by Kevin Huxford
Much coverage has been given to the events of
Captain America #25. It all started with the
New York Daily News. Marvel had provided them with an exclusive on the story, with the coverage hinging on it being kept an exclusive prior to the release of the issue.
The man behind that exclusive coverage was Ethan Sacks, an entertainment columnist for the
New York Daily News and apparent comic book fan. Now with the flood of reaction subsiding a bit, we felt it would be interesting to get some thoughts and observations from Mr. Sacks as both a reporter and fan. He was happy to oblige our request, after making sure to meet some deadlines at the paper first.
Newsarama:The coverage of Cap’s death, after you and the
NY Daily News broke the story, was fairly far-reaching. Was that something you were expecting?
Ethan Sacks: By about 2 pm on the day the story broke, I realized that Captain America’s death had snowballed to ridiculous proportions – certainly the biggest “pickup” of any story I’ve ever been a part of. In fact, one editor later told me that the story got more pickup – references from other media outlets – than even the incredible revelation that Rev. Al Sharpton’s ancestor may have been owned by Strom Thurmond’s family during the times of slavery! That’s made me the butt of a few jokes – so I leave my underoos at home now. I honestly believe there were three main reasons for the huge publicity: 1.) it was a relatively slow news day. 2.) That it came out in one paper first, then hit the AP wire, then hit Web sites, etc. – it made the other outlets feel like they needed to catch up and thus give it more play than it probably deserved. 3.) Because he is a well known character.
NRAMA: What are the sort of concerns you see at such a large paper when it comes to deciding what kind of coverage to give to a big development in what is seen by many as a niche entertainment medium?
ES: As a comic book fan for most of my life, I know that selling the paper on a comic book story, even the features section, is an uphill battle. Newspaper’s news holes are shrinking because of drops in circulation and “fluff” is the first thing to go. The vast majority of newspaper readers are as mainstream as you can get; they believe comic books are for kids, even though they run out eagerly to shell out $10 for the new
Spider-Man or
Batman movie. And the editors’ tastes reflect that. Once I a while they let me sneak a story in, but for the most part I use my online weekly column on the
Daily News web site – it’s about comics, sci-fi, kung-fu, horror, anime and video games – to spread the word.
NRAMA: I’m guessing you may have received some reader e-mails just by your address being attached to the article. What sort of reaction have you personally seen?
ES: The vast majority of the emails I personally received, and there weren’t that many, were complaints: either that I spoiled the shocker for them or that they’ll never forgive Marvel. I got more emails from reporters/TV producers I know who congratulated me on the scoop than from actual readers.
NRAMA: Speaking of the scoop; there had to be a good level of coordination between you (the
NY Daily News) and Marvel Entertainment. Approximately when would you say the exclusive was agreed upon?
ES: The exclusive was agreed on about two months ago.
The New York Post – the
Daily News’ arch-rival (picture an Australian Galactus running a paper) – had an exclusive when Spider-Man unmasked in
Civil War #2 and I heard plenty about it from my editors. When I whined to Marvel that they should’ve kept me in the loop, too, they promised me a future exclusive when a story with mainstream interest would surface. So two months ago, I got a call from Marvel’s PR contact calling me into the Marvel Bullpen for a little powwow. They revealed the plans for Cap right then and there. The publisher wanted several conditions for us to get the exclusive: That we commit to most of a page up front and put a good-sized piece of art with it. It was a no-brainer for us, and my editor gave the green light later that afternoon. I didn’t even tell my wife.
NRAMA: I don’t know which to be more impressed with: the Murdoch/Galactus reference or holding the secret that tightly for a few months.
ES: To be honest, my wife probably wouldn’t have cared anyway. She thinks spending money on my daughter’s college fund would be a better use of resources than my weekly comic stack, but I digress. Seriously though, it was tough to keep the secret, especially from any co-workers who were especially interested in comic books. While nothing was told to me off the record, I did realize early on that an exclusive of this nature required it not to be leaked on our end to a message-board even inadvertently through an off-hand comment. I had a vested interest in keeping my mouth shut.
NRAMA: It sounds like only you and your editor knew about the story at the paper. Would that be accurate or were there other people that had to be brought into the process that far out from when it saw print? When did the list of people who knew at the paper start increasing, that is, layouts made, art selected, etc?
ES: I had to alert at least three editors to get permission for Marvel’s list of requirements, but that circle didn’t spread until a few days before the spread. Being a daily paper, they didn’t even think about the layout until Monday - the paper came out Wednesday.
NRAMA: With about two months of lead time, how long did you actually take to put this story together? Were there any angles you wanted to cover or individuals you wanted to get reaction from that you just weren't able to?
ES: While I had an enormous lead time, to be honest, I wrote the story a couple of days before. I had done the interviews with
Quesada, Simon, Brubaker and a comic book store owner over the previous two weeks. I probably spent no more than two hours total – not counting transcribing the interviews – because our special constraints as a tabloid don’t give much room for prose. Besides, this really is a story that tells itself. But God, I wish I had more space to talk about
Civil War, the legacy, throw in a good quote from Quesada, etc. Color art would’ve been nice, too.
NRAMA: Maybe you can do a Director’s Cut version of the coverage on
your NY Daily news online column.
On a personal level, what did you think of the news? Did you see it as a political statement? An indication of where we are as a nation? Just a fictional death in the funny books?
ES: What do I think of the news? I’m a cynical bastard, so I know Steve Rogers will be back, though probably not before someone else picks up the shield and chucks it around for a bit. Nobody stays dead for long in comics, which really dilutes the plot device. With all the publicity, though, Marvel can’t exactly bring him back right away, though. Symbolically, obviously because of the star-spangled costume and the Civil War mini-series this will give a lot of fodder to pundits on both sides. But it’s really, in my opinion, just as much a marketing ploy as anything else. The important thing is Brubaker is good at his job and the story is a great read. I just hope the comeback will be handled as gracefully.