THE GATHERING T-FAN STORM…
ANOTHER VERSION OF THE TRANSFORMERS DEBUTS DECEMBER 26 ON CN
by Steve Fritz
Among animation fans, probably some of the most rabid and unforgiving are Transformer fans.
When
Beast Wars/Beast Machines came out, a number of the “G1” fans immediately shouted heresy, absolutely refusing to like it because it simply involved a new cast of Autobots, different powers and just about everything else. It didn’t matter that Mainframe Entertainment, the wonderful folks who had previously given us
Reboot, were doing the Maximals and Predicons under direct orders from Hasbro, who hold the master license. It also didn’t matter that those episodes contained some of the best writing and animation the franchise ever had. G1 fans would below in disgust and sneer in contempt while the series moved along for five years, the first three in syndication, the last two on Fox Kids.
What’s funny is what happened next. When the next version of Transformers appeared, the Beasties fans joined the G1 crew in their contempt. It continues this year, with the live action, Michael Bay-directed feature film.
Seriously, wars have been fought with less passion and vigor than what Transformer fans exhibit in the defense of their favorite incarnations of the robots in disguise.
So, you think Marty Isenberg isn’t getting ready for this? Actually, as the former Story Editor of
Beast Machines he’s more than aware of what’s to come.
“T-fans are clearly very passionate. I found that out the hard way,” says the current story editor of
Transformers: Animated, which makes its debut on Cartoon Network on Wednesday, December 26 at 8:00 p.m. Eastern. “While I don’t think we’ll make them all happy, I’m encouraged by the early largely positive response to the various clips that have gotten out there. I fully expect the inevitable backlash to come as the series progresses. While I’m happy when fans like my work, ultimately it’s
more important what kids 6-11 think of it.”
Produced by Sam Register, the former CN exec who helped create shows such as
Teen Titans and
Hi Hi Puffy Ami Yumi and, most recently,
Ben 10: Race Against Time, the show bears many of Register’s trademarks. The animation mixes anime and domestic animation techniques quite familiar to
Teen Titans fans.
“Well, Sam is our executive producer and handpicked me, Matt (Youngberg, Supervising Director) and Derrick (Wyatt, Art Director) to run the show, so on some level it’s going to reflect his taste,” Isenberg responded. “The character design is pretty much Derrick’s department and I think it’s fantastic! Derrick’s designs are what sold me on doing the show. The faces are expressive, you can tell who’s who, merely by the silhouettes, and most importantly, they’re fun!”
Then there’s the story. In
T:A, Optimus Prime (voiced by David Kaye) isn’t the ultimate Autobot we first met back in 1984. He’s actually a lot younger, greener and leading a repair team that includes Bumblebee (Bumper Robinson), Prowl (Jeff Glen Bennett), Ratchet (Cory Burton) and Bulkhead (Bill Fagerbakke). The leaders of the Autobots are named Ultra Magnus (Bennett) and Sentinel Prime (Townsend Coleman) and he’s busy ruling on a Decepticon-free Cyberton.
Of course, that doesn’t mean the Decepticon’s are anything but gone. This time they were just defeated in the “Great War.”
Just when Prime and crew discover the hiding place of the AllSpark; Megatron (Burton), Starscream (Tom Kenny) and a war cruiser of bad ‘bots appear. Thanks to some of the expected inept sabotage of Starscream, everyone ends up going in three directions. Megatron and the Autobots go through a gate and crash land on Earth; Megatron on a farm where a young boy named Sumdac (Kenny) finds his wrecked parts, the Autobots on the bottom of Lake Erie, just outside of Detroit. Starscream and the war cruiser find themselves falling into a local sun. The rest of the Decepticons, among them a certain Black Arachnia (Cree Summer) leave their self-declared new leader for points unknown in escape pods.
A half-century later Sumdac has rebuilt Detroit into the robot manufacturing capital of the world. It shouldn’t take much to figure out how the now mustachioed, befuddled inventor had become the “Bill Gates of robotics.” Heck, he keeps Megatron’s giant head in a secret room. This now introduces us to one last key character, Sari (the apparently tireless Tara Strong), Sumdac’s daughter and soon-to-be, well, you know…
As one might guess, Isenberg took some liberties with the series. Anyone who’s followed the tales of the Prime and pals will see bits and pieces from just about every other series and movie referenced in this pilot.
“Some of this was already part of the development that I was handed before I started on the series,” he explains. “The live action movie references were largely coincidence, since I never saw a script or knew anything about the movie until I saw it a week before it opened. The only thing that I knew for sure about the movie was that the AllSpark was going to be really important. Some of it was merely taking things that work well, story-wise, that have worked well in previous incarnations of Transformers. Having a small crew allows us to focus on individual characters and develop them and let the audience really get to know them. Of course, we like to throw in lots of nods to G1 for the fans, but mostly for ourselves.”
Not that Isenberg didn’t make some changes.
“Bumblebee was originally Hotshot in the development,” he admits, but we were told that Bumblebee was going to be a breakout character in the live action movie, so we happily swapped that one out. Ratchet was originally Red Alert, and believe it or not, was female! Bulkhead at one point was going to be the crusty veteran, but we shifted his role when we changed Red Alert to Ratchet.”
The biggest difference among the robots though is Optimus, who as noted is voiced by David Kaye. Those with memories might remember an interesting fact, too. Kaye voiced Megatron in past shows.
“Prime was the hardest voice to cast,” says Isenberg. “We kept describing him as more Tom Hanks in
Saving Private Ryan than John Wayne, but nobody was quite bringing the heroic quality the character needed as well. Our art director Derrick Wyatt had suggested bringing David in to audition for Megatron, since we heard that he was working in LA as well as Vancouver nowadays. Every audition tape has an introduction by the actor in their natural voice. Something about David’s core voice sounded right for Optimus, so when he came in for his Megatron callback and we still hadn’t found our Optimus, I suggested having David read for the part. Initially, some people thought his voice sounded too deep and old for the character, so we had him pitch it up a bit to sound younger, but we gradually worked him back to his regular voice. It took him by surprise, but as soon as we heard it we knew: ‘That’s our Prime!’”
The other major change is Prowl. He’s not the character or yore.
“Prowl is our Ninja-bot,” says Isenberg. “He’s a bit mysterious, very precise, and really understated cool, kinda like if Mr. Spock was a butt-kicking Ninja. He has a deep fascination with and respect for Earth’s organic life and not a lot of patience for some of the other Autobots, namely Bulkhead and
Bumblebee. Other than the name, there’s not a lot of connection with the G1 Prowl.”
And don’t knock Sari out of the loop. She’s integral to the entire series, due in part to the AllSpark. When we first meet her she runs around with a toy robotic dog and an electronic security key that lets her into any part of her father’s factory. When she meets the AllSpark, the machine turns the key into The Key, making it almost a deux ex machina for saving robotic lives and doing all kinds of other, well, neat things to move the plot along.
“The Key has its limits, and Sari is definitely going to test them,” says Isenberg. “But don’t forget, this thing is powered by the AllSpark, so it’s pretty darn powerful, and potentially useful to a certain Decepticon leader.”
As for what I think of the show? Based on the pilot movie and first true episode, I liked what I saw. Fans of Isenberg’s work should remember the man can put together intricate and well-conceived story arcs. Yes, I don’t truly cotton to Wyatt’s character design, it’s too round and loose for me, but it doesn’t offend me either. The voice cast is truly up to the job though, and I can’t wait to see what characters are introduced as the show moves through its first 26 episodes.
So let the old timers wail, drape themselves in ash and sackcloth. This Transformers, as Isenberg noted, is not for them. And I get the feeling it will do quite well with its own generation of fans.
KAPPA MIKEY ON iTunes
The first season of Nickelodeon and Nicktoons Networks' series
Kappa Mikey is now available for purchase and download on iTunes Music Store (
www.itunes.com). Fans can access 26 full-length episodes.
Created by Larry Schwarz, CEO of Animation Collective (
www.animationcollective.com),
Kappa Mikey follows the adventures of an unknown American actor Mikey Simon who stars on LilyMu, a fictional Japanese TV series. The show combines American and Japanese animation styles and contains many pop-culture references and jokes for kids and adults alike. Mikey, drawn in thick-lined Pop Graphic style, is the only character on the show not depicted in animé.
It premiered on Nicktoons Network (
www.nicktoonsnetwork.com) in February 2006 and currently airs Sundays at 10:00 p.m. and weekdays at 8:30 p.m. (ET). Nicktoons Network's first TV movie
Kappa Mikey's "The Karaoke Episode" will premier Saturday, Feb. 16 at 9 p.m. ET.
EYESHIELD 21 COMING TO TOONAMI JETSTREAM
VIZ Media, announced the launch of
Eyeshield 21 animated series on Toonami Jetstream. The first episode debuts on December 17th and will be available at
http://ToonamiJetstream.com.
Eyeshield 21 was adapted from the popular manga graphic novel series written by Riichiro Inagaki and illustrated by Yasuke Murata. The story is about teenager, Sena Kobayakawa, who has been picked on all of his life and decides to join the high school varsity football team as a team manager in hopes of reinventing himself. Then the cruel team captain Yoichi Hiruma discovers Sena's lightning-fast running ability and forces him to play as a running back with a secret identity as “Eyeshield 21.” From that point on, Sena’s life changes completely.
“
Eyeshield 21 is an action-packed drama with a positive message, teaching the importance of teamwork, overcoming obstacles and having goals,” says Daniel Marks, Senior Vice President, Strategy & Business Development, VIZ Media. “The additional of the series to the diverse offerings on Toonami Jetstream exemplifies our commitment to bring the best action and adventure series to the Toonami audience.”
“We are very pleased to expand our offerings on Toonami Jetstream with the addition of
Eyeshield 21,” says Paul Condolora, senior VP and general manager, Cartoon Network New Media. “
Eyeshiled 21 puts an interesting twist on this American sport and we look forward to fans of all stripes checking out this captivating series.”
BANDAI TO BRING GIRL WHO WALKED THROUGH TIME TO US THEATERS
Bandai Entertainment Inc. and Kadokawa Pictures USA announced it will be release the anime feature film
The Girl Who Leapt Through Time in North America in 2008.
The Girl Who Leapt Through Time (also known as
TokiKake) was directed by Mamoru Hosoda (The
One Piece movie) with original character designs by Yoshiyuki Sadamoto (
Neon Genesis Evangelion) and features animation from Studio Madhouse. A continuation of the novel
The Little Girl Who Conquered Time by Tsutsui Yasutaka (
Paprika, the film centers on a high school girl, Makoto, who gains the power to go backward in time after a near-death accident at a train crossing.
Since its release, the film has received great critical accolades and international awards including the Best Animated Film at the 39th Sitges International Film Festival, Animation Grand Award at the 61st Mainichi Film Awards, and many others
.
Bandai Entertainment Inc. and Kadokawa Pictures USA will present a limited theatrical run starting in Summer 2008 with DVD release to follow.
“
The Girl Who Leapt Through Time is an exceptional anime feature with a very moving story that we feel has great mass appeal for the U.S. audience,” said Bandai Entertainment Inc. President Ken Iyadomi. Details on the limited theatrical run and DVD release will be forthcoming in the near future.
For more information visit:
www.bandai-ent.com
NEXT COLUMN: April Stewart. Promise.