by Troy Brownfield
You know Eric Wight by now. Whether you associate his name with TV projects, mainstream comics, or
My Dead Girlfriend, his presently launching, buzz-generating series from Tokyopop, you know that he brings a dynamic sense of style to his work. These days, Wight is a busy guy, so busy in fact that Newsarama will be speaking to him on two occasions. In the near future, Wight will hold forth in detail on
My Dead Girlfriend. Today, he comments on the end of
The O.C., the
Action Comics annual, and more forthcoming adventures in the DCU.
Newsarama: At this point, how many volumes in MDG slated to run? Is it something that you envision having sequels or spin-offs?
Eric Wight: When I first pitched the book, I told Julie (my editor at Tokyopop) that I thought this was a one-shot deal. But then I emailed her the next day to let her know that I came up with ideas for nine volumes! So the answer changes from day to day. I have a definitive ending plotted out, and a lot of stories I want to tell before then. I just haven’t decided how many
more stories I’ll want to tell in between. And I had so much fun creating all of the characters in MDG that I would be completely open to spinning any of them off into their own series.
Newsarama: Now that
The O.C. is wrapping, what's your perspective on that experience?
Wight: What I’m most proud of was being given the chance to portray comics in a positive light to an audience the majority of whom had never read comics before. I used to joke with my pals that there should be a Comic Reader Anti-Defamation League because of how fans were always stereotypically portrayed as only being guys with taped glasses who still live in their parent’s basements. The O.C. not only showcased comics as being “cool,” but celebrated the process itself, which is a really rare thing.

The other part that I cherish was just how trusting, generous, and supportive Josh Schwartz and the other producers were. They really let me run with the concepts I came up with, and because of that I think The Atomic County has a very honest quality too it. This wasn’t a sales gimmick to try and lure viewers or sell toys. The merchandise came later in response to how much fans enjoyed my work.
Newsarama: Do you have any more multi-media plans at present?
Wight: Right now I’m trying to focus more on my publishing career. I’m really excited about making comics that people can actually read, not just props you see in a blink. But like the movie
Sullivan’s Travels, every time I try to escape Hollywood I seem to get pulled back in. I’m sure it’s only a matter of time before you see my working popping up in another show or movie.
Newsarama: Tell us about your involvement in the
Action Comics Annual.
Wight: Geoff and I had been talking for a while about wanting to do something together. So when he called me to see if I was available, I jumped at the opportunity to work with him and Donner. My contribution to the annual was illustrating the re-introduction of Mon-el, which pays a great tribute to
Superboy #89.
Newsarama: Does your style uniquely suit you to depicting a specific era in the DCU?
Wight: I sometimes get pegged as the “retro” guy, which is both a blessing and a curse. I’m certainly not limited to just drawing stories that have a golden or silver age look to them, but I guess because I derive so much inspiration from the artists of those eras, it’s an easy dot to connect. I think a lot of it is contextual too. My style for The O.C. isn’t all that much different than my superhero work, but no one has ever referred to that as being retro.
Newsarama: What's the best part about handling the Superman cast?
Wight: Working with any of these classic characters is a total thrill. Even for a couple of pages, I get the chance to be a part of a tremendous legacy. This time around, I really enjoyed drawing a much younger Clark Kent. It was a lot of fun trying to capture the innocence and awkwardness of being a kid, while at the same time knowing you have such extraordinary powers.
Newsarama: I hear mention of two more DC projects coming up: what can you tell me about what you're doing with the Justice League? Does it follow up in a way on your
JLA #0 work?
Wight: I just finished designing the cover to
JLA #7. I can’t spoil the surprise, but if everything goes according to plan, it’s going to be something really, really special. I’m drawing layouts for that issue as well.
Newsarama: As to
JSA: Classified, what might you be doing there? Who's the writer?
Wight: I can’t get into specifics other than it’s a three issue arc written by my pal Vito Delsante. Mark my words, Vito is going to be one of DC’s next breakout stars. This guy’s got serious writing chops, and I’m really excited and proud to be working with him.
Newsarama: It's interesting to see an artist moving between the more conventional mainstream books and OEL manga style. What are the challenges in switching between the formats in terms of layouts, the demands of the page, etc.?
Wight: In terms of basic storytelling, I don’t really approach the process all that differently. I try to find the point of view that best fits the story I’m illustrating. I think the page count of manga allows you to pace things more slowly and not pack so much onto every page. But I sometimes feel constrained knowing that the final art will be so small. Where as with superhero comics the pages are bigger, but there always seems to be so much information crammed into a 22-page story.
Illustrating
My Dead Girlfriend was very liberating because I could just be myself and not worry about paying tribute to any one period or style. My animation experience came in handy for designing the characters, but I employed all the same inking brushwork that I use in my superhero work. I have to admit though, after drawing MDG for four months straight, I really missed the superhero stuff and was excited to dive into my Action story. I’m such a fan of all forms of graphic storytelling that I really enjoy being able to dance back and forth between different styles and genres.
Newsarama: What's your preferred work method these days? Favorite tools?
Wight: About twenty pages into
My Dead Girlfriend I started penciling on a Wacom Cintiq to speed the process along, and I’ve been really happy with the results. Once I rough out a page in Photoshop, I convert it to a non-photo blue, print it onto bristol and then ink it with a brush. I love the way I can ink cleanly on the bristol without it floating on the pencils. Sometimes in a pinch I’ll ink a page digitally, but nothing compares to the subtlety of a Winsor Newton Series 7. You’ll have to pry my brush out of my cold dead hand!


Newsarama: Any words of encouragement or suggestion for up-and-coming artists?
Wight: Work hard, follow your passion, and the opportunities will come to you. It sounds so basic, but being an artist in this business is a really tough job. You have to truly love your work and not be afraid to draw until you feel like your arm could fall off. If you have the determination to work that hard, you’ll have the determination to succeed.
Newsarama: Are there any more DC (or other) characters that you'd like a chance to write or draw? And do you have any more original projects in the hopper?
Wight: There are a lot of characters I would love to play with, but for me it’s more about having the opportunity to collaborate with really great writers. I’m also really enjoying the creative freedom of writing and drawing my original projects, so I’ll continue to jump back and forth between the two as long as they let me.
If you’re looking for the personal version of the Eric Wight experience, he’ll be signing copies of My Dead Girlfriend and Action Comics Annual #10 at Jim Hanley's Universe Wednesday, February 7th from 4-6pm and will also be appearing at NY Comic-con at both the Tokyopop and DC booths.
For Wight on the web, visit:
His website: http://www.ericwight.com
His MySpace page: http://www.myspace.com/ewight
His ComicSpace page: http://www.comicspace.com/ericwight/