
Featuring panelists Dan DiDio, Greg Rucka, VP of Sales Bob Wayne, and editor Joan Hilty, DC’s Saturday evening “Crisis Counseling” panel at WizardWorld: Chicago offered a little in terms of upcoming information, a touch in terms of teases, and more often than not, the phrase, “All will be revealed” to fans’ questions about upcoming stories, endings of stories, fates of characters, and more.
Some highlights from the generally good natured, but occasionally contentious panel…
Newsarama Note: like virtually all convention panels, “Crisis Counseling” contained more laughter than angry words, more good will than ill, and more honest explanations and clarifications being offered by panelists, with virtually no antagonism or ill will towards the audience. Again, the tone in virtually all panels at conventions is light (with occasional rough spots), and any perceived sarcasm, anger, or confrontational tone that readers may feel came across while reading a summary of the panel is often that – more perception than reality.
• Asked about the pricing for the upcoming weekly
52 series, which will fill in the gap between the end of
Infinite Crisis and “One Year Later…” in the DCU titles, DiDio said that he would love to see all the issues priced at $0.99, and thinks that is a very good idea. DiDio turned the question over to Wayne who immediately countered with “bad idea.”
DiDio followed Wayne’s answer by saying that he very clearly understood the apprehension of fans who are looking at the coming weekly series, and stated that it’s his (along with the creative team’s) goal to make the series as enjoyable as possible to make readers feel that they’re getting their money’s worth and keeping coming back week-in, week out for the story.

Finally on this issue, DiDio asked the crowd how many were buying all four
Countdown miniseries. Once he saw roughly three quarters of the hands in the room go up, he pointed out that effectively, they were buying a weekly series, given that it was four new monthly minis that all launched earlier this year, and that the idea of a adding a weekly series to their regular comic purchases may not be as foreign as they thought.
• In regards to what is coming up in
OMAC, Rucka said that he’s heard from many readers wondering just how many OMACs there are across the DCU. “Issue #5 gives the full census,” Rucka said. “And it’s a
lot more than you’re thinking.” Rucka and Hilty then commented that
OMAC artist Ivan Reis was hard at work on a double page spread in issue #6 which shows a nearly full compliment of OMACS in full attack.
• Asked if there were any plans to bring the Ray Palmer, the Atom back in
Infinite Crisis, DiDio said no, joking that “He’s still upset” about the events of
Identity Crisis.
• Will the robot L-Ron be making an appearance any time soon? Rucka: “No comment, but I know what you’re thinking.” DiDio: I tought he’d been recycled and was part of like a dozen cars by now…”
• Asked if any books besides
Legion of Super-Heroes will be unaffected by
Infinite Crisis, DiDio listed
Jonah Hex, Brave and the Bold, Plastic Man and the All-Star titles. “There is a group of product not tied into
Infinite Crisis, DiDio said, but you have to understand what we’re doing here is world-building, and telling a story that affects the entire DCU, so it makes sense that every DCU title, in one way or another, will be affected.”
That said, DiDio said that he and his editorial and creative teams are being very careful in terms of making any and all tie-ins to the event meaningful, acknowledging that some “Red Skies” issues have slid through the cracks, and that you won’t see OMACs put into every DCU title just to produce a tie-in issue. “Unless it helps the sales,” DiDio joked.

• DiDio was asked to clarify his take on the generational aspect of the DCU and the need for the three icons of the DCU: Batman, Superman, and Wonder Woman not to effectively age, however, they’re surrounded by characters who do. DiDio expressed that this aspect of storytelling with these kinds of characters is challenging, and then joked that
that was the key of Batman storylines after “One Year Later…” – “Nightwing finally passes Batman, and is three years older than him. That’s the storyline – he’s full on with bring older, and starts calling Batman ‘Little Buddy.’”
Rucka: “And I’m writing the miniseries:
Batman: Chum”
Continuing, DiDio expressed how difficult it would be line-wide if the three iconic characters started to age, joking that if the three would age it would be like something as bizarre as heroes becoming villains or “like someone signing an exclusive contract with Marvel after being with DC for two years.” DiDio feigned crying, and was comforted by Rucka, who said, “It’s all right…he’ll be back…he’ll be back” to the laughter of the crowd.
• With a new
Crisis looming, would the Anti-Monitor be coming back? “No comment.”
• Asked about the permanence of death in the DCU, DiDio said that no one will see Su Dibny alive again, nor will anyone see Ted Kord. When the latter was met with a smattering of “boo”s, Rucka said, “There was a breeze blowing through his brain, and he was incinerated. How much clearer can it be?”
The crowd got a little contentious at that point, throwing up comments alluding to the “deaths” of Green Arrow, Green Lantern, and others who have since returned to the land of the living. This led Rucka and DiDio into a discussion of the use of death in DC titles, with Rucka saying that characters are never killed capriciously in good stories. In broadening the discussion, DiDio confirmed a fan’s question that Barry Allen would never return to the rolls of active, living heroes in the present day. While the ruling allows for Allen’s appearances in time-travel stories (such as the current
Flash arc), DiDio said that with Barry, the Flash has seen a legacy developed, adding that he didn’t think anyone would argue with his assertion that Wally West has proven himself, in the 20 years following the original
Crisis on Infinite Earths, to be the Flash much in the same way Barry Allen had for that generation.
• Clarifying the timeline for
Infinite Crisis, 52 and “One Year Later…”, DiDio ran down the events: “In February’s
Infinite Crisis #4, there is a moment that happens –something happens across the entire DCU. March’s books are then all set ‘One Year Later,’
Crisis ends in April, and
52 begins in May.”
• Asked about George Perez’s upcoming role with DC, DiDio repeated an earlier announcement that Perez would be drawing the alternate covers to all seven issues of
Infinite Crisis (Jim Lee will be drawing the regular covers). Asked later about the status of
Teen Titans: Games, the original graphic novel by Perez and Marv Wolfman the two began years ago, and were at one time working to complete, DiDio said that the GN is on hold for now.
•
Gotham Central #37 will be directly tied to
Infinite Crisis.
• Speaking of how the
Countdown miniseries and other associated issues leading to
Infinite Crisis will be collected, Wayne said that they will be collected in the coming months, and plans will be announced shortly. Speaking directly to a collection of the recent “Sacrifice” arc which ran through the Superman titles and
Wonder Woman #219, and why the company opted to return to press on the four parts of the story rather than rushing a trade collection to press, Wayne said that reprinting the individual issues was the fastest way DC could get the material back on shelves and into people’s hands.
• Also in regards to
Wonder Woman #219 DiDio said that just as they tried to get the word out to fans and retailers that the issue would be very important and shouldn’t be missed in regards to the build-up to
infinite Crisis, neither fans nor retailers should miss
JLA #119. “We’d suggest if there are retailers in the room,” Wayne said, “that you order at least as many copies as you do of
OMAC or more.”
• When a fan pointed out that they felt that
Villains United was missing someone, and asked where the Joker was (he has not been seen in the story, or even as one of the villains the Society approached in regards to membership), both Rucka and Hilty responded that it was a very,
very good question. “Wait just a little bit,” Rucka added, “and you’ll be very glad you asked that.”
• Asked the scope of the end of
Infinite Crisis and “One Year Later…” on the DCU line in general, DiDio said that there will be cancellations, as well as new series starting, with old series continuing, but with major changes. Wayne added that there won’t be any restarting
Action, Detective, Superman, Batman or other long-running DC titles with a #1 just because they could if they wanted.
• In a final anecdote when asked about Max Lord being a Cyborg (revealed in a past issue of
Justice League), DiDio said that, in early editorial meetings when DC editorial was beginning to plan out the drumbeats to
Crisis, the editors had a meeting, with one of the purposes being to find a new leader for the offshoot of Checkmate shown to be led by Lord in
Countdown and
OMAC. Several names were tossed out, DiDio said, such as Sarge Steel, King Faraday, Mr. Jupiter and others, and then Max Lord was suggested. Many of the editors thought that the idea made sense, as Lord had been shown to have a mean streak and to have killed previously, but the idea of using Lord was tabled after someone said, in DiDio’s words, “Yeah, but wasn’t he a Cyborg nd wasn’t he taken apart?”
According to DiDio, the focus then shifted to Mr. Jupiter, an old Teen Titans nemesis, but the editors felt “Mr. Jupiter” sounded old fashioned, so the character’s handle was changed to “Mr. J.” This worked for a while, DiDio said, until they were working through the outline of
Countdown (months before writing started or plans were finalized), and came to the conclusion.
”And we got to the part where Beetle is killed, and we all said, ‘Mr. J kills Blue Beetle.’” DiDio stopped to roll his eyes as the crowd laughed. “’
Mr. J kills Blue Beetle?’ Not only does it have overtones of the Joker, but it just sounded stupid.”
This led the editors to give Lord a second look, and when the mention came again that Lord was revealed to be a cyborg…”We thought about that aspect of the story some more and then asked, ‘Did anyone read it?’ No. ‘Did anyone like the idea?’ No. So we moved ahead with Max as being a human, and having been a human, and not letting that small part of the past stand in the way of this story. We wanted what was best for
Countdown, and for us, that meant that Max had to be a human.”




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