CHARGES DROPPED ON ATHF CREW
GUILTY PLEASURES RETURN & MORE
by Steve Fritz
NOTE: This was taken from the May 12, 2007 edition of the Boston Globe. For more, check out the URL: www.boston.com.
Two men apologized in court today as prosecutors dropped criminal charges against them for carrying out a guerrilla marketing campaign in January that triggered a wave of bomb scares.
As a part of a plea deal, Peter Berdovsky and Sean Stevens performed community service at Spaulding Rehabilitation Hospital, where they designed a mural and helped with maintenance on the facility's sailing docks on the Charles River. After Berdovsky worked for 80 hours and Stevens for 60 hours, prosecutors agreed not to pursue charges that could have carried a sentence of up to five years in prison.
"Based upon the defendants' apologies and acceptance of responsibility for their actions in January and the attendant consequences, as well as the positive and substantial efforts at restorative justice made by both men through their community service, we believe that this was the most appropriate resolution to this case," Attorney General Martha Coakley said today in a statement.
In Charlestown Municipal Court this morning, both men read short statements:
"Last fall, I was hired to place electronic ads in and around the city of Boston as part of a marketing campaign,” said Berdovsky on Friday, May 11. “I never could have anticipated that the ads would be seen as threatening.
"However I realize the importance of being vigilant and careful in these times of global tensions. It is ever more important now to be transparent and honest with each other, keeping our community informed and safe. I deeply regret that this incident caused such anguish and disruption for so many people.
"I acknowledge responsibility for my part in that disruption, and I apologize to the residents of Boston, Cambridge, and Somerville, and everyone else affected for the hardships they've encountered. I'm happy that I've been able to offer a contribution to the city through my community service.
"I hope I will be given a chance to redeem myself in the eyes of the city by helping make it a safe, peaceful and happy place for all."
"I'm sorry it's taken me so long to say this,” said Stevens the same day. “Trying to find the words has filled me with sadness, frustration, and fear, but I feel these things need to be said.
"First off, I'd like to apologize to the people of the cities of Boston, Cambridge, Charlestown, and Somerville and their families all over the world. I never had any intention or even the slightest idea that something I thought would bring glowing smiles to the fans of the Cartoon Network show "Aqua Teen Hunger Force" would cause alarm to so many people.
"Next, I'd like to thank the authorities of the metro Boston region for doing their best to protect the public from what they believed to be a potential threat based on what they knew at the time. I had no intention of upsetting or alarming anyone.
"I've come to understand after the fact that the media coverage was global and ... worried families of many people living in the greater Boston area. I would not have placed the signs had I envisioned such a reaction and had I not believed that my employer had done what was needed to make it fully legal ...
"In the end, I simply felt this was an opportunity to provide harmless enjoyment to many people while earning a small amount of money to create my own art to share with communities I'm a part of."
Berdovsky, 27, and Stevens, 28, appeared calm and contrite, a stark change from their first appearance in February, when the two men mocked the media with a performance-art skit about the evolution of haircuts.
They told investigators they were to be paid $300 each to install battery powered light boards in 40 high visibility spots in and around Boston, such as buildings and bridges, as part of an advertising campaign for "Aqua Teen Hunger Force," an animated program on Cartoon Network. The blinking lights triggered regionwide bomb scares on Jan. 31.
The men had been charged with placing a hoax device in a way that causes panic, which carried a maximum of five years imprisonment, and a misdemeanor count of disorderly conduct.
Berdovsky and Stevens were hired by Interference Inc., a New York marketing company retained by Turner Broadcasting System, which owns the Cartoon Network. The companies apologized for the stunt and paid $2 million in restitution to local governments and law enforcement agencies.
During the fallout in February, Jim Samples resigned as general manager of the Cartoon Network. He had approved the botched marketing campaign.
"Today's hearing in Charlestown hopefully marks the conclusion of the fallout from Cartoon Network’s guerrilla marketing campaign," Mayor Thomas M. Menino said in a statement. "I hope the message goes out to all guerrilla marketers who plan on doing business in Boston that we take the public safety of those who live and work here very seriously."
THE SON OF GUILTY PLEASURES
Last Fall I was feeling a tad guilty and pensive. There were more than a few things I wanted to write about, but those were the bad old days when I was doing one column a week. I just didn’t have the time or space to cover everything I wanted to do.
So I did a column called “Secret Vices.” I extolled on various projects I meant to extol on, and then went back to business as usual.
Then the powers that be decided one column per week wasn’t enough. I couldn’t agree with Matt more. But guess what? Even though
Animated Shorts’s output is doubled, there are still items I wish I devoted editorial space too (or more).
But Secret Vices isn’t the right name for this. Never was, really. Time to give someone, namely Yami Ash, the credit for what I always meant to call this, Guilty Pleasures. So here are some items I think deserve more exposure than I’ve currently given them.
• EVERYONE’S HERO DVD (Fox)
When this movie came out last year, I tried my hardest not to be too harsh on the project. The reason being it was the last project the late Christopher and Dana Reeves worked on. Due to some bureaucratic misinformation, the DVD only arrived at my door in the last two weeks, even though it came out last March. I’m glad it did.
Yes, the ending still stretches and offends the baseball fanatic in me (there is just NO WAY a kid gets to bat in the World Series…even if Babe Ruth says so). Also, Carl Reiner’s Screwie The Baseballand Whoopi Goldberg’s Darlin’ The Bat say some of the schmaltz-iest homilies found outside a kosher deli. On the other hand, these end up being minor carps when one reviews the final product a few more times.
For starters, while the character action is still a bit stiff, there’s still some good animation going down. The first is that this film blessed us fans by not being another funny animal story and concentrate primarily on humans, relatively believable humans too. Yes, the main villains were a bit too cartoony for me, but the hero, Yankee Irving, his family, even the New York Yankees come off pretty good. I was also particularly impressed with Brian Dennehy’s turn as the Babe, who really was a big kid at heart.
There are also some solid animated action sequences going down. The sequences where Yankee is trying to escape from Lefty in the train was exceptional, particularly the scenes where he’s running inside the train while the villain is chasing him from the roof of a train running parallel to his. The angle of sight, where the p.o.v. starts from the floor through the train windows and on to Lefty, was particularly well done. I also loved the “shadow ball” sequence on the bus with the Cincinnati black baseball team. Animation directors Dan St. Pierre and Colin Brady deserve kudos for those sequences.
Also, if you are a fan of Depression era family stories, this one really isn’t too bad. Outside the ending, the stealing of Babe’s bat and the Herculean effort Yankee undertakes to return it and get it back to Ruth is something I would expect from a Capra or maybe even a Wilder film of the day.
So is this a perfect film? No. But would I feel bad recommending this film to families and/or baseball fans? Again, no. In all, this is one film that’s I’m giving more and more props to with each viewing. Don’t be surprised if you do the same.
•

JANE AND THE DRAGON & JACOB TWO-TWO – Currently airing on qubo.
For those are not familiar with qubo, it’s the latest collaborative effort of NBC, Telemundo, ION Media and Scholastic Entertainment to capture some of the Saturday morning market. It’s main effort to get our kids to watch
Veggie Tales, but honestly these two shows make puree out of these morally correct cabbages.
Jane is set in a fantasy medieval Europe. It tells the tale of a young girl out to make it as a knight. Aiding and abetting her is a rather remarkable dragon, voiced by Adrian Truss, an incredibly free spirit who’s general good nature is refreshingly funny yet insightful. For that matter, Jane (Taija Isen), is a character that, if I had a daughter, wouldn’t mind seeing as a role model. She’s a smart kid who is bucking the odds primarily through pluck and courage.
The animation, a warm and fuzzy CGI, is also fairly easy on the eye and fairly expressive. I’m not sure of the final fate of this New Zealand/Canadian import, but I’m hoping it also bucks the odds and runs for a few more seasons.
As for
Jacob? It’s a nicely done traditional animation put together by Nelvana and based on a trilogy of books by Mordecai Richler. Jacob’s an eccentric kid from an eccentric family, but doesn’t strain my sense of disbelief. I’ve known kids who will emphasize a statement by saying it twice, can’t seem to do a single errand without it turning into a fiasco or in general be as cheery and otherwise solid as the lead. Yes, the situations are overall cartoonish, but what do you expect? In general, the show makes me smile, something I usually have a difficult time getting out of most kids programming. For that alone I think I’ll keep on watching.
The truth is, most kids shows today tend to look at our spawn as something we must tolerate for the first 10-12 years of their lives. What makes both
Jane and
Jacob exceptional is neither make it look like they are “stooping down” to the kids levels. Sure, we all have plans as parents of seeing our kids growing up into mature adults, but these shows prove to me that the best way of doing it is to make kids want to rise up to the levels these shows present. They do it with some imagination and a touch of challenge. Let’s hope both shows continue to do so for some time.
•

LAW OF UEKI
Directed by Hiroshi Watanabe (
Oh! My Goddess, Tactics, Mythical Detective Loki Ragnarok) and produced by Studio Deen (
Kyo Kara Maoh, R.O.D. OVA, Rurouni Kenshin), this series has its flaws, but it also has its positives.
The flaws are a character design reminds just a bit too much of
One Piece and similar shows for my liking. The plot also sounds a tad familiar; a bunch of kids are granted some pretty amazing powers, and then must duke it out until only one is left. Each kid has also has someone who works with them as a partner.
Then things get interesting. The further you get into this 52-episode series, the more cynical it gets.
For starters, the powers border on the absurd. Ueki’s is the power to turn trash into trees. His rivals have abilities such as kicking dirt and turning them into cannon balls, turning shadows into clay men or swabs of cotton into steel. Ueki himself is an odd duck, initially a very apathetic and cavalier sort of guy who doesn’t want to be involved until enough people go after him.
Then the real cynicism sets in. While all the kids are fighting for a wish that will grant them anything they want, Ueki really doesn’t have one. He’s actually trying to win on the grounds that no one else gets their wish. If that isn’t enough, the wish isn’t the real prize. What the kids don’t know is the King of the Universe has set this whole thing up to find a replacement for himself. The Celestial King says the beings that chose the kids will become the new King.
But the current King keeps saying this universe
deserves to be ruled by a junior high school student.
At the moment, volume seven of this DVD series is about to be released. Things are really starting to get interesting, too.
•

LIL’ BUSH
All I can say is it’s about time. This new series posits our current Commander in Chief as an eight year-old, flanked by Lil’ Cheney and Lil’ Rummy, with Lil’ Condi dutifully following a respectful few steps behind. The creation of
Simpsons writer Donick Cary, this is a co-production of Comedy Central and Amp’d Mobile. For all y’all who have Cingular or some other mobile phone service, relax, CC will be airing six episodes starting this June.
And believe me when I say it’s your patriotic duty to watch this show. Cary’s humor is as brutal and as pointed as a cat-o-nine tails. The second episode, entitled ‘Hot Dog Day,’ had me rolling on the floor and it will do the same to you. I also love the rival “gangs” headed by Lil’ Kim (no, not the rapper) and Lil’ Osama. It gives a whole new definition to the term playground wars.
Just get ready for it. A new animation phenomenon is about to be unleashed on us, one we all deserve.
•

CRAYON
SHIN CHAN
Yes, the animation here is as ugly as yesterday’s roadkill. It tells the tale of a boy whose face should probably be seen on the inside of the back end of a pair of Levis. But it isn’t the visuals that make this FUNimation distributed series so good.
It’s the dialogue. Basically what sets
Shin Chan apart is when they brought in the translation/ ADR team they realized what the Japanese call funny wouldn’t necessarily work on this side of the Atlantic. So while I’m pretty sure the basic animation is used as a guide line, from that point on they threw the script out the window and went buck wild.
And while the humor is gross, potty-mouthed and generally exceedingly strange, it’s also damn funny. One moment the narrator is griping about his pay not being enough for him to even get an adult massage. The next, the weasily little “good boy” character Georgie is trolling up and down the neighborhood needing a bathroom in the worst way by saying that “General Colon Bowel” is having a war inside his gut. Then there’s
Shin Chan himself. This monkey boy is an avatar of chaos in the best way. The way he disrupts anything and everything he’s involved in makes the series a true hoot. Also, the idea that it’s broken down into little five minute segments makes it even more fun. Each shtick never goes on long enough to end up boring.
It’s no wonder Adult Swim now runs this series just about every night of the week. Here’s to hoping this goes on for some time to come.
F4 RETURNS THIS JUNE
No, I’m not talking about the live action feature with Silver Surfer. Cartoon Network announced that the animated
Fantastic Four series is coming back on Saturday, June 9 at 8:00 p.m. There’s no word if they will start at the beginning of the series and run it all over again or just start with new episodes.
As it stands, the word is
F4 has been a hit in just about every other part of the world, particularly Europe and Latin America. 26 episodes were produced and apparently Taffy Entertainment has the green light for more.
All I’m wondering about is why CN took the series off the air to begin with.