
When a door closes on one career at DC, apparently, a window opens. Today, the publisher officially confirmed that former Senior Editor Peter Tomasi will be leaving his editing position at DC Comics, and has signed an exclusive contract with the company as a writer.
“The fact that I couldn't add more numbers to the face of a clock was the deciding factor,” Tomasi told Newsarama when asked why he made the change. “I had recently been repped by the Hollywood agency juggernaut that is CAA, sold a screenplay, and started trying to write more comics for the company. At the same time, I was trying to squeeze every hour in the day to find a healthy balance between my amazing day job at DC and my wonderful family.
“Actually, I was completely surprised when the offer was made. I kept pestering Dan on a regular basis to do more writing for the company not only for the extra dough, which is great, but also because I simply can't turn off the writing switch in my head when it comes to these characters. A conversation between Dan and I evolved into Dan simply saying maybe it's time to put away your editing hat and put on your writing hat full time, and literally two minutes later talk of an exclusive contract was underway. So, as they say, timing is everything, and the offer of the exclusive writing contract from DC was an offer I couldn't refuse.”
As those who’ve followed Tomasi’s career know, he’s always been writing - occasional issues of
JSA, The Outsiders, and
Steel as well as
The Light Brigade, an original miniseries published in 2004 by DC, with art by Peter Snejbjerg. It’s something, he says, extends back to his childhood.
“Since I was a kid, making movies, writing and drawing comics were my passion. It seems I've been a storyteller-type from pretty early on. I was lucky enough to discover what I love and work towards it. It'll be nice not to have to work till 2 or 3am writing specs after a full day at work anymore that's for sure. Now I can do most of my writing when some shiny object I believe they call the ‘sun’ is up.”
Not one to shy away from the obvious, Tomasi said that his 15 years as an editor at DC does give him an advantage in the writing game.
“I think -- and hope -- my advantage is that the editors who I've worked with feel I'm a talented writer who has something to offer, along with already being plugged into the DCU whereby making their jobs a little easier,” Tomasi said. “I've written a few comics over the years and passed them around and gotten favorable responses, so doors are opened and relationships already exist, which is always a plus over having some proposals tucked under my arm and knocking on doors for the first time. Breaking into this business as a writer has always been incredibly tough, so it was fifteen years well spent.”
While his comics work will be at DC, it’s not all that he’ll be writing.
“I'm looking to have my fingers in a lot of different mediums, but all of it centered in putting words on a page. Having an established agent at CAA has helped me get my material in front of people who can actually get stuff done in film and television. Of course it's still a tough process, but at least it helps the odds a bit.”
Speaking of those odds, Tomasi’s original screenplay,
House of Penance has already been purchased by Andrew Lauren Productions, so yeah – it’s safe to say that he’s starting to tilt the odds in his favor.
“
House of Penance is a drama/horror script that I pitched and sold to Andrew Lauren Productions about Sarah Winchester, the heir to the Winchester rifle fortune, who, feeling that she and her family is cursed by the blood spilled thanks to the Winchester repeating rifle, decides to build a house 24/7 for close to forty years. Sort of
The Others meets
The Shining.”
Back on the comic front of course, Tomasi has been named as the writer of the upcoming Black Adam miniseries, something which he was able to spill a few more details on.
“It's titled
Black Adam: The Dark Age and it picks up right where
52 left off and leads into the start of
Countdown. It's being drawn by Doug Mahnke, inked by Christian Alamy and edited by Mike Siglain. The pages that have come in are pretty damn spectacular! It follows Adam in Kahndaq and around the rest of the globe as he searches for the magical word he lost in
52.”
And after that? Where will Tomasi show up next at DC?
“Honestly, I'm interested in everything here. There's a great stable of characters at DC that I would love to write. I've edited quite a wide variety of books in my tenure here, so I'm looking forward to casting my net pretty wide and tackling established characters along with developing new properties. No reason to limit myself at this juncture when so many doors are open.
“Wish I could say more, but Dan Didio and I are still finalizing which books I'll be working on so I can't let the cat outta the bag just yet.”