a famous artist, his brother was also a comic-book artist, and my mother’s brother was a well-known novelist and scriptwriter. I had made up my mind when I was a child: when grown-up, I would be a comic-book artist too. But first, I wanted to study drawing and painting. My father died when I was 15 years old, so I had to speed up my plans. I’ve been a self-taught professional since that moment. I alterned humor drawings with realist works, including series such as
Andrax, Sarvan, Kraken, Black Stories, Custer, Ivanpiire, Light & Bold, Tex and
Torpedo among many others. In the humor side, I am drawing
Clara de Noche at the moment, which is being published in several countries, including the
United States.
NRAMA: How is drawing
Jonah Hex different from other Westerns you have worked on – or is it?
JB: Jonah Hex is stronger, tougher and bloodier than most of the Westerns I had previously drawn. Also, for me it is the first that is published in color.
NRAMA: What were the challengers of illustrating this "Star Man" issue?
JB: I had to do some research on 1865s New York, and I had an old Colt Navy in my table that I drew several times. I wanted to enjoy myself in that story. The script was great, and that was a great motivation for me.
NRAMA: Can you relate at all to the Jonah Hex character?
JB: Yes, I like Westerns and tough stories with lots of action. Jonah Hex has all the necessary ingredients for the mix. Recently, I drew story that also had lots of humor in it.
NRAMA: Has the image that you had of what the life of an artist would be changed for you over the years?
JB: Not too much: I still work just with paper, pencil, brushes, ink and lots of graphic problems set out in my working table every day. I’m really happy when I manage to solve just one of them.
NRAMA: What technical aspects do you focus on in your work?
JB: I like to do some research on the topics I must make the drawings about, and then trying to solve any problems at the pencil stage, so that I don’t find any unexpected complicated at the inking stage.
NRAMA: One thing that really sets your work apart is that the storytelling is extremely well crafted. Do you have any advice for aspiring sequential artists to help them better understand how to convey script ideas?
JB: Movies. I think it is important to watch many movies. Cinema has always been my spiritual food.
NRAMA: Every artist has a personal ‘creative process’ ... can you explain yours, particularly when you work from a
Jonah Hex script?
JB: My creative process is rather simple: I read the script twice (or thrice), until I make it mine, not unlike a movie director, even though I just start at page 1 and finish at page 22. Then I try to remove from my drawings everything unnecesary for the development of the story. I think I work intuitively. I don’t follow any routine, and try to use each and every single idea that comes to my mind.
NRAMA: How much creative freedom are you given on each script? How is it different working with other writers in Europe compared to what Justin and Jimmy give you?
JB: I like working with Justin and Jimmy’s scripts. We have an absolute freedom, and the scripts are really good. Everything is easier with a good story, and they usually deliver that.
NRAMA: Will you be doing any more issues of
Hex in the future?
JB: Of course. I’ve grown fond of that motherf__king bounty hunter. I even gave up a job here in Spain in order to devote more time to his stories.
Previously:
RIDING WITH JONAH HEX: GIUSEPPE CAMUNCOLI