
Among the ramifications of this week’s
Captain America #25 is the new light that’s been shed on Marvel’s previously solicited five-issue
Civil War: Fallen Son limited series of one-shots.
Here is what we already knew – written by Jeph Loeb and each issue drawn by a high-profile Marvel artist, each one-shot focuses on one of the five stages of grief. Now we knew who was doing the grieving, just not for whom they will be grieving for.
But as of today, that’s now changed. So we got Jeph Loeb on the line straight from Hollywood, California for a conversation about the specials, now that the official seal has been lifted…
Newsarama: So okay Jeph, as we understand
Fallen Son: Death of Captain America (as suggested by J. Michael Straczynski) tracks the five psychological stages of grief by five prominent characters or groups in the Marvel Universe…
So maybe the best place to start is to ask for
your reaction to the story development? What did you think when you got the email or it was decided at an editorial meeting to kill Steve Rogers… at least for a while anyways?
Jeph Loeb: This happened relatively quickly. We were at the creative summit at Christmas and while I knew that
something was going to happen, I wasn't really aware that it was
this... Damn, Brevoort and his conspiracies... You know that's who Bendis' bases all his Nick Fury stuff on, right?!
So, I heard that the end of
Civil War led into
Cap #25 and
The Death of Captain America and just about @#$% my pants. Cap's one of my favorite characters ever and so I asked the dumb question: Does this mean that Marvel is going out of business?!
We all agreed that we needed to do what was the comic book equivalent of having the flags all stay at half-mast for 30 days... but what was that? Company crossover? A black band on all the books? What?!!!
...and that's when JMS spoke up. Like Zeus with a lightning bolt, he had written down the five stages of grief that would each be chapters of some kind of memorial book -
denial,
anger,
bargaining,
depression, and
acceptance.
NRAMA: Pardon if this has been asked and answered previously, but how did this assignment land with
you?
JL: Well, continuing off that last question, the creative summits often work like a writer's room in television. One idea sparks another and then it suddenly becomes a
thing. The second JMS said "The five stages of grief" I got it. I knew
exactly who should be in the stories, why, and even what it would look like. My brain is just wired like that... if I see something, it's fully formed. I was literally picking up the comics at the store in my mind. (Yeah, I know,
weird...)

Unfortunately, due to the death of my own son [note: Jeph lost his son Sam in June 2005 to cancer at the age of 17], I knew a little
too much about these stages. It's not a perfect explanation of human behavior, but things
like this had happened to me.
Maybe that's why I knew I had to call it
Fallen Son.
I just leapt at it. Started rattling off the chapters the characters. I saw Brevoort's neck veins start to
pop (which is always a good sign) because I think he had vacation tickets in mind after
Civil War, not something
this big. David Bogart's calculator started to smoke as he punched facts and figures into it to find the artists I was talking about (yeah, i even was pitching
them) and I was waiting for
his head to explode.
Curiously, only Quesada was sitting quietly... a smile on his face. That's how I knew we were onto something. The Cheshire Cat of comics.
The rest was working out schedules, including my own, to make this happen. Bill Rosemann has worked tirelessly to keep it running. Bogart and Buckley shook the trees to make the five perfect artists available for each section. JQ got Mike Turner to do the alternative covers.
Now, all I had to was write the scripts... And in-between writing and producing episodes of
Heroes while working on
Wolverine…that wouldn't be too hared...
Yikes! [laughs]
NRAMA: Give us a sense of where these stories fit in the grand scheme of things in the post-
Civil War Marvel Universe? The five stages of grief are all about the mind simply dealing with the trauma and getting to a point where it can be accepted. Is this your charge, simply help readers get to that place?
In other words, is this more about providing closure for Cap’s role in
Civil War, or will you be setting up things for future storylines for the character’s involved?
JL: My intention and I believe everyone involved in this agrees, was to give the readers a sense of the
loss that was being felt in the Marvel Universe. No matter what happens in future storylines, right now, right at this very moment, the people who are in this story whose lives were touched by the most beloved character (in my humble opinion)) in the Marvel Universe are feeling
something. I'm trying to express that in these five issues.
NRAMA: How much did you have to work with the Brubaker’s and Bendis’s of the word to make sure these stories are as seamless as possible to what’s happening in the monthlies?
JL: Absolutely. Even though this grew out of a so-called editorial retreat,
nothing happens at Marvel that isn't creatively driven. Quesada encourages that all the writers jam with each other to get the best stories possible. JQ's a writer and artist, so he approaches everything from a storytelling perspective. I have more emails from Bendis, Millar, Brubaker, and JMS than I can possibly count. Of course, they all have to do with getting money out of Nigeria, but it's still very helpful [laughs].
NRAMA: All right, let’s go through each one-shot for a few moments…
Wolverine – Denial.
First of all, why Wolverine to embody denial?
JL: Logan is the one character who has the brass ones to tell the world "I don't buy it." Let's face it, that's what the
readers are saying, so let's explore that. And it's a very real reaction to death. Convince Wolverine, and you convince the world.
Leinil Yu, for my money, just
exploded on the scene when he was drawing the
Wolverine monthly. So, he was the first and only choice. He got it all. The action and emotion. Fantastic stuff.
NRAMA: Denial has almost a double, if not triple meaning, as you allude to yourself.
The traditional psychological significance of denial is the mind just can’t handle the reality for the moment. But in the Marvel Universe, doubting that a hero is dead – particularly Cap – is not an entirely unreasonable assumption. So how are you walking that line – between portraying Wolverine as someone whose mind just isn’t ready to accept this (the psychological) , and someone who is skeptical because of all the things he’s seen in his lifetime/career (the practical)?
JL: Totally. And let's face it, between Winter Soldier (who is Cap's longtime thought dead partner Bucky) and Cap himself who was thought dead from 1944 to when he woke up in a block of ice, Wolverine has a lot to work with in the denial department. But, in a larger sense, he's in touch with the X-Men, with The Avengers, and I'm sure he's guest-starring in
Spider-Man Loves Mary Jane next month [laughs] so he's the one who is going to tell everybody whether or not this is the truth.
NRAMA: Again, as you yourself mention, there will probably be a number of readers who are also skeptical that Steve Rogers is, or will remain dead for very long. Adding a third layer to the denial factor. Is that making its way into how you’re writing this in any way?
JL: I wish I lived in a world where death is an imaginary story. But I can't. So I wrote these stories about what is happening to the Marvel Universe
today. What is happening to our heroes in the aftermath of a great conflict and the price that is paid. Comics work the best when they touch on the real events and transform them into dazzling images. So, hopefully, it's real, compelling and exciting all at the same time.
NRAMA:
New Avengers – Anger.

Now the New and Mighty Avengers were and still are on opposite sides of the registration issue, and neither are directly responsible for his death. After all, Cap surrendered, he wasn’t defeated. So
who is angry, and at whom?
JL: When something of this magnitude happens, we try and find a way to understand it. They don't have to be angry at any
one or any
thing. The unfairness of the universe is enough. And because working with Bendis led to quickly understanding the difference of the two teams, the way in which we deal with anger became apparent.
So this issue actually tells the story from two different perspectives. The Mighty Avengers go out and answer a big time monstrous attack while the New Avengers try and have a poker game. Neither of them are going to end pretty. There are a couple of guest-stars who are no strangers to anger who help voice what is happening to our heroes, not only in the story but in the larger universe as well.
I had worked with Ed McGuinness on stories that had this kind of scope (and numbers of characters) regularly on
Superman/Batman. He was blazing through my second
Ultimates arc, so we had time to do a one shot here that would have the kind of scope the story demanded. It's just a big
wow.
NRAMA:
Captain America – Bargaining.
Hmmm, so talk about this one as much as you can. Who is doing the bargaining here? The next guy who assumes the mantle of Captain America? Or will you be following Steve Rogers in the after-life maybe trying to make a deal to reverse his fate..?
JL: Without giving too much away, there are lots of people in the Marvel Universe (and I'm betting out there in the readership) who are already trying to figure out who should be the
next Captain America. Some folks would argue that it was Steve Rogers who was killed, not Cap and that Cap should and must live on. Then there's the opposition who believe that Steve Rogers
was Cap. We'll see in
Fallen Son #1 that Tony Stark has Cap's shield. What he wants to do with it with surprise some people, anger others, and hopefully fall right into line with what came out of
Civil War.
When we first started talking about this, I had in the back of my mind that John Romita, Jr. had drawn every single character who I could think in the Marvel Universe. And what's even more delightful, is that he did it with style. But, I couldn't think of an issue of
Captain America where JRJr. took the lead. Even though I could see the images of what JRJr. would do with both the strength and power of the character (Cap hurling the shield? Other than Kirby,
C’mon! It
screams Johnny!) I wanted him to have focus on Cap as the star of the story. This is the first time I've worked with JRJr. and his participation is thrilling on a very personal level.
NRAMA:
Spider-Man- Depression.
So why is Peter taking this so hard? Does he fell culpable in some indirect way because he was too late to change sides?
JL: Spider-Man, for me, is best when he's being driven by guilt. I mean, his origin came out of guilt - if he'd
only stopped that burglar, Uncle Ben would still be alive! So, yes, whatever role Peter had in
Civil War,
he feels it certainly didn't make the conflict any
better. Guilt is not always a logical emotion. You just
feel it. And the more you feel it, the greater the tendency is to have things tumble into depression.
But, I want to be very clear here. Just because a story is about depression, doesn't mean it has to be depress
ing. This, for me, was the most emotional story because, let's face it, death
is depressing. And whether or not you can survive it speaks to your strength of character and I'm by no means holding myself up as any kind of beacon of hope. Spidey (along with another character who tracks a lot of
Fallen Son) has to try and comes to terms with what has happened and unfortunately, death is something he know quite a lot about. His parents. Uncle Ben. His best friend Harry Osborne. His first love, Gwen Stacy.
It's a wonder he can go on at all. And that speaks to
his character
if and how he even can.
Dave Finch and I have been wanting to work together since I came back to Marvel. He has the ability to do the quiet moments and the
big moments that comics often compel us to do. We talked for a very long time about how this issue would look and feel. When Dave turned in the cover, he just
nailed the power and emotion this story needed. His pages are quite simply brilliant.
NRAMA: Finally.
Iron Man – Acceptance.
Ummmm, now this is an interesting choice. The guy arguably most responsible for putting Cap in position for the Red Skull to take his shot …the guy debatably vilified still by some Marvel readers …is charged with representing acceptance? Why did you choose Iron Man/Tony for this final stage?
And same question as with the
New Avengers chapter – how is this special different than
Civil War: The Confession which apparently involves Tony coming to terms, and how did you and Bendis avoid bumping into one another..?
JL:
The Confession also grew out of the same retreat. Like any subject matter, two people can approach same topic and have two completely different takes on it. So, I love what Bendis has to say in that book, but it's not what happens in mine. And Brubaker covers a great deal of this in
Cap #26. Acceptance, not only because it is the final issue, but because Tony's dilemma of the role he plays in “The Death of Captain America”, is focused on him, but it is really about the entire Marvel Universe. How are they going to accept what has happened. And the simple answers is - some will, some won't and for all of them, it will take time.
As soon as we agreed who we wanted for the first four artists, the last issue had to be ... special. John Cassaday is one of the finest illustrators working in comics today. And if we were going to tell the world that these stories are truly a loving tribute to this character, it had to be with Cass -- who is one of the most outspoken Cap fans out there. This is going to be a huge cast and as he's proven time and again, and most recently, in
Astonishing X-Men, he delivers on every single character he touches. We've wanted to work together for some time now, but our schedules wouldn't allow that to happen. And after having to cover as big a story as this one will demand... I hope he'll speak to me afterwards! [laughs].
I do want to take a moment to thank Joss Whedon, Cass' partner on
Astonishing, who helped move things around in the schedule so Cass could this.
Joss in the man. Or, an even higher compliment (for Joss) would be to say he's the
wo-man! [laughs]
NRAMA: All right then Jeph, any final thoughts for readers at this point?
JL: Just that I know - being a fellow comic book fan myself - I'm sure this story is very shocking and upsetting. My intention is to try and wrestle those feelings to the ground. It's not easy what Marveldom is going through and it won't be for fandom either. If
Fallen Son helps speak to those reactions, then that's half the battle. And if Cap has taught us anything, it's to
fight on.