
This
past weekend, we spoke with Jeff Katz about his original treatment for
Freddy vs. Jason vs. Ash, which is being turned into a six-issue miniseries from Wildstorm and Dynamite. Katz clued us in on how the story got rolling in the first place. Now it’s time to talk to the writer of the miniseries, James Kuhoric.
Newsarama: James, in terms of Ash, this is obviously the big time - arguably bigger even, than
Marvel Zombies/Army of Darkness. Was this something you knew about as a possibility prior to this, or did you learn about this for the first time when the idea of doing the comic came up?
James Kuhoric: “Bigger than
Marvel Zombies vs. Army of Darkness,”…wow. I was a huge fan of the MZ crossover, John Layman did a great job of capturing Ash (some of those lines were classic – calling Doctor Doom “tin britches” cracked me up) and putting him in another crazy set of circumstances. I’ve been following
Freddy vs. Jason vs. Ash since the movie was first floated four or five years ago. All horror movie enthusiasts were salivating at the possible crossover and I was no exception to that rule. When the possibility came up of working with Wildstorm to bring this movie project to comics, I jumped at it. This is the granddaddy of all horror flicks and it’s exclusive to us in the comics industry!
NRAMA: So how did you get roped in? Obviously, you're the go-to guy for Ash, but was as simple as that? Just ask you if you're in?
JK: All the credit for this one goes to the Dynamite and Wildstorm guys. They worked out the details with New Line and MGM to get the approvals done (the hardest part of any creative process) and then went a step further getting Jeff Katz’s incredible original approved movie treatment for us to work from.
As for me – they didn’t even get the complete question out before I took the gig. I’m a huge fan of all three properties and was already intimately familiar with all the sequels. Working with Wildstorm/DC is a dream come true. Now if I can just get them to let me cross Ash over with Batman or Superman…
NRAMA: Keep dreaming… You've got your finger on Ash in terms of characterization and voice, but what about the other two? Was there a learning curve for you in a sense, to get the feel of Jason and Freddy?
JK: I had the hardest time wrapping my head around Jason’s voice. I mean how many times can you say “…” without it getting repetitive?
NRAMA: Would you like a drum kick?
JK: Thanks folks! I’m here all weekend!
Seriously, I felt completely at home with Freddy, Jason, and Ash in terms of their “voices” in the comic. I’ve watched all the sequels to each franchise literally hundreds of times and know them inside and out. Artist Jason Craig and colorist Tom Mason are equally insane about these movies and the three of us have dissected the issues page by page to make sure every action, reaction, and quote is authentic.
NRAMA: WE’ve talked with Jeff Katz about the treatment, but from your side, tell us about it - what form did that take, specifically? How long was the treatment, and how much was in it?
JK: Jeff put together a brilliant treatment for the feature film several years ago that made it through all the approval stages. People don’t realize just how close
FvJvA came to being made. The treatment is a complete movie outline that gives specific detail on the events that take place during the story.
Our part in creating this comic book movie was to take those events, break them into serialized chunks, fill in all the sequence action, and create authentic dialogue for all the characters. It was a daunting task but we’re really thrilled with the outcome. Jason Craig’s art is amazing and in comics our special effects budget is unlimited so you’ll be seeing bigger and badder fight sequences.
NRAMA: That said, how much room do you have to fool around in?
JK: We had quite a bit of leeway to play with the unfolding of the story and the dialogue especially. Jeff’s treatment gives the story structure of how the tale unfolds – “Will is murdered by Jason in a brutal bloody scene” and we fill in some details “Jason punches a hole through Will’s gut and strings him up to the building rafters by his intestines.” Yeah…you’re gonna love this one, trust me! Hey, if we are lucky, we’ll try to get authorization to print the original treatment in the trade paperback so you guys can compare the comic to the movie outline. Thanks again to Jeff Katz, without his brilliant treatment this project would never have happened!
NRAMA: Okay - broad strokes - this is the hunt for the Necronomicon, right? That was already seen in the Jason film, right? And this is also picking up from Freddy vs. Jason, where Freddy is stuck in Jason's mind?
JK: Damn, who snuck you a copy of the script? Yeah, if you recall in
Jason Goes to Hell, we find out that the Necronomicon was in the old Voorhees house at Camp Crystal Lake. Fun story – it really was the Necronomicon prop used in the
Evil Dead films! This story picks up five years after the events of
Freddy vs. Jason. Freddy is dead and gone, living only in a tiny place in Jason’s subconscious. Since he can still communicate with Jason from his mind prison, Freddy hatches a scheme to get the Necronomicon and use its passages to become the master of the dreamscape. That’s about all the spoilers I’m gonna give you. Buy the book and you’ll find out the rest.
NRAMA: How does Ash get involved?
JK: The same way he always does…seemingly by accident. Ash was transferred to the Crystal Lake S-Mart to take over the lagging House Wares department and get things running smoothly in time for the big town renaming ceremony on New Years Day (they’re changing Crystal Lake to Forest Green in a nod to
Friday the Thirteenth VI). Of course, little does our wise guy know that the Necronomicon is here and drawing him to it inevitably as it always does.
NRAMA: Putting these three in one book...are there like zen mind tricks you ahve to do to prevent yourself from just geeking out over the whole thing, and not being able to write?
JK: Um…I’m still geeking out over it. I tried just telling myself “this isn’t real, it’s just a dream, this isn’t real, it’s just a dream,” but editor Scott Peterson called and told me that it wasn’t a dream and that he’d kick my ass if I was late with the scripts.
I have to tell you that this really is a dream come true for me and all the creative contributors. We’re all such huge fans of the three franchises and as such we all really want to see this done right. We’ve literally dissected the script page by page and reworked scenes and dialogue so that everyone was completely satisfied with the results. This is a major collaboration and a labor of love for all of us. We hold Freddy, Jason, and of course Ash, in the highest regard and won’t settle for anything less than perfection for this series.
NRAMA: With this, Ash will have gone through a couple of high profile crossovers. What makes him so plastic (not talking about his face), or to put it another way, why do you feel he's adaptable to whatever/whoever his adventures throw at him?
JK: A lot has been said about our boy, Ash. I could teach a course on what keeps him going and why he ends up the hero in the end even when he would rather not be involved at all. In the end his adaptability comes from two sources – one is that he really is the Chosen One, destined to fall from the heavens and deliver us from the terror of the Deadites and the other is that he’s a “regular big chinned wise guy,” not some movie nitwit that does the dumbest thing at every stage of a horror flick. Bruce Campbell and Sam Rami deserve all the credit for making Ash the character he is. Throw possessed versions of his friends at him and he dismembers them. Possess his hand and turn it against him, no problem, he lops it off at the wrist. Ash just doesn’t give up and he doesn’t take any crap. When you push a guy too far he either snaps or lashes back. And Ashley J. Williams puts the “ash” in “lashes back,” baby!
NRAMA: Got it. Finally, speaking of your last crossover, the regular series stopped, let
MZ/AoD in, and then picked up again with the ramifications of the Marvel Zombies playing an albeit minor role in Ash's life. Are you looking to do that this time? To use this as a story to, in the macro view, get Ash from point A to Point B?
JK: The
Marvel Zombies crossover effectively “resurrected” Ash from his short time on the precipice of Heaven (a good thing because I’m sure they wouldn’t have let him through the Pearly Gates and let’s face it, Hell isn’t big enough to handle Ashley J. Williams). This crossover is a little different because it happens at time in his future. Ash is a little older and a little wiser (yeah…I know…just a little wiser) in this than he has been in the various series leading up to this point. The original movie treatment we are working from didn’t take any of the comic book continuity into consideration and literally takes him from his place in S-Mart at the end of
Army of Darkness and puts him into the Freddy and Jason world.
To that end, this story is independent of the comic adventures – it’s kind of an “ultimate” universe if you will. If you’ve seen the three franchise movies you can step right into reading the comic without any knowledge of continuity or cannon.
I will say this – read the comic and you won’t be disappointed.
This is the movie we were going to see presented in the comic format we all love. We struggled and strove to make it as authentic and ass kicking as possible. Grab your boom stick and chainsaw arm before you try to read this, cause your gonna need them, baby!