by Troy Brownfield
Among the stronger titles inhabiting the present DCU stands
Manhunter. A combination of a strong female protagonist, innovative character work and hard-edged action, the series had an under-the-radar debut but continues to build a loyal following on positive word-of-mouth. It’s not hard to understand why DC decided to go with a new
Manhunter title; some iteration of the concept has been present with the company for decades, and fits in very nicely with DC’s emphasis of super hero
legacies, right up there with the various Flashes, Green Lanterns, and others.
Here we’ll take a look at some of the previous versions, with information drawn from DC’s seminal
Who’s Who, DK’s
The DC Comics Encyclopedia (edited by Daniel Wallace) and
The Encyclopedia of Super Heroes by Jeff Rovin.
The various Manhunter series certainly share a spiritual antecedent in terms of Richard Connell’s 1924 short story, “The Most Dangerous Game.” Employed as a long-standing tagline and filmed in various versions over the years (including the incredibly loose adaptation,
Surviving the Game with Ice-T, and the classic 1932 version which starred Joel McCrea and Fay Wray), the piece has been a staple of lit classes without number for its simple theme: in the animal kingdom, man is both the most vicious hunter and the most dangerous thing to hunt. In fact, the big-game hunting notions inherent in the story actually figure into the origins of a couple of the later comic characters to use the name.

Two Manhunters made their bow in comics in 1942; for our purposes, we’ll go with the one that debuted at Quality Comics first. That would be Dan Richards, who first stepped up in
Police Comics #8. Richards himself was a police officer, and the blue of his outfit reflected that theme. He was notably accompanied by his dog, Thor. (In these original tales, Thor is a regular dog; the
Millennium crossover of the ‘80s would later reveal that Thor was a robot in the employ of the robotic race of Manhunters that we’ll cover later). This particular feature ran in
Police Comics for eight years; after being acquired by DC along with other Quality characters, Manhunter was made a member of The All-Star Squadron in the pages of that series.
The other Manhunter to come along in ’42 was originally named Rick Nelson, though this travelin’ man was later renamed Paul Kirk. This is a supreme bit of irony, since DC had previously had
another Manhunter named Paul Kirk (a “finder of lost persons”) that ran from
Adventure Comics #58 in 1941 until #72; that Manhunter had no costumes or powers to speak of.

When the new Nelson/Kirk version bowed in
Adventure #73, he was the creation of Joe Simon and Jack Kirby, and sported the familiar red & blue of all later Manhunter incarnations.
Following the Connell tradition, Kirk came from a big-game hunting background. After his cop buddy is rubbed out, Kirk becomes a vigilante to “hunt the beasts of civilization.” He appeared in more recent times in the red & blue garb in both
All-Star Squadron (yes, they had two Manhunters on the team) and in the superlative reimagining by James Robinson and Paul Smith,
The Golden Age.

Though the Paul Kirk strip only ran for two years in
Adventure, the lasting concept of that particular version of Manhunter didn’t go away. He cropped up again in 1973 in the pages of
Detective Comics (#437, to be precise). This is the birth of the beloved strip with Archie Goodwin scripts and Walt Simonson pencils. Kirk starts off as a man disenchanted by war and a hunter who no longer finds the thrill in the kill.
Surviving a near-fatal accident with the aid of scientist Dr. Mykros, Kirk is brought to work with The Council, a shadowy organization who purport to be saving the world. Kirk receives superhuman enhancements as he cryogenically frozen for a quarter-century and becomes the patient zero for a clone army. Disgusted by the tactics of the Council, Kirk breaks away and adopts the famous “billowy-shirt” look. At the close of his adventures, he and Mykros end up killing one another. (One of the clones turned up in
Secret Society of Super-Villains, a subject that I covered earlier this year).

This Manhunter, more than many others, resonated with the readership. The fine writing and art are often referred to as high-water marks of the “back-up tale” era. A collection,
Manhunter: The Special Edition is available from DC (though it’s not to be confused by Amazon orderers with the Manhunter Special Edition DVD, as directed by Michael Mann).
Just two years after the
Detective strip kicked off, Jack Kirby was back doing Manhunter. This time, it was Mark Shaw donning the familiar red & blue in
First Issue Special #5 from 1975. In an interesting occupational spin for a soon-to-be vigilante, Shaw was a public defender (a nice counterpoint to today’s Manhunter, herself a D.A.). Shaw becomes the Manhunter after receiving from his uncle a leonine medallion and the costume.
Unfortunately, Shaw later drifts into villainy as both the Star Tsar and Privateer. After events that spin out of the aforementioned
Millennium crossover, Shaw took back the Manhunter guise as a force for good in a late ‘80s series that ran 24 issues.

As part of the tradition of spinning new titles or relaunches out of big events, DC tried out another Manhunter in 1994. Starting with a #0 issue after
Zero Hour, Chase Lawler drew his inspiration from a primal huntsman that was previously only seen during the last few pages of the final issue of
Zero Hour itself.


This Manhunter was further divorced from the other main line of the characters, but it did still retain elements of the color scheme. Lawler was shuffled off into cancelationville about a year later, the character’s career cut short by health problems.
With two short-lived series in quick succession, were the Manhunters doomed? Of course not. It would take a few years, but a new series would indeed debut to critical praise with a completely new take on the nature of the eponymous protagonist. And it came in the pages of
The Power Company.
In Part Two, we’ll step back into the history of the Manhunter robots and the Power Company, and do a “story so far” on the present
Manhunter series.
Troy Brownfield writes lots of stuff for Newsarama. And yes, he thinks DC Direct should make with a full-on Manhunter assortment.