Potter’s Field #1 (of 3)
Writer: Mark Waid
Artist: Paul Azaceta
BOOM! Studios
Reviewed by: Jeff Marsick
Newsarama Note: This miniseries was originally announced as John Doe.
Hart Island off the western end of Long Island is where New York buries its nameless dead. Called Potter’s Field, it’s the final destination of suicides, victims of drug crimes, stillborns, infants, and anyone else without identification whose expiration date has passed without connection to cause, culprit, or claimant. These are the unfortunate many who pass into the beyond wrapped in a shroud of anonymity, six feet under a nondescript marker that will forever identify them only by a number. For the enigmatic man known only as John Doe, however, this veritable Bermuda Triangle of human existence is unacceptable, and he wages a campaign to find the truth and eventually a name that he can chisel into their stone.
In this issue we meet John Doe, typical agent of mystery in the noir genre: black leather jacket, perma-shades, man of few words but fast with his hands. He’s out to find the identity of a Jane Doe, #36906, who recently took up residence in Potter’s Field. What we discover is that Mr. Doe has a legion of loyalists, people in various occupations that he goes to for information to suss out clues. It’s a grand-scale groupthink where the members of this exclusive club know little to nothing about their CEO, and even less about each other. When he propositions a new member at the end of the issue, I’m reminded of a favorite line from
Daredevil: “I don’t do favors…I collect debts.” What we learn about Doe doesn’t come from panel upon panel of soliloquy or introspection. It comes, instead, piecemeal from conversations from his conspirators as they ruminate on him or through one-sided eavesdropping, which serves only to heighten the mystery of the man.
One of the things I liked about this book is how nothing is a throw-away. Pay attention to the noise in the background, because it has a way of tying in to the grand scheme of things. Like when Doe’s pursuit eventually leads him to the loud-mouthed and caustic Nancy Grace-type, which provides a nice closure of events.
I have been waiting for this book ever since I met Azaceta a few months ago and saw a couple pages he had drawn, back when the tentative title was
John Doe, and this was definitely worth the wait. Waid, always an impressive writer, has with this issue put on a demonstration of his storytelling muscle. He’s created a character who is tough, mysterious, and is on a path to do a job that no one else wants to. John Doe reminds me of the television shows like
Sable, The Equalizer, and in a small measure, the short-lived
John Doe. That’s a compliment and not in any way implying repetition. In a genre where originality is an endangered species, Waid has stepped outside the box and brought back not only a unique idea, but a distinctive style that serves it well.
And the artwork? Well, I’ve been a fan of Azaceta’s since
Grounded, and in the noir style I think he shines the best. He deserves a spot in the line-up of usual suspects next to Michael Lark, Sean Phillips, and Alex Maleev. It is great work and even with the laudable writing, the book would suffer without him.
Potter’s Field is going to be the next big thing, one of the best things this creative team has ever been involved with. I hope it fans the flames of the noir genre and brings more intriguing titles of its kind to the comic shop. Fans of
Criminal or
Cross Bronx don’t dare miss out on this series. Highly recommended.
The first issue of Potter’s Field is due in stores in August, and can be pre-ordered now.