Newsarama Note: Image at right is the logo from the previous series. No art for the new series was available at press time.
He’s had two incarnations (okay, three if you count the Vertigo miniseries) in the DC Universe to date, and in early 2008, El Diablo gets another go, this time, thanks to writer Jai (
Heaven’s Devil) Nitz and artist Phil Hester. Having previously written
Batman Strikes for DC’s Johnny DC imprint, the six issue miniseries will mark Nitz’s first major work in the mainline DC Universe.
We spoke with the writer.
Newsarama: First off Jai, how'd you end up on this project? Did you two come in as a team, or was one here before the other?
Jai Nitz: Yeah, this is my big break at DC. The pitch went to Dan DiDio, he approved it and passed
El Diablo off to Nachie Castro to edit the actual comics. Nachie is my editor on
Batman Strikes, so we already had a great working relationship and an idea for what we both like and dislike. We were talking about artists and Phil Hester was on my short list. Phil is my chief mentor and one of my best friends in comics—I’ve known him since I was 14. Oddly, I met Nachie through Phil years ago because Nachie was his assistant editor on
Green Arrow back in the day. Nachie says, “Of all the guys on this list, Phil was
born to draw this book.” Phil has a very busy schedule, but he made time for
El Diablo and I couldn’t be happier.
NRAMA: So was El Diablo something that you pitched DC, or that DC tossed out as an idea?
JN: It got started when I went to the DC offices and was talking to the incredibly wise and impossibly good-looking Jann Jones. She asked if I had any stories that I was burning to tell and I verbally pitched her a new
El Diablo series. She said it sounded great, I should write it up and send it to her. I reached into my bag and handed her the written pitch. She laughed and I went down the hall to Mike Marts’s office. While we were talking Jann popped her head in and asked if I was going to be around the offices for a minute. I said yes. She said “Great, you have a meeting with Dan DiDio about
El Diablo in fifteen minutes.” The color dropped out of my face. Marts looks at me, dead serious, and says, “Don’t blow it.” That darn Mike Marts, he sure knows how to boost a freelancer’s ego! Long story short, I didn’t blow it, DiDio liked the pitch and here we are.
NRAMA: There've been two El Diablos before in DC continuity - is this a third? A return of either Lazarus Lane (he's got the name for returns, after all...) or Rafael Sandoval? And is this one related to the chain of restaurants seen in
Blue Beetle?
JN: This is a third El Diablo, but Lazarus Lane is a major player in the story. In fact, he shows up in issue one on page one. Rafael Sandoval doesn’t show up… yet. And no, this El Diablo has nothing to do with the restaurants in
Blue Beetle, but
Blue Beetle sure is a great book.
NRAMA: So who is this new El Diablo?
JN: This El Diablo is Chato Santana. To most citizens he’s a diabolical criminal/gang lord that won’t bat an eye at murder, extortion, smuggling, or drug running. But to the people in his neighborhood he’s a local hero. Whether or not he’s a good guy or a bad guy depends on who you talk to.
A series of events puts him behind bars where his gang thinks he’s turned snitch. He winds up in a hospital as a dead man walking with no one to turn to but a comatose old man. That old man turns out to be a one hundred-seventy year old spirit of vengeance waiting for an heir.
NRAMA: Who's he doing what he's doing to, and what’s his mission?
JN: El Diablo is a spirit of vengeance, Hell’s punisher on Earth, so that’s a pretty broad mission. He has a beef with anyone that deserves comeuppance, which is pretty much everybody. But his story pretty much revolves around Chato’s life before he met Lazarus, and Lazarus’s unfinished work. It all takes place in the American Southwest and Los Angeles.
NRAMA: Finally, what gets the story going in issue #1?
JN: Guns for kids, the Feds, betrayal, prison, a comatose old man, death, rebirth, and vengeance. In that order.