by Dan Taylor
This summer, IDW Publishing invites readers to join Captain James T. Kirk, First Officer Mr. Spock, Doctor Leonard “Bones” McCoy and all the
Star Trek: The Original Series regulars aboard the
U.S.S. Enterprise as they kick off the fourth year of their five-year mission. July sees the debut of
Star Trek: Year Four, a six-part series that reintroduces the classic characters to comics. Also coming aboard for the continuing mission is
Star Trek: The Next Generation: The Space Between scribe David Tischman and artist Steve Conley—who is no stranger when it comes to science-fiction comics. Conley is the creator of
Astounding Space Thrills—both the online Web comic and the comic-book series.
Star Trek: Year Four will follow along the same lines as the single-issue, self-contained stories that are being featured in
Star Trek: The Next Generation: The Space Between. In the premiere issue of this all-new series, Captain Kirk and the crew of the
U.S.S. Enterprise discover the Strand—a multi-planet construct of a dead civilization and a brilliant genetic scientist obsessed with its technology. Kirk discovers the scientist’s secret, resulting in his genetic creations revolting — and forcing Kirk to make a hard decision, pushing the
U.S.S. Enterprise into the crossfire.
Although hard at work on
Star Trek: Year Four, Conley managed to tinker with temporal mechanics in such a way that he was able to take the newly arranged time to answer a handful of questions (all without creating lasting effects on the space-time continuum or creating a pedestrian paradox).
Newsarama: First off, Steve, what is your association with
Star Trek as a fan, and what was your first introduction to Gene Roddenberry's science fiction juggernaut?
Steve Conley: I watched the original
Star Trek series on a loop as a kid. I must've seen each episode dozens of times. I've been a big
Star Trek fan ever since. High point for me in my
Trek fandom was volunteering at the Smithsonian Air and Space Museum in the '90s when they had their
Star Trek exhibit. Not only did it give me a chance to get a good look at many of the original props, costumes and miniatures, but it also meant having that whole museum practically to myself in the mornings before it opened to the public. Having a lunar lander, the
Spirit of St. Louis and the
U.S.S. Enterprise all to yourself is a nice way to start a day.
NRAMA: What is it that you think makes Star Trek such an iconic element of pop culture, thriving over such a long life of some forty-plus years?
SC: I think
Star Trek has two great things going for it: First off, it was very often excellent science fiction and does what SF does best: re-contextualize contemporary problems in ways that can make the issues clearer (and had gorgeous, green, alien slave girls). Secondly, Shatner, Nimoy, Kelley and the rest of the crew might just be the best ensemble cast in TV history. The chemistry of the actors could be the show's best special effect and I think the
Star Trek franchise owes much of its longevity to the amazing momentum the original cast invested in it.
NRAMA: Of the six
Star Trek series that have appeared on television over the years (yes, we're counting the animated series that ran in 1973 and 1974), which crew do you best identify with?
SC: Without question, the original
Star Trek series is the one for me. It's strong, earnest, unapologetic, and so much fun. I enjoyed
The Next Generation and the later
Star Trek series as well but, to me, they don't hold a candle to the original.
NRAMA: In working on
Star Trek in the comic-book medium, what sort of elements do you hope to bring to the series that just might not be possible with a television or movie budget?
SC: The series writer David Tischman has done an amazing job of capturing the feel for the original series. David's scripts call for some wonderful sequences and he clearly wasn't hampered by thoughts of production costs. I just hope I can do those scenes justice.
NRAMA:
Star Trek: The Original Series has appeared in comic books before, with many different artists offering their representation of the property over the years. How are you approaching the art in
Star Trek: Year Four to separate the new series from what has been done before while still capturing the feel of the original television series?
SC: There's no real sense of comparing what we're doing to other
Star Trek comics projects. I think our goals might be considered more ambitious.
Year Four is meant to be just that—a continuation of where the original series left off (I'm including
The Animated Series in this as well: Arex and M'ress—members of the
Enterprise crew from the animated series—do make appearances). The emphasis is on getting the characters and spirit of the original show correct. I'm thrilled that IDW has assembled a team of people who have a real love for the show and bring that to the work.
NRAMA:
Star Trek: Year Four is not your first foray into science fiction comics. You are also the talent responsible for
Astounding Space Thrills. What are the similarities and differences between
Astounding Space Thrills and classic
Star Trek?
SC: I think
Astounding Space Thrills and
Star Trek are similar in that they are both character-driven series with a love of fun and, at their cores, share a sense of wonder and joy. They're both so much fun to work on.
Star Trek: Year Four #1 by David Tischman and Steve Conley (with variant covers by Joe Corroney) will be available in July. Diamond Code MAY07 3530.
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