by Chris Arrant
At first glance, some people might think of Ripclaw as just another Wolverine rip-off. Sure, they both have claws and they're animalistic. Sure, Ripclaw was created by one of the defining artists of Wolverine's life – Marc Silvestri. But there's more to Ripclaw than that.
Debuting back in 1992's
Cyberforce, the character of Ripclaw has roots in American Indian tribes, clocking time with the Apache, the Cheyenne, the Navajo and the Lakota Sioux. While some of his special attributes were with him since birth, it was a shadowy organization known as Cyberdata that replaced his hands with cybernetic replacements. In the recently released
Pilot Season: Ripclaw, we saw writer Jason Aaron and artist Jorge Lucas explore these ideas – and more – firsthand.
This isn't Aaron's first brush with American Indian culture – he's currently writing the Vertigo series
Scalped about organized crime on an Indian reservation. But
Pilot Season: Ripclaw is different. Aaron has compared him to the child from the movie
The Sixth Sense, "except he kills a lot of people". To find out more, we caught up with Jason Aaron.
Newsarama: Jason, as readers of the recently released issue can attest, your story gives Ripclaw a new quest in life - he's haunted by people who have died wrongly, and led to set right what went wrong for them. How did this come to you, and how did it fit into place with the character's roots as a character?
JA: I love tortured and haunted characters, in case you hadn't noticed, so I definitely wanted to move Ripclaw in that direction, and give him more of a purpose. And it had already been established that he had a deep, personal connection to the spirit world, so it made sense that he would be stuck in this situation.
NRAMA: How would you describe the character and approach you're taking to Ripclaw?
JA: This one-shot is an action story without any typical action scenes. I mean, we've already seen what Ripclaw can do with his claws, in pretty much every other book he's ever appeared in. I was more interested in what happens before and after those fight scenes. And in setting up the character for lots of future stories, stories that could be action driven or just dark, character dramas, stories that could be set anywhere in the world.
NRAMA: If this issue gets voted in for an ongoing series, do you have some ideas in store of how the series should go?
JA: I have lots of ideas for future stories. If you've read the one-shot and seen that last page, then you realize there's lots of work for Ripclaw still to do if he ever wants to be at peace. And then there's also the backpack he's carrying around filled with human remains. What's up with that?
NRAMA: This issue marks your first real jump outside the auspices of the big two of DC and Marvel. How has it been for you?
JA: Rob Levin and the folks at Top Cow pretty much gave me free reign to do what I wanted, so I got no complaints. That's just the best situation to be in as a writer, as far as I'm concerned.
NRAMA: How did you get involved with Top Cow and end up writing this?
They came to me. I was already writing a gritty Native American series in
Scalped and had previously written
Wolverine, so I guess I just seemed like a natural to write Ripclaw, who's basically the Native American Wolverine.
NRAMA: And finally… Now that the book's been out for a couple weeks, what has the response been to it from your perspective?
JA: I've heard from a lot of people who had never read
Ripclaw or
Cyberforce but loved this book, so I've been really happy with the response.
Pilot Season: Ripclaw is written by Jason Aaron with art by Jorge Lucas. Published by Top Cow,it is in stores now For more information, visit Top Cow.