
If all goes to plan,
his will be the version of Witchblade people will both see for the next three years, and ideally, remember fondly in years to come. Who’s he? Stjepan Sejic.
Top Cow today announced that it has locked in the Croatian artist for a 34 issue run on
Witchblade, from issue #116 through #150 – that would start early next year, and wrap up in right around the end of 2010.
Yeah. Apparently, they’re serious.
But before we get into the nitty gritty, let’s give the guy a little respect, and start this off with a definitive way to pronounce his name.
“Our best,
informed theoretical pronunciation of his name goes like this: ‘Stee-pan Say-itch,’” said Filiip Sablik, Top Cow’s Vice President of Marketing and Sales. “But our goal is to have a different way of pronouncing his name at every show we go to – although I think we’re slowing down and settling on ‘Croatian Sensation,’ to be honest.”
So what went into signing an artist for a specific book for such a substantial run? Basically, the desire for stability and identity.
“We haven’t really had an artistic identity on
Witchblade since Mike Choi left the book,” Rob Levin, Top Cow VP of Editorial told Newsarama. “We brought on Adriano Melo to do a nice long run and tackle it like Mike did, since Mike’s run gave the book some stability and strength. But Adriano couldn’t deliver on a monthly schedule, and we ended up a little lost again. We knew we needed a high caliber person on the book, and Stjepan was there. As we were working more and more with him, and gear up for
First Born, we just saw that there was so much creative energy coming from him, and that he was just more of a powerhouse than we thought original. I think he’s one of the bets artists working today, and can deliver at a steady pace, so he’s committed to the run – from #116 to #150 – 34 issues. When he completes that, we’ll have the longest run of
Witchblade ever by a single artist.”
Sablik agreed. “Yeah, what really sealed it was when we started seeing the pages for
First Born. We got really excited about what he was doing, and saw the potential he had. One of the things that Matt Hawkins has said that, in the past, Top Cow has been known for taking art in our books in new directions with guys like Mike Turner and David Finch. Those two, largely, were our first generation of the Top Cow style and the Top Cow look, and I think that Stjepan really brings something new to the table – a new artistic look for our flagship title. It’ll be a new era of
Witchblade.”
Both Sablik and Levin are firmly convinced that Sejic will be able to continue to meet his deadlines, something that some fans already have a hard time believing, given the painted art.
“Generally, painted work is much slower than pencils and inks, but Stjepan has come up with his own process – he even does tutorials online where you can see that he’s doing nothing differently,” Levin said. “He’s laying down colors and the flat shapes, and building it up from there to result in the finished product, but he’s doing it all in Photoshop. But yeah – he can turn things around to stay on a monthly schedule and the quality is just, frankly, shocking. He’s turned some things around super-quickly – and I’m not going to say what – on tight deadlines that I’ve checked for fan response, and no one even noticed.”
Sablik: “And if you look at his sketch work and his developmental work, you can see that he really does think like a painter. A lot of guys that you see do painted work in comics are still coming from the perspective that the line work comes first, and then you go in over top. Stjepan really paints in light and color, and then shapes and then brings the detail out at the very end.”
So – if half the creative team is locked in, what about the other half? Will
Witchblade writer Ron Marz be calling the series home through the end of 2010?
“Assuming that Ron doesn’t have a nervous breakdown, Ron is along for the ride,” Levin said. “We don’t have every issue plotted out through issue #150, but Ron and Stjepan have been working together really closely to plan out what’s beyond what’s already been set. So, I know that the two of them really want to work together on the book, and they’re both committed to it, and we’re committed to keeping that team together as long as we can.
“Likewise, with Phil Hester and Michael Broussard coming in on
The Darkness – we’re going to try and lock them in for a nice, long run as well. So if everything goes as panned, we’ll have two flagship books coming out on a regular basis that will show people month-in, month-out the best that we have to offer.”