by Vaneta Rogers
Next week's issue #855 of
Action Comics will mark the return of Geoff Johns and Richard Donner as writers on the series, and the issue will also introduce DC readers to the artwork of Eric Powell -- and the new Bizarro World.
Powell is drawing both the interiors and covers for the three-issue
Action Comics storyline, titled "Escape from Bizarro World." The artist is considered ideal for the creation of Bizarro World -- the planet readers saw teased in
Action Comics Annual #10 earlier this year -- because he's best known as the creator of
The Goon, his Eisner Award-winning title from Dark Horse that features a whole universe of bizarre monsters, ghouls and zombies.
Last time we talked to Powell about his work on the
Action Comics story, he was excited about getting to draw Superman, a character he recalled loving as a kid. But now that he's almost finished with the Bizarro story, we decided to follow up with him to hear what the experience has been like and how he approached the various Bizarro characters -- and we even got him to share some penciled pages for next week's issue.
Newsarama: Eric, the last time we talked, you were pretty excited to get started on this comic. Now that you're close to being done, how has the
Action Comics gig been going?
Eric Powell: Great! Everybody seems really happy with what I'm doing, which is a real relief. The only problem has been the hectic schedule. Trying to juggle this and my Goon stuff has been a task. Lots of late nights. I think I went to sleep at 7 am last night.
NRAMA: How has it been working with Geoff Johns and Richard Donner?
EP: It's been a blast. Geoff has been really receptive to any ideas I've thrown out there. Which has only been a couple, but still, nice to work with people who listen to what you have to say. I think they gave me a great fun story that works on a serious and absurd level.
NRAMA: Have you had restrictions on your work compared to doing your own thing in
The Goon? Is it difficult to work within those restraints? Or have you been given a pretty free rein?
EP: They give me free rein to do my thing visually but this is their story. I definitely have to take a different approach than when I'm working on the Goon. But the scripts and content of the story are so suited to what I do that it hasn't been that difficult at all to switch gears.
NRAMA: Let's start out with a pretty generic question, but one that will help define your direction. What does "Bizarro" mean as you apply it to existing characters -- twist them, so to speak, into Bizarro versions of themselves -- and to this world? Does it mean opposite, as many people use the term? Or is it something else?
EP: The opposite thing doesn't sum up Bizarro to me. He would be a woman if he were really an opposite, wouldn't he? He'd also have to be a black woman, too. And a lesbian. A communist. Be really weak under a yellow sun. So yeah, a gay black lady communist without eye beams. Not that there's anything wrong with being a gay black lady communist without eye beams. No, I see it as more of a distortion. A mockery. Bizarro would be a mockery of Superman in my eyes.





NRAMA: As a long-time comics reader, did you already have an idea in your head about what Bizarro and his world were?
EP: Things change in comics so much I really had no idea what the current Bizarro incarnation was. I really just went into it with the idea of visually doing the way I envisioned Bizarro.
NRAMA: What was your approach to drawing the main "#1" Bizarro character?
EP: I wanted to portray him as a Frankenstein Superman. Not really evil. Misunderstood and simple. Misshapen and twisted. I think Geoff was looking at it the same way. So we were on the same page when it came to portraying him in that light.
NRAMA: So did your ideas about Bizarro match up pretty well to what you saw in the script? Or did you change your approach to him after reading more about the way Johns/Donner were writing the character?
EP: Yes, I was thinking this would be a much darker story than what it was. It has it's serious elements but it also has that Bizarro absurd humor to it. It kind of made me portray him with a little more of a childlike element in some of his expressions.
NRAMA: For those new to the concept -- and since we're kind of starting from scratch with the place anyway -- what exactly
is Bizarro World?
EP: A world of Bizarros.
NRAMA: Well, that's simple. But where did you get the idea for the look of Bizarro World?
EP: My version was really influenced by the recent animated version of him. It was really Frankensteinish. Like I mentioned earlier, the Frankenstein approach is really what I'm going for.
NRAMA: We talked about this before, but for people who are looking at your pencils for the first time, how did you approach drawing Superman in this story? Did you go for a classic look or more modern look? Or was it more about contrasting him against the background of Bizarro world?
EP: Definitely classic. Superman doesn't need to be hipped up. And I think the classic clean cut look does work better against the kind of gothic take of Bizarro World.
NRAMA: On your cover for your third issue, we saw some of the characters who are showing up as "Bizarro" versions of themselves. Were those ideas you came up with?
EP: Yeah, they gave me the characters and slight descriptions of what to do with Green Lantern, but other than that, I pretty much just ran with it.
NRAMA: Let's talk about each of them ... starting with Wonder Woman.
EP: I made her kinda dwarfish to go against the Amazon thing.
NRAMA: The fat Flash?
EP: I thought it would be funny to make him a big fatty. And instead of a lightning bolt on his chest I put what looks like a smudgy mustard smear.
NRAMA: Hawkgirl?
EP: She was the hardest to Bizarro up. I finally just decided to make her this nasty zombie like thing.
NRAMA: Batman?
EP: Well, he's supposed to be a super intelligent detective guy that's really dark and brooding. So I made him... childlike is I guess the polite term. Happy and childlike in pastel colors and a yellow happy face instead of a bat.
NRAMA: Green Lantern's Sinestro Corps symbol was a nice touch.
EP: I made him shoot himself in the face with his power ring. [laughs]
NRAMA: What was your favorite thing to draw in this storyline?
EP: Superman in the fortress of solitude was pretty fun. They're using the movie version now and it was just cool to draw. And Bizarro doing anything. He's just fun to draw.
NRAMA: Were you asked to design or draw anything that surprised you? Can you share what it is -- or at least give us a hint?
EP: Hmmm. Yeah, I guess I could hint. They threw a Bizarro villain in and I was a little like why is this guy in there? But then I saw what they did and I was like OK, now I get it. Vague enough for you?
NRAMA: We're used to vague. OK, as the final question, what do you think of the Bizarro story overall? What do you think readers will like about it and what will their reaction be?
EP: I'm really liking it. It's fun, and weird, and has a little heart, too. The readers? Their reaction will be this is the greatest comic book story of all time. But they will say it like this, "This comic am best comic me am ever reading if me could read!"