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Saturday, July 21st will officially see an end of an era.
That’s the day that
Harry Potter and the Deathly Hallows, the final book in JK Rowling’s phenomenally successful Harry Potter series goes on sale around the world. Rumors abound about what could happen in the final novel, from the possibility (unlikely though it is) of a happy ending, to rumors that Harry will die. But certainly, the question which has been asked in many minds is: does it have to end?
This being a comic book news site, our bias is probably already showing, and you can more than likely guess at where we’re going with this:
Can/should Harry Potter continue in comics?
Those of you who didn’t think of this already, slap yourself on the forehead and catch up to us after the stinging stops.
In short,
it’s time. It's a topic that yes, hinges on decision makers that have little to do with comics, but still, as the market has changed in the last years and months, it's a decision that would make sense.
Of course, it wasn't time when Rowling first began her series about the young magician with a destiny. Back in 1997, when
Harry Potter and the Philosopher’s Stone first hit, and no one knew what it would become, the idea of a comic adaptation – laughable. But move ahead ten years. As Rowling’s work has been credited with everything from increasing literacy among pre-teens and teenagers to bringing young adult fiction into its own as a category to be dealt with, to raising the bottom line at many a bookstore chain, so have comics and, more importantly, graphic novels.
Today, at a point where graphic novels are now outselling comics and bringing in
$330 million as a category in 2006, not to mention receiving acclaim after acclaim, recognition after recognition and – this can’t be mentioned strongly enough:
acceptance among a larger audience than ever, it’s a no-brainer that Harry Potter could thrive as a series of comics or graphic novels. In this day of more and more licensed literary properties, Harry Potter is
the low hanging fruit. Copies of Rowling’s hardcover novels are purchased by kids and adults alike who don’t blink at spending upwards of $25 for the latest installments. And the numbers sold? 10.8 million in the first 24 hours of
Harry Potter and the Half-Blood Prince going on sale. Numbers like that set the offices of comic and graphic novel publishers awash in drool.
So – if we were to continue with this little premise – that there should be Harry Potter comics…what format should they be in?
The easiest answer: graphic novels of 120 pages or more. Thanks to manga, it's what the
Potter audience already thinks of when they think of "comics."
Although,
Dark Tower at Marvel makes a strong case for serialization…issue one of the adaptation of the Stephen King property did, according to Marvel, very solid numbers. From the
LA Times:
"Dark Tower" has a large initial printing, and the first issue is projected to sell well above 200,000 copies, according to Dan Buckley, publisher of Marvel Comics.
The Dark Tower comic series is busting some long-held beliefs about casual readers finding comic shops and online stores, as King's audience, leading up toe the release, was mobilizing in order to find comic shops all over the country. And retailers can only drool at the prospects of seeing their own "Potter effect" akin to what bookstores saw when the novels caught fire. If Potter comics came out as monthlies, it would revitalize the direct market, no question, although, given Potter's popularity, it would take major muscle to keep the comics in the direct market
only.
So...well, let's back off that strong call for graphic novels. Put it at 70/30 for graphic novels versus comic books.
The graphic novel format may edge out the monthly in this instance because it’s audience-friendly (a whole story in a single book) and also – well, because it’s the format that the publisher that most likely would land the comic book rights to Harry Potter, if they were to be had, already publishes in. Said potential publisher, Scholastic’s Graphix line, home to the color version of Jeff Smith’s
Bone.
Under the guidance of David Saylor, Graphix has enjoyed steady growth, and has become the home not only for
Bone but other Scholastic properties and titles as well. It would make the perfect home(*) for Harry Potter as comics, as Scholastic already publishes the
Potter novels.
It got us thinking…so we asked David Saylor:
Newsarama: David, does Scholastic/Graphix have any plans to adapt Harry Potter novels, or tell original Harry Potter stories in graphic novel form?
David Saylor: Scholastic/Graphix has no plans to adapt the Harry Potter novels into graphic novel format.
NRAMA: In your opinion, would the Harry Potter novels/characters/stories be good fodder for turning into comics?
DS: My personal opinion is that the Harry Potter books are perfect prose works, just as they are. But that said, they certainly they work as movies, too, and there’s no reason why a brilliant graphic novel adaptation wouldn’t be possible. J. K. Rowling is a writer who conjures great visual storytelling and I think any graphic artist would find adapting them an enjoyable challenge.
(*) okay, yes, Marvel’s Joe Quesada at one time kind of joked that it would be fun to talk to Rowling about possibly doing Harry Potter comics, and yes, he had said the same thing about one day working with Stephen King, so yeah…there’s that outside chance, but it’s way outside. King’s Dark Tower publisher, Scribner/Simon & Schuster doesn’t have its own, in-house graphic novel arm, marking that pairing make sense.
Of course, there is the Potter connection with Warner Bros which cannot be ignored either, if one is to consider possible comic book publishers that could adapt the Potter novels, or spin new stories.
That would be DC, by the way…essentially meaning that the field is wide open, really when it comes to potential suitors for Harry Potter comics.
Potentially, what could
Harry Potter graphic novels do? Not what stories could they tell, we’ll get to some of those in a minute, but what could they
do as in changing the landscape? After all, the
Potter novels themselves are responsible for much of what you see in the YA section of any bookstore today – a huge influx of titles from vast array of authors and a diversity of genres are now there to keep Judy Blume and Madeleine L'Engle company. As some argue, Harry Potter got the children of the world reading. You’ve seen the video from stores on debut night – lines out the door and around the block for what?
A book.
Now – just take that enthusiasm and hunger, and point it at graphic novels. Not just possible Harry Potter graphic novels, but graphic novels as a category. As those who have seen it grow in the last few years know, the graphic novel market has increased in size through a series of small, but steady steps. Harry Potter graphic novels would be a leap unlike anything the market has ever seen. The hunger for Harry Potter graphic novels would spread to other graphic novels for kids, and then to adults. This all isn’t to say that Harry Potter graphic novels are a silver bullet for the ills of the comics industry…but the idea of them is awfully shiny.
So why don’t we have them? Simple – Harry Potter isn’t controlled by a corporation whose only goal is increasing revenue and making the shareholders happy. Rowling owns the rights to Harry, Hermione, and Ron. As far as she’s stated, she
may write an eighth book after the upcoming
Deathly Hallows, but nothing is set in stone. And publishers, don’t try to wave that bag of money under her nose. According to several reports, she’s richer than the Queen of England.
Rowling’s also left the door open on the possibility that Harry is killed at the end of the final book, preventing him from being used in later stories – something easily gotten around, so she’s kind of drawing the line in the sand on that one.
But end of the day, who can say? Is there hope that a young Wizard, or, perhaps others in the world said Wizard inhabits may make comics their own? Possibly. Scholastic has surely put the offer on the table. Again, they’d be foolish not to. Also, Stephen King and Rowling are
acquaintances who occasionally are in the same place at the same time. As anyone who saw King at this weekend’s New York Comic Con panel will attest, the man is a
huge fan of what Marvel is doing with
The Dark Tower, and reportedly is considering plans to do more novels through the publisher, perhaps starting with
The Stand. If Rowling had worries about how others would treat her characters or world, King could easily allay them, of course, ostensibly bringing the Marvel angle back to the equation.
Time will tell. Perhaps the deal is already signed, and will be announced the day the final novel hits. Perhaps such a deal will never be signed, ever.
But just in case one is, we tapped Troy Brownfield to find some angles and possible stories that could easily show up in graphic novel format. Take it away, Troy.
When one considers the vast number of pages that compose the books of the Harry Potter Universe, it’s amazing to realize exactly how many stories have been implied, but left untold. In some cases, we are given a shorthand version of certain events to facilitate their involvement in the main plot. In other cases, it seems to be a question of time.
It would seem, then, that mini-series or a series of graphic novels would be a sharp way to present some of these tales that might otherwise be lost. Following the example of concepts like
The Gunslinger Born, here are a few suggestions that we have for Potter side stories that fans might like to see explored.
Rubeus Hagrid: Among Giants: While we’ve been given slight glimpses of Hagrid’s mission as envoy to the giants and his eventual rescue/relocation of his half-brother, Grawp, a full explication of this situation could be extremely entertaining. Hagrid continues to be a beloved character, even if he hasn’t got a lot to do in every volume. A graphic novel might be the perfect place to expand on this crucial, and character-expanding, adventure.
Dumbledore: Order of Merlin: Another beloved character, but one with literally dozens of mysteries that circle around him. A personal favorite of mine is the hinted battle he had with the Dark Wizard Grindelwald in 1945 (a fact mentioned on his chocolate frog trading card, and one rife with all kinds of wartime implications). Apart from that, Dumbledore clearly has a huge history that runs from his childhood through his tenure as a teacher and up through his appointment as Headmaster. Think about what he might have done during the rise of Voldemort, or how he might have managed Harry’s father and his trickster friends. This character is rife with potential for further exploration in the sequential form.
Voldemort: Anger: Even though Voldemort has had much of his history revealed in the past three novels, there’s no real linear retelling of how many of the pieces fall together. One suggestion we have would be to bring organization to all of these tales (his relationship with his father, his betrayal of Hagrid, his ascent to greater power, etc.) and show it in a straight-forward narrative fashion. Imagine someone like Dan Brereton or Stuart Sayger on the art chores, and hang on.
The Mauraders: Appropriately, this would cover the Hogwart’s days of young James Potter, Sirius Black, Remus Lupin, Peter Pettigrew, Severus Snape, and Lily Potter. While we are privy to many details of this group’s various interactions, it could be great fun to revisit their somewhat more light-hearted school days. There’s the blossoming romance between James and Lily, the frosty relationship between Snape and the others, and the generally more upbeat friendships that would sadly lead to betrayal and darkness. Overall, it’s an intriguing set of character arcs that could make for a riveting long-form series.
Mischief Managed: A quick-one here: the full-on comedic adventures of Fred and George Weasley. No further explanation needed.
Thoughts?
art above by Humberto Ramos, originally posted at his blog