by Billy Tucci
I’ve been getting lots of emails and IM’s from readers curious about my cover process. So I figure, why not give a little sample of one of my most recent pieces. So here we go, this is pretty much how I do it, or at least for this particular piece of artwork.
At this year’s Wizard World Philadelphia Con, I was approached my good friend Raven Gregory to do a cover for an upcoming edition of his
Return To Wonderland comic from Zenescope Entertainment’s wonderful
Grimm Fairy Tales line. As I’m a fan of the book -- it’s one amazing concept that has “movie” written all over it – there just was no way on earth I’d turn down the chance. Especially if the subject matter is a beautiful brunette and the fact that I’ll be spending the next 8 months or so writing and drawing a series that doesn’t have
any women in it.
I meet with Raven and Zenescope Ent. co-founder Joe Brusha (also one great guy) and we discussed just what the cover should entail. I immediately have one particular idea in mind, and one that I feel would make a nice clean cover. But it’s also one that could get me in big trouble with the wife – oh but what the hell, she doesn’t read this column anyway and it’s for comics right?
For those of you whose heads have been buried in a rabbit whole for the past couple of months, here’s a little background on the book. Alice Liddle is no longer Lewis Carroll’s adventurous little girl you once read about. Years have passed since she took the trip into Wonderland, as she now has a husband and kids of her own. On the surface, she has everything a person could want. But all is not right with our Alice -- she’s slit her wrists in a suicide attempt and suffers from a serious mental condition that leaves her in a dream-like state, with only a very familiar, but disturbing white rabbit serving to link her to reality. Now Alice's teenage daughter Calie, herself a drug abusing, promiscuous party girl must take a journey into the realm of madness and into a place that still haunts her mother to this day…
Wonderland.
Now to me, Carroll’s classic first published way back in 1865, has to be one of the most brilliantly disturbing books I have ever read and I hate him for it. He’s given me some crazy ass nightmares and I vowed never to read it to my sons, (unless of course they’re
really naughty -- just kidding). Carroll’s book is so far removed from hope or reason that it makes for one striking and dare I say, Freudian simile of life and the human condition. Raven’s really picked up on all this himself, as this comic isn’t for the faint of heart. He’s shrewdly added some of today’s family and social taboos as secret S&M relationships, masturbation and teenage sex all that all abound within one very dysfunctional family But you also feel a great sense of hope as poor Calie’s descent into the madness of Wonderland is her only chance to save her family and herself. Anyway, enough of my blasted wannabe literary professor ballyhoo, lets get on with the drawing. Like I said,
Alice in Wonderland freaks me out, but I can’t wait to do a cover based on it!
I first send Raven and Joe two 8 1/2” X 11” roughs of Calie for the cover. I like the first one, but of course, it’s up to them in the end and await their response… hopefully they’ll at least like one of em! I then spend most of the day pining over the box of reference photos I have of ex-fiancée who used to pose for me all the time, most notably to Shi readers as the cover subject to
Shi WOTW #5.


Okay, I get an email in return that they like the first one as well and I go to work detailing a larger (though still very rough) under-drawing on 11” X 17” Xerox paper. I then take that and while trying to hide reference from the wife go to work.
But I am struggling, part being that my wife is not a big fan of my subject model and would surely stab me in the back of the head with her high heel shoe if she caught me drawing her. So the fact that I’m sauntering down memory lane while constantly looking over my shoulder I’m having a big battle with Calie’s head/arm/body positioning. I’m also pissed at myself for I was such a terrible photographer back then that I didn’t take better care in lighting her crossed legs. I just can’t get them right, so two hours or so have just been wasted. I even consider calling up Raven to see if I can change the pose to that of the standing rough.
So the frustrated and guilty must take a break. There’s a
Call of Duty 2 multiplayer battle involving about 60 dudes from all over the world (did well for me I must say, having died only about 24 times while killing over 60), watching my 16-montly old son, Matthew and then taking five-year-old William to the doctor. I then return to the board after remembering that that I have
even more pictures of Angie in a similar pose. Again, I go through a carefully hidden show box, pine some more, hope she’s okay and I find the photo that would work.
Aside from being bummed that I suck as a photographer, and cut the top of her head off, I get down to it. The head positioning isn’t working for me, so I just go in and make one up of her from memory. But even though I can't help but keep thinking of days gone by while drawing I finally finish it up. As always, I scan it in and email it to the wife for her critique (she’s my harshest critic but also my most ardent supporter). Knowing that if she suspects anything concerning the model, she’ll kill me and I deserve it, but has fate would have it, she doesn’t! Whew!
I like it. The drawing has some nice smooth lines and after seeing that I forgot some wicker ties in the chair feel it’s complete and send it off to Raven, who replies that I forgot the blasted rabbit! Holy crap I did, so I draw him, add some ink to the little cards in her hand in and send it off to the colorist Nei Ruffino.
I imagined Calie’s stockings to be white, but after seeing Nei’s progress, agree with her and Raven to keep them dark.
Wow! This is this looking great.
So I guess you should all know a little about Nei. She entered the world of comic book coloring after several years as a tattoo artist. On her days off, she’d work all day and night doing digital paintings which eventually paid off as Nei had some very successful runs coloring
Dragonlance and
Forgotten Realms for Devils Due. She presently colors several books for Zenescope, including
Return To Wonderland and
Grimm Fairy Tales. Her designs can also be found on the packaging for Hasbro's My Little Pony toys. To say I’m impressed with the color progress is an understatement as I was literally blown a way by her final rendition!
Man Alive, do I love what she’s done! The background is all Nei, so well, “fairytale-esque! Just wonderful she made the whole cover. I’m so excited that I decide to write an article on it. I scan in all the reference photos and like the idiot that I am, forget to put them away. Deb comes up to the studio and walks right past them –I have dodged yet another bullet and upon realizing my stupidity, push them to the floor. Once again, my eternally beautiful better half does not notice and I have survived my own little crazy adventure in Wonderland -- at least for the time being!
Zenescope Entertainment publishers a great line of books that accompany
Grimm Fairy Tales that includes:
The Living Corpse, Final Destination, Se7en, Jindai and Sins of the Fallen: The Nightstalker. Check out their site for all their cool products and new books at
www.zenescope.com.
Until Next week, and some maddening manly news from The Baltimore Comic Con, stay cool and Go For Broke!
Billy Tucci