TO LOVE THE TURTLES
by Steve Fritz
When they first came out a quarter-century ago, it was easy to love the Turtles. They were a unique hybrid of superheroes and funny animals in these pizza chomping shinobi with some very real reasons for staying undercover. When their comic turned into one of the hottest kids shows of all times, we didn’t mind either.
Then, the live action films happened. While initially tearing the roof off of the theatres, things didn’t stay that way for long. By the second movie, 1991’s
Secret of the Ooze, things started to stink. 1993’s
Trapped In Time shoulda been. Worse, even the later TV series lost its pepperoni-sharp freshness.
Things really didn’t start to come back together until the Fox Box/4 Kids retcon that hit syndicated a few years back. Yes, the originality was gone, but Peter Laird managed to bring things back on track. So hearing a new movie was coming shouldn’t have been any surprise. That the puppets have been dumped for CGI didn’t exactly bother me. The commercials alone should tell the discerning eye that it really wasn’t that much of a stretch.
Actually, the main reaction is kids are going to love this film. Like the originals it’s fast paced, joke-laden and has enough humor and action to keep the young’uns wanting more. Old school fans are probably going to have issues with this, no matter what.

The basic plot it’s now a few years after
Time. Longtime adversary Shredder has been out of the picture the entire time and Leonardo, Donatello, Michaelangelo and Raphael have gone their own ways for lack of any decent action. Leonardo has become serious about studying the ninja arts. Donatello provides tech support to computer geeks. Michaelangelo has become a clown, literally parodying himself in a turtle suit. The only one continuing to fight crime is Raphael, and under a disguise of his own.
Naturally, something has to get the brothers back together, and that’s a new character in the form of a Lex Luthor type.
“We continued the storyline that The Shredder has been defeated and, as a result, the Turtles’ other nemeses, Karai (Ziyi Zhang) and the Foot Clan, have basically become muscle for hire, acting as a private army for anybody who’s willing to pay the price,” reveals movie director Kevin Munroe. “One of the clients Karai and the Foot Clan end up working for is the enigmatic Maximillian J. Winters (Patrick Stewart), a very powerful multi-billionaire who lives in a monolithic tower and collects ancient artifacts from around the world. He’s a very mysterious guy and, as the movie goes on, we realize that he’s collecting monsters. As a result, really strange things start happening in New York City fueled by Winters’ secret plan.”
Actually, the real acquisition of the film is Munroe. This former comic book artist was voted one of the most promising young talents by no less an authority than
Animation Magazine. Although his experience may seem slight, writing the film
Donner and directing the video game
Freaky Flyers, he’s already working on two more films, an original named
Cat Tale and the anime classic
Gatchaman.

He not only has a flair for dialogue, but also action. Both are absolutely essential for something like the
TNMT. Personally, he’s probably also one of the few currently working in Hollywood who has any idea about what to do with our truly favorite teenaged mutants, too. More often than not, the verbal jabbing of everyone’s truly leapin’ lizards hits harder than their whirlwind kicks, and their kicks can take out more than their share of the Foot.
As for the voice work, Stewart is naturally in top form as the insidious Winters. Then again the man is a seasoned voice artist on top of his other sterling credentials. As for the Turtles, Munroe was smart enough to hire seasoned voice artists in the form of James Arnold Taylor (Leonardo), Mitchell Whitfield (Donatello), Mikey Kelly (Michaelangelo) and Nolan North (Raphael). Chris Evans and Sarah Michelle Geller also holds their own as Casey and April, while Mako gives us all one last great hurrah as Splinter. In fact, the only ones who come off a bit stiff is Zhang and Kevin Smith as the Diner Cook.
Aside Zhang’s performance, the only other gripes are minor. While the overall backgrounds, character design and action are top-notch, particularly when it comes to the Turtles, the humans still look kind of stiff and strange in CGI. Raphael’s “secret identity” routine is also a hard sell. Finally, one just can’t help feeling April ends up as dumb as she is for the bulk of the movie.

I won’t be surprised if other old schoolers will find something or other to gripe about, but that’s the nature of old school fans anyway. The real ticket buyers, their kids, probably won’t care. They’re the ones who are now enjoying the show on 4 Kids, not their former fan parents. Watch the knee biters come out in droves, at least until next week when
Meet The Robinsons hits. Until then, expect them to give the Turtles their fair share of love…and let’s hope when the inevitable sequel emerges, it won’t also ooze in its own ineptitude.
WB TO RELEASE CLASSIC SUPERMAN/BATMAN TOONS
Earl Kress is a rather fantastic and award-winning animation writer (well, all right, I’ll forgive him for
Pinky, Elmira & The Brain). His own weblog is usually crammed with some pretty interesting details about what he’s working on, which currently is
Tom & Jerry Tales and
Monster Allergy.
Still, it’s one of his latest announcements that should keep superhero fans happy for some time to come, basically Warner Bros. will be reissuing some of Hanna-Barbera and Filmation’s best superhero animation over the next year.
In the case of the H-B titles, it’s the original
Space Ghost & Dino Boy and
Birdman and Galaxy Trio half-hours. The original Ghost-with-the-most series appeared on CBS in 1966, while our pal Harvey started in 1967. Of course, both would return ten years ago in entirely new guises on Adult Swim.
As for Filmation? Kress reports both
The New Adventures of Superman and
The New Adventures of Batman are slated for the end of June.
Superman was not only the Big Guy’s return to TV after the unfortunate demise of George Reeves, but the series that put Filmation firmly in the animation universe as one of the top U.S. studios. Both series couldn’t be released under the current agreement BCI had with Filmation’s rights holders because of DC/Warners having control over guess who.
For their parts, Warner Bros. is not saying anything. “I have no idea where Earl Kress is getting his information,” said a Warner Home Video spokesperson.
We can only keep our fingers crossed, eh? For more info, the URL is:
http://www.mynameisearlkress.com/weblog/?p=150
ANIME TO AIR AWARDS
The Anime Network announced it will broadcast the All-American Anime Awards tomorrow, March 23. The awards were originally given out on February at the New York Comic Con.
The broadcast includes “behind-the-scenes” footage as well as interviews and background info on the various winners. It was also initially available as Video-On-Demand as far back as April 5.
KIM POSSIBLE BACK ON TOON DISNEY
The fourth season of
Kim Possible will now also start airing on Toon Disney starting Monday, March 26. The series has already been airing on the Disney Channel proper for the last month.
To commemorate its return, Toon Disney will kick things off with a repeat airing of the last
Kim movie “So The Drama” at 5:00 p.m. eastern. From there they will air the first three episodes of the fourth season starting at 6:30 p.m. We shouldn’t be surprised if Toon Disney continues the 6:30 p.m. slot for some time to come.
NEXT COLUMN: Been a real busy guy this last week. In the can already are interviews with Billy & Mandy’s Maxwell Atoms, Chuck McCann and Avatar creators Michael Dean DiMartino and Bryan Konietzko. I’ll have also seen Meet The Robinsons by the time you read my next column on Tuesday. What will I lead off with? You’ll have to wait and see..