
It’s been a few months since Humanoids announced that Terry Dodson had signed on to illustrate the upcoming graphic album,
Coraline (now known as
The Comic Formerly Known as Coraline thanks to it sharing a name with Neil Gaiman’s recent young-adults novel) written by Denis-Pierre Filippi. Newsarama checked in with Dodson for an update on the project as well as a look at some early pages.
The story follows a young woman, Coraline, who responds to a rich landowner’s ‘Help Wanted’ ad. The job sounds simple enough at the outset – care for and provide distraction for the mansion’s young Master. Sounds easy, right?
”In a nutshell, the boy, Vernere, has become so consumed by his inventing that he has no time or inclination to be a normal child that plays for example,” Dodson said. “He is basically a workaholic at age 11 and locks himself away for days at a time in his workshop. Coraline is hired as governess to help him to return to his normal childhood. It sounds dry, but it's really more of a mystery/adventure story, what with her encounters with Vernere's inventions and then there are fantastical dream sequences - one which features pirates! Through these dreams she is able to resolve the boy's problems.”
As can be seen from the sample pages, the look of
TCFKAC required a large chunk of design time. Given the time period in which the story is set,
intricate was the buzzword of technology – millions of small, moving parts. Despite the story being fully written by the time Dodson came along, Filippi only gave rudimentary notes on design, allowing the artist to design the look of the entire world of Coraline from the ground up.
“This has been the most time consuming part of the project, because I basically had to design everything, from clothing to boats to houses, rooms, gadgets, etc,” Dodson said. “Almost every page I draw has some new element or elements that need to be designed.

“But the designing/inventing has proven to be the most fun for me,” Dodson said. “The story starts off in a realistic, approximately 1885, but once Coraline enters the estate of Vernere, the fantastic begins. I believe one of the descriptions on the initial outline for the story called the look of the inventions 'Verne-ish' as in Jules Verne. I had some mental pictures of Disney's
20,000 Leagues Beneath the Sea but couldn't find any real concrete reference for that. But through the process of research, I found hints of what I was going for in movies like
Wild Wild West, City of Lost Children, and comics like the
League of Extraordinary Gentlemen. The word ‘steampunk’ was also used in descriptions and my only knowledge of this word was Chris Bachalo's
Steampunk comic. So through more research, I found some more out about that, and since what I’m doing takes place in a world of the late Victorian era I added art nouveau/Mucha elements to give it I hope a unique look.”
Dodson has previously said that the schedule of
TCFKAC allows him to do the best job possible. Expanding up on that idea for Newsarama, Dodson explained the simple benefit of working on a somewhat open-ended project.
“Basically, I have the ability to have the time to have the final artwork look like how I want it to look,” Dodson said. “Working on a monthly book, I have to take shortcuts in order to speed up the process and if a drawing isn't to my liking, oh well, no time to fix it. Here, I have time to think things through and correct that which I am not happy with. Plus, I could never draw this particular project on any sort of monthly schedule, what with dense 10-panel pages, and the vast amount of research and design work that goes into it.”

Something essential to both the schedule and content of the project, Dodson said, is Humanoids itself – willing to publish graphic albums on a more ‘European’ schedule, that is, when they are completed, rather than a pre-set ship date.
“I’ve been a fan of the European style graphic novel for a long time,” Dodson said. “When I went to France last year, I was amazed by the scope of what I saw. There were a variety of comic book albums everywhere. The Virgin Megastore had a whole floor dedicated to comics. You could even buy graphic novels at the airport snack bar! It was great to see that in France there are comic fans of both sexes and all ages. After seeing this, I knew I wanted to do a European style graphic album.
“As for the publishers, Humanoids had been one of companies that I was most familiar with, especially the work of Jodorowsky and Gimenez. Already being a fan of their stuff, I was genuinely interested in the prospect of doing my own album when they approached me – a project where I am able to do the whole thing myself.
“I was offered a number of projects by Humanoids, and picked the one that least resembled what I work on everyday for Marvel. Also, at this point Travis Charest was already working for them, so it seemed like a safe move. Plus, everyone I have dealt with has been great. It also doesn't hurt to know that the books will get wide distribution in Europe, where comic albums are everywhere and ready by men and women and people of all ages.

”Also, why not? It's something different; variety is good for an artist, or anybody for that matter. The writer, Denis-Pierre is French, so it's fun to get to know him and his culture - and practice my French by communicating with him. Marvel is treating me very well - Joe Quesada and Axel Alonso have plenty of great stuff for me to work on, and if I wanted to do a graphic novel at Marvel, I probable could. However, I’m already doing projects for Marvel so why not try something else? For now, it's nice to be able to have new experiences.”
As revealed when the project was announced, Dodson is handling
all the art for
TCFKAC - from pencils to digital inks and coloring. “As good of coloring jobs I have had in the past, it's never exactly what I had in mind,” Dodson said. “How could it be? How could someone guess what colors you were imagining or what kind of lighting or mood? Again, the big attraction of this job is to do the whole thing myself. I will color the whole thing myself and will only have someone assist because of time constraints. The finished product takes a lot of work, but I have been given a great amount of freedom and the feedback and criticism I have received from Humanoids has been top notch.”
While monthly projects such as
Spider-Man/Black Cat and fill-ins on
Wolverine will continue to pay the bills for Dodson, projects such as
TCFKAC have found a spot on his workload for the foreseeable future.

“My Marvel schedule can be very busy at times and so in order to do other work I have to schedule it carefully,” Dodson said. “The
Coraline schedule allows me to fit in all my Marvel work and yet allows plenty of time to be able to do the quality of work I want to do and usually don't have the time to do at a regular company.
“It's great to work on stuff that comes out regularly and playing with the icons of the industry, but it's also nice to work on more lengthy involved projects,” Dodson said. “The combination of the two is ideal for me as an artist.”
Humanoids anticipates a fourth quarter ’03 or early ’04 release of
TCFKAC, which will have a new name by then.
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