
After helping to give the look to
Planet Hulk and
Ms. Marvel at Marvel for the past few years, artist Aaron Lopresti is packing his bags and moving across town. The artist and DC have confirmed that Lopresti has signed an exclusive with the company, and his first work (yet unnamed) will appear in early 2008.
We spoke with Lopresti about the move and why he opted to switch one company for the other.
“I’d love to give some juicy controversial tidbit about me leaving Marvel, but there really isn't any,” Lopresti said with a laugh. “I really like everyone over there that I worked with. David Bogart, Stevie Wacker, Mark Paniccia, Bill Roseman, and Chris Allo are all really good people and I have nothing but great things to say about all of them. That being said, I just felt like after four years I was spinning my wheels creatively and I needed a change of scenery. Marvel made me a pretty good offer to stick around in terms of a project but it just didn't feel right to me. I don't know that I can even express it clearly but I just felt I needed a different situation and different outlet.”
Lopresti’s last Marvel work will be February’s
Ms. Marvel #24, and the artist expressed that his tenure on the title with writer Brian Reed was nothing but fun.
While he was naming names, Lopresti picked one out at DC to cite as the main reason for his move from Marvel to DC: Dan DiDio. “Not too long ago he got word that I might be looking for a new opportunity and gave me a call. We had several conversations and I was stunned to find out that we shared the same view of comics and how they should be done.
“Dan was actually using some of the exact same phrases I have used to describe comics and my feelings about the direction they are going. It was really exciting and refreshing. The grind of comics had really been bogging me down recently but after talking with Dan, I felt rejuvenated and enthusiastic for the first time in awhile. My good friend Mike Marts was also a great source of objective information and advice as I was considering my future options.”
And yes, for those keeping track in notebooks and spreadsheets, Lopresti has been at DC before this, though, if your memory is hazy on 1997’s
Takion, he won’t cry too many tears. “After that I worked on the
Plastic Man Special (my personal favorite),
National Comics one-shot with Mark Waid, and my DC claim to fame is illustrating the lead story in the now infamous
Elseworlds 80 Page Giant. I never got a comp copy of that, by the way!”
After the DC run, Lopresti moved to Tampa and worked at CrossGen up until the implosion of the upstart publisher. From there, Lopresti moved to Marvel, where here’s been since.
As for what Lopresti likes to draw – well, generally speaking, stuff no one ever seems to be publishing consistently: “Giant monsters, dinosaur adventure, jungle action, and anything even remotely resembling John Carter of Mars,” Lopresit said. “I’m really a Frazetta guy at heart, which is why I really enjoyed my
Planet Hulk run and why you continue to see my name popping up on
Red Sonja covers. So after exhausting those possibilities, I try and look for a character or series that best fits my particular skill set. What do people want to see me draw? Is it a project that is going interest a lot of people? Is it going to be fun to draw? The latter might be the single most important factor to me. People standing around talking about what they are going to do three issues from now does not interest me. It may be interesting to read, but it is not interesting to draw.”
So what does that mean in relation to his upcoming DC project?
“Well, I’m under the impression that it will be fun to draw and it probably fits within the context of what most people would expect me to be doing,” Lopresti said. “The project that I was offered was a #1 launch but that has since changed to something that I feel is even better. Obviously I can't say what that is at this point but I think it will be revealed sooner than later.”
That said, what would suit him at DC (and there may be a hint contained herein…)?
“I really like anything except tech loaded stuff,” Lopresti said. “I could see myself on Batman, The Creeper, Metamorpho. Plastic Man, Kilowog, something like Swamp Thing, Deadman (Neal Adams version), Uncle Sam (Reed Crandall version), Warlord, Fin Fang Foom vs. Gorilla Grodd Treasury Edition, the Spectre (Jim Corrigan only) and maybe even Superman in the right situation.”
Whatever his assignment, Lopresti said that he’s hoping to hang his hat at DC for the foreseeable future. “Stability is really important to me because I do have a family, but it is really going to depend on the opportunities presented to me as I move forward,” Lopresti said. “There are a lot of things I want to do and some of them are outside of comics, so it is very important to me that I am allowed to do projects that are going to help me be creative and do my best work, as well as continue to grow and improve as an artist and storyteller. I believe that is the environment that I am stepping into at DC.”