
Yesterday’s
announcement of Marvel and the Dabel Brothers “mutually ending” their publishing relationship after just under one year of operation (with Marvel apparently holding on to the publishing rights of the bulk of the properties the Dabels held when they entered the deal) had a definite echo of history repeating itself to it. In the six years since their founding Dabel Brothers (a.k.a. DBPro, Roaring Studios) has partnered/aligned itself with four other publishers/partners: Image, Devil’s Due, Alias, and Red Eagle.
In two of those relationships, the Dabels have had very public and messy splits (
Devil’s Due and
Alias) and also in two cases, properties that were, or appeared to be held by the Dabels ended up with their former partners (Devil’s Due and
Dragonlance and
Red Eagle with Robert Jordan’s
Wheel of Time, although, the Dabels only had the rights to
A New Spring). And again, as Marvel’s press release reported:
“Going forward, Marvel will continue to publish
Anita Blake Vampire Hunter by Laurell K. Hamilton; the
Hedge Knight series by George RR Martin;
Tales of Alvin Maker and
Wyrms by Orson Scott Card;
Magician Apprentice by Raymond Feist;
Lords of Avalon by Kinley MacGregor; and
Highwayman by R.A. Salvatore.”
The list from Marvel includes virtually every property Dabel Brothers entered the Marvel relationship with, most notably, their two cash cows,
Hedge Knight and
Anita Blake which, historically, have been the Dabels best-selling titles.
How did it all go down? We spoke with Les Dabel for the Dabel Brothers side of the story.
Newsarama: From a laymen's POV, coming into a relationship with some high-profile, licenses titles and leaving less than a year later with none of them doesn't
seem like an equitable deal. Is it, and if so, why?
Les Dabel: You know, I’m sure a lot of people are wondering what’s going on here, and judging from the responses I’ve seen so far, many people assume something bad happened, despite the fact that the press release Marvel put out summed the situation up nicely. The licenses that we have started already with Marvel are the ones that will continue with Marvel, but those are only a few of our projects.
We can't go into the details about the deal structure, but we are leaving the partnership with Marvel extremely happy and on good terms. We’ve got many good things on the way, and we view this as a positive step.
NRAMA: The responses likely come from the fact Dabel brought these to Marvel and is parting ways without them. It’s somewhat counterintuitive for a third-party to assume Dabel is better off without the assets that resulted in that deal in the first place.
Can you maybe speak to that somewhat reasonable confusion on fan’s part? For example, why wouldn’t it be a
better thing to have this
new line-up you’re teasing
and the titles you’ve developed thus far?
Does Dabel need to drop those titles from their line-up to commit a finite amount of resources to these new ones?
LD: Obviously we can't go into the details, but part of the terms of the split were that Marvel would retain rights to finish certain titles and continue some. We have had other deals in the works for some time now that were not part of the Marvel arrangement and those are what we will be focusing our resources and energy on when we re-launch next year.
NRAMA: Was the deal originally structured so the parting of ways minus the titles you brought to Marvel was always likely, or is this the result of some clause in the contract?
LD: Unfortunately, we can't go into any actual details about the contract and how it was set up, but Marvel will continue with the titles and now it's time for us to expand and grow as a publisher. We were able to produce
Anita Blake, one of the top Graphic Novels in the U.S. for 2007, but we have so much more in store for the industry. I think a lot of people will be extremely pleased at what we’re working on now.
NRAMA: Specifically, when does the term end? What will be the last co-branded Dabel Bros/Marvel projects to hit?
LD: The titles listed will stay under the Marvel brand until they are completed. I can't give any inside info on Marvel's plans, so we'll leave it at that.
NRAMA: Will this ending of a relationship be "clean," or are there going to still be monies owed and projects remaining to be completed?
LD: At this moment all we can say is that both sides are very happy with the end result. Marvel has always treated us well, and we expect to have a good relationship with them down the road. They’re a great company, and we wish them luck with what we’ve left them. We certainly have no desire to see any of the titles we developed do anything other than be huge successes!
NRAMA: Within the list of properties, where does
XIII lie?
LD: We have plans for
XIII. I know a lot of the diehard fans are waiting for it! More info to come.
NRAMA: What's next for Dabel Bros.? The same path you walked before? Acquire some licenses and/or new titles, seek a publishing relationship with a larger entity? Or do you see yourself remaining an independent publisher in the future?
LD: Again, at this time we cannot comment, but we have big things planned. As I said earlier, we’ll be making a big announcement sometime this week that will surprise everyone – our first title for 2008 is going to be bigger than anything we’ve ever done before!
NRAMA: How about creatively/editorially? Your niche was fantasy/sci-fi titles by names well-known in that sub-genre of fiction?
LD: We are going to continue working with bestselling authors, but we’re not going to restrict ourselves to strictly sci-fi and fantasy. What we’ve done so far is just the tip of the iceberg. If you thought
Anita Blake was a big deal, wait until you see what we’re working on now! I think we’re going to blow some minds when we announce our full lineup. This week’s news will be incredible enough, but once we reveal the other titles, I don’t think anyone will be worrying about our standing in the industry. Instead, I think they’ll be excited about what we’re about to accomplish!
We love what we’re doing, and we think we’ve done a good job of bringing some of our favorite novels into the visual medium. We’re in a great position to really begin putting out some incredible material in 2008. Our primary goal is to become “the literary arm of the comic book industry,” and that’s what we’re aiming to do!
When asked for further comment on the story, Marvel declined to take questions, stating that the press release will serve as their official statement on the issue.