by Zack Smith
Zeb Wells has been behind some of Marvel’s most acclaimed miniseries of the last several years, including
Spider-Man/Doctor Octopus: Year One,
New Warriors and
Fantastic Four/Iron Man: Big in Japan. Now, he’s finally loose on a series in the Marvel Universe as the new writer of
Heroes for Hire with issue #8, which came out this week. Wells talked with us about his
Heroes gig, along with other titles with his work involving reptilian women, Daredevil’s dad, and a certain cult TV series.
NEWSARAMA: So what’s going on in your
Heroes for Hire arc?
ZEB WELLS: Basically, the next two-issue arc after issue #8, which wraps up the previous team’s story, we send the Heroes for Hire to the Savage Land to go after Devil Dinosaur and Moon Boy. And while they’re there – I don’t know, I think it’s a cool little story, because everybody’s relationships kind of shift over the two issues. So there’s some exciting things happening between Tarantula and Shang-Chi, and Colleen and Misty, there’s some exciting stuff there.
And with Humbug, you have a situation where his powers come in a lot more handy than they usually are. You know, they’re kind of cute when you talk to a cockroach or any other sort of insect, but he discovers these bugs are, in the Savage Land, kind of hyper-evolved, at the top of the food chain. So he gets to explore what an insect intelligence is like if it’s hyper-developed or the dominant life form.
NRAMA: Did you research any real prehistoric bugs for this story?
ZW: No, I – I actually for some reason had a book on my bookshelf of bugs that I read every once in a while, so I use that (a lot). But no, I didn’t do any research on prehistoric bugs because I guess I’m going from the angle that these bugs have just continued evolving, here in this world.
NRAMA: How did you get the
Heroes for Hire gig?
ZW: I pitched it. The previous writers (Justin Gray and Jimmy Palmiotti) signed an exclusive with DC, and I think they needed a new writer fairly quickly. I took a look at their scripts and came up with my take on the team and whatnot, and they seemed to respond to it.
NRAMA: What is your take on the team?
ZW: I think that when you have a concept like
Heroes for Hire, you set up a lot of character conflicts. You have a bunch of people who are ostensibly heroes, but they’re also looking to get paid. I think that should be the conflict at the core of the book: How much of the hero aspect are we willing to sacrifice for the paycheck, and at what point do we have to compromise getting paid in order to maintain the integrity of being a hero? And I think that every character on the team should have a different take on that, they should all be in a differently place morally when it comes to that.
NRAMA: Going into the line-up in the book, who are the current team members?
ZW: There’s going to be some changes in issue #8, so I don’t know if I can reveal who’s on the team, exactly. But it doesn’t change that much – there’s Shang-Chi, and Tarantula and Humbug and Misty Knight and Colleen Wing.
NRAMA: A number of those characters, such as Shang-Chi and Misty and Colleen, have been around since the 1970s. Did you have to do some research regarding them?
ZW: Yeah, I honestly didn’t know who those characters were, or why they were important to the Marvel Universe. I knew who Shang-Chi was, because I had some
Marvel Two-in-One issues with him in them, but I didn’t know who Colleen Wing was, or who Misty Knight was, so I had to do some research on them.
NRAMA: What’s your take on the characters?
ZW: My take on Colleen and Misty is that they’re kind of like sisters, and they have been around for a while. Misty has seen the previous incarnations of Heroes for Hire, and she is a little smarter about how to make the business model work. Colleen kind of looks up to Misty; Misty is her older sister in the relationship.
NRAMA: How many issues will you be on the book?
ZW: There’ll be another four-issue arc after the Savage Land arc, the big summer crossover with “World War Hulk.”
NRAMA: Any hints as to what we can expect from that one?
ZW: It’s a situation where Humbug, as a result of his Savage Land adventure, has gone through some changes. He’s a little less goofy, and a little more scary, and he comes back to New York with a little bit of insight as to what’s going on with
World War Hulk. I mean, you’ve got to keep in mind that two of the members of the Hulk’s war party are like insects, Brood and Miek. So that’s a hint as to what’s going to happen.
NRAMA: So are you basically the ongoing writer at this point?
ZW: Yeah – it’s comics, so as long as the series goes on. For the time being, I’m the ongoing writer.
NRAMA: You’re still working on
Snakewoman at Virgin. How’s that going? That’s a lot darker than what you usually do.
ZW: Yeah, it is. It’s been a real challenge to write. When I first started, I thought it’d be so exciting and fun to write dark, because I usually don’t, and then, you know, it’s hard to write dark! You have to think darkly, you have to kind of get into that mindset, which isn’t easy to do. I think I am getting better at it. I think we’re going to do another five-issue miniseries after the initial 10 issues wraps up. So yeah, it’s going well.
NRAMA: And you’re also doing some stuff on Adult Swim’s
Robot Chicken.
ZW: Mmm-hmm. That’s through – I was a staff writer for five weeks, so I worked on five of the episodes for the upcoming season.
NRAMA: You know when that’s going to air?
ZW: No, I assume it’s going to air in September sometime.
NRAMA: What was the experience like?
ZW: It was good. You know, I hadn’t really worked in a writers’ room before, so it was an adjustment, but it was really, really fun. It went well, I think I learned a lot about how you need to be able to throw out as many ideas as you can and not be too married to anything, and use the process to get ideas that you can use for later.
NRAMA: Any hints as to what’ll be in your shows? Did you get anything on the air?
ZW: Yeah, well, I don’t really know, because stuff is constantly changing from production to airing. So they can be recording the dialogue, but if something doesn’t work, it gets cut. So I have no idea if my stuff’s getting through or not.
NRAMA: Any other projects coming up?
ZW: I’ve got a four-issue
Battlin’ Jack miniseries; I don’t have much to tell you, but the artwork on that is awesome. It’s from a story that Carmine Di Giandomenico came up with, and I’m helping translate it and shape it a little more. So it’s collaboration between us.
NRAMA: Any plans for more short films?
ZW: Not at the moment – I’m planning on putting the one I did last year up on YouTube, but I’m not doing any right now, no.
NRAMA: What would you like to be doing in the long term, films or comics?
ZW: I really feel like I’m still learning from the comics, and I’m really enjoying that. I still don’t feel like I’m as good as I could be at writing comics – I’m always striving to do better, and I’m really enjoying that. I think it’s a really cool art form to be working in. I’m totally happy with it.
NRAMA: What characters would you like to work on in the future, or would you rather do your own creation at some point?
ZW: I’ve always kind of wanted to work on Punisher, and you know, I like Spider-Man a lot, and I really am fond of working on Heroes for Hire with characters that have a lot of room for interpretation, and you can get in there and discover what those characters are about.
NRAMA: And finally…what was your take on the
New Warriors being used to kick off
Civil War? I mean…they blew up your characters, dude!
ZW: Yeah! (laughs) They sure did! You know, it was kind of cool, in a way. In another way, it was hard to see Microbe fry so quickly. But that’s comics! That’s kind of cool that at least they made a mark, they weren’t just forgotten.
NRAMA: What did you think of the whole Speedball turning into Penance thing?
ZW: Um…I honestly don’t know much about that. What happened?
NRAMA: (Explains Penance’s origin, powers and costume)
ZW: Oh my GOD! (laughs) That is…that is hardcore. Like I said, that’s comics. I’m under no illusion that, you know, once you work on a character, it’s yours. I mean, writers need to be free to do what they need to do to tell the stories.
To check out some of Zeb’s award-winning short films, including “Real World: Metropolis” and “Hulk for Hire,” visit
his page on YouTube.