by Vaneta Rogers
A few months ago, fans were under the impression that Tony Daniel would be drawing
Flash: The Fastest Man Alive right now.
Well,
that’s not happening.
Instead, as DC’s October solicitations revealed, Daniel will be the regular artist on
Batman as the title begins “The Resurrection of Ra’s Al Ghul” storyline, written by Grant Morrison. The artist will begin with the story’s prelude in issue #670. Ra’s Al Ghul’s return comes after the Batman villain has been dead for three years, killed by his daughter – seemingly for good. But of course, these are comics, and dead doesn’t always mean dead.
As the artist begins working on the villain’s return, Newsarama talked to Daniel about his gig on
Batman and how he approaches drawing the Dark Knight.
Newsarama: So this is what comes after drawing that important issue of
The Flash, huh? How did you find out you were getting Batman? Were you surprised?
Tony Daniel: It wasn’t really a surprise to me. Drawing Flash was the surprise. I had spoken to Dan DiDio back in January about moving on from
Teen Titans and he asked me what I wanted to do. I told him Batman would be my first choice. But I didn’t care whether it was
Batman or
Detective. A few weeks later I was offered the chance to finish the Flash arc with Marc Guggenheim. Dan told me that after I was done,
Batman was next.
NRAMA: When we talked to you
about the Teen Titans work you were doing, you said
Teen Titans was your dream book. Does
Batman with Grant Morrison come close or did you not even dare to dream that big?
TD: Well dreams change, especially when your first one comes true. I’ve always wanted to do Batman and now I’ve gotten to a point in my skill level where I think I can handle the character and do him justice. I wanted to be at a certain level of craftsmanship before I tackled him though. But truth be told, I believe that I’m built for Batman. I think what I do best will shine in this book.

And working with such a writer as Grant Morrison is definitely something that will affect what I bring to the table. My first order of business is to make sure he’s happy with how I’m portraying his stories.
NRAMA: When we spoke with you about
The Flash in June, you said all you'd done on Batman was a cover. Are you further into the story now?
TD: I’m six or seven pages in right now. Plus two more covers, I started about a week and a half ago on issue #670.
NRAMA: How's it been working with Morrison so far?
TD: It’s still very new and we haven’t communicated yet. But by the time this interview hits, we may have had that chance. I wanted to show him the first group of pages before we talked so he has something to look at if he has any direction or ideas about what I can do. But I’m extremely excited about working off of his script at the moment.
NRAMA: How do you approach a book like
Batman as compared to
Teen Titans and
Flash?
TD: Well first off, it’s not a team book, so the layouts are much more flexible for me. I feel you can’t get too creative working on a team book because you have to worry so much about all the characters. And remember, you might have multiple characters talking in any given panel. So the storytelling has to be really straight-forward. With Batman I can devote more attention to details as well as having a little more fun with the panel layouts and storytelling. It’s great to be able to spread my wings in that department because I always felt that was one of my strong-suits.
NRAMA: How would you describe your Batman? Have you heard from Morrison about the approach, or is this going to be all yours, as far as how Batman looks?
TD: I did speak to editor, Mike Marts, and we were both on agreement with how to make him look. For me, I wanted to bring a little old school Neal Adams and Jim Aparo flavor into the mix, but updated into my style. I enjoy those guys interpretations the most, as well as what Jim Lee is doing too. But I want to have a look that distinguishable from anyone else’s take, so when you look back ten, twenty years from now, there’s no question who drew it.
NRAMA: What can you tell us about the story you're drawing?
TD: Ra’s al Ghul, League of Assassins, Talia, Sensei, I-Ching. Throw in Batman with a sword in Hong Kong… sound cool?
NRAMA: It’s a start! How are you approaching Ra's Al Ghul's character and others like Talia and I-Ching?
TD: Certain characters shouldn’t be messed with too much. I’m just adding my own spin on each of these characters, but they’ll be unmistakable at the same time, who they are.
NRAMA: They're calling this a "Batman event" – and you're just off the big Flash event. Are you the go-to guy for events now?
TD: I think it just worked out schedule-wise with me and the Flash. And it also just appeared to be the most logical time for me to start my run on Batman. But I find it a great honor to be involved with these opportunities.
NRAMA: How long are you on
Batman?
TD: Until I’m dead. But that’s no guarantee either. There’s always the Lazarus Pit.