by Vaneta Rogers
note - art by Takeshi Miyazawa from issue #6
When Marvel announced in Philadelphia
back in June that Terry Moore will be the new writer of the ongoing
Spider-Man Loves Mary Jane series, the publisher wasn't sure who would be the new artist.
At this weekend's Toronto Fan Expo, Marvel announced that the decision has been made.
Adrian Alphona, best know for drawing
Runaways during his run with writer Brian K. Vaughn and currently working on a one-issue
Avengers Fairy Tales story with C.B. Cebulski, will be the new penciler for
Spider-Man Loves Mary Jane. The series, which fans were worried might disappear when writer Sean McKeever left the title earlier this year, will relaunch with a new #1 issue as Moore and Alphona take over.
Spider-Man Loves Mary Jane takes place in a "separate-from-continuity" universe where Mary Jane is in high school with all the traditional Spider-Man characters -- including MJ, Peter, Gwen Stacy, Liz Allan, Harry Osborn and Flash Thompson, as well as some surprise guests from time to time. And although the teen drama is collected in digest-sized volumes and is aimed at a female teen readership, many of the more traditional Marvel Comics fans (in other words, not-so-teenage dudes) have found out that the title's unique take on Spider-Man's universe can be enjoyed at any age.
Alphona is one of those fans who discovered the charm of the comic, and the artist took some time out of his schedule at the Toronto convention to talk to Newsarama about the new gig on
Spider-Man Loves Mary Jane -- and why he wanted to work on the title.
Newsarama: How did you end up getting
Spider-Man Loves Mary Jane? Was this something Marvel offered you?
Adrian Alphona: I expressed my interest in it.
Spider-Man Loves Mary Jane was something I always thought I would enjoy doing, so i asked Joe [Quesada] if they hired an artist yet for Terry Moore's run. The schedule seemed to line up perfectly.
NRAMA: So you were familiar with the series?
AA: I'd often hear about the book through Christina Strain, so I picked it up and found it really engaging. The dialogue, the pacing, the art... everything felt so natural. I hope to keep a lot of that intact. And [former series artist] Takeshi [Miyazawa] is just crazy.
NRAMA: Are you familiar with Terry Moore's work?
AA: Familiar, but not familiar enough, so I’m working on it. I've only just begun reading
Strangers In Paradise, and a few of my friends are huge fans of his, so I’ve already heard a lot about him. All of a sudden, I'm cool to them.
NRAMA: Have you had a chance to talk to him about the series? And how do you feel about working with him, particularly considering he's usually penciled his own stuff in the past?
AA: We haven't spoken yet, but as an artist forever in training, i'm looking at this as a great opportunity to learn a few things. I'm really looking forward to it.
NRAMA: Are you a Spider-Man fan? How would you describe your Spidey?
AA: I was a little disappointed in the way I drew Spider-Man in
Runaways. I felt I could've done better, so I'm a little hungry to get my paws on him again. I really liked the way Valentine DeLandro did Spider-Man in his fill-ins. Kinda old-school-like. It fit very well, so I think that may influence my attempt . Or it may not. I don't know yet. A lot of my approach on the book will depend on Terry's scripts.
NRAMA: Well, I probably should have asked -- are you a Mary Jane fan? After all, she's the main character. How would you describe her and what you hope to bring to her character?
AA: Definitely a Mary Jane fan. Loved how she dealt with her insecurities and especially her interactions with Liz. There was a quirkiness I found in the character that I really latched onto, but I can't really explain it.
NRAMA: So are you looking forward to drawing MJ's friends?
AA: I mentioned Liz already. She's an early favorite for me to draw.
NRAMA: Why do you think your art fits well with the tone of this series? The series is marketed toward a younger audience, and Runaways is also something ideal for younger readers. Do you think your art is particularly appealing to that age group?
AA: I'm not sure. It'd be nice if it is. I grew up on Saturday morning cartoons. Hanna-Barbera.
Looney Tunes. Animaniacs. All of that. So there's a lot of playful elements and stupid things I tend to draw. What really started me drawing was Mad Magazine, and my approach probably hasn't changed all that much. I think a lot of that showed through in
Runaways.
NRAMA: This is also a series that, possibly because it's marketed toward younger readers, hasn't caught on as well with the older mainstream audience of comics readers -- something Runaways was able to do after it was relaunched. Are you hoping that, with the relaunch of the series featuring your art and Terry's stories -- that might change?
AA: The more readers the merrier, but if the older mainstream generation isn't feeling it, then that's cool too. As long as we're putting out a quality book that helps to add some variety to the medium, I'll be happy.